BIOGRAPHY
DOWNLOAD PDF (109 Kb, UK)
DOWNLOAD PDF (109 Kb, UK)
LYNDA BENGLIS | |
1941 | Born in Lake Charles, LA |
Lives and works in New York City, Santa Fe, Kastelorizo, Greece, and Ahmedabad, India | |
Education | |
1964 | Newcomb College, B.F.A. |
Solo Exhibitions | |
2012 | Lynda Benglis, Thomas Dane Gallery, London |
Part One: New Works on Paper, Kappatos Gallery, Athens | |
2011 | Lynda Benglis, Van Abbemuseum, Eindhoven |
traveling to the Irish Museum of Modern Art, Dublin | |
Museum le Consortium, Dijon | |
Museum of Art, Rhode Island School of Design, Providence | |
New Museum, New York | |
The Museum of Contemporary Art, Los Angeles | |
Fountains, Salon 94 Freemans, New York | |
Lynda Benglis Glass Masks, Texas Gallery, Houston | |
2010 | Wax’in Wane, Michael Janssen Gallery, Cologne |
Flow and Flesh Locks Gallery, Philadelphia | |
2009 | Lynda Benglis, New Work, Cheim & Read, New York |
2008 | Lynda Benglis As Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati |
Shape Shifters, Locks Gallery, Philadelphia | |
2007 | Lynda Benglis – Wax Paintings & Ceramic Sculptures, Texas Gallery, Houston |
ArtMatters 11: Lynda Benglis, the McNay Museum, San Antonio | |
2006 | New Work by Lynda Benglis, Nina Freudenheim Gallery, Buffalo, NY |
Lynda Benglis: Pleated, Knotted, Poured…, Locks Gallery, Philadelphia | |
2005 | Ceramic Sculpture, Frank Lloyd Gallery, Santa Monica |
Lynda Benglis, Susanne Hilberry Gallery, Ferndale, MI | |
2004 | Lynda Benglis: Ceramic Sculpture, Franklin Parrasch Gallery, New York |
Lynda Benglis, A Sculpture Survey 1969-2004, Cheim & Read, New York | |
2003 | Lynda Benglis: Sculptures, Bass Museum of Art, Miami |
Toomey Tourell, San Francisco | |
2002 | Lynda Benglis Soft Off, Locks Gallery, Philadelphia |
Cumberland Gallery, Nashville | |
Lynda Benglis: Ceramic Sculpture, Franklin Parrasch Gallery, New York | |
2001 | Echoes, Remba Gallery, Los Angeles |
New Work, Toomey Tourell Gallery, San Francisco | |
2000 | Weatherspoon Gallery, University of NC at Greensboro, NC |
Materials Girl, Meadows Museum, Shreveport, LA | |
Lynda Benglis, a Decade of Ideas, Bryan Ohno Gallery, Seattle | |
Lynda Benglis: Hot Spots, Texas Gallery, Houston | |
Stacked, Forced, Pinched: Clay and Bronze Works by Lynda Benglis, Meadows Museum, Shreveport, LA | |
1999 | Lynda Benglis, Small Works, Galerie Simonne Stern, New Orleans, LA |
Lynda Benglis, Guild Hall Museum, East Hampton, NY | |
Lynda Benglis, New Works, Cheim & Read Gallery, New York | |
1998 | Lynda Benglis, Chimera, Forum Kunst Rottweil, Rottweil, Germany |
Galerie Six Friedrich, Munich, Germany | |
Charim Klocker Gallery, Vienna | |
Lynda Benglis-Recent Sculpture & Screening of the 1973 Video Female Sensibility,Cheim & Read Gallery, New York | |
Dynamic Silhouette, Kappatos Gallery, Athens, Greece | |
Lynda Benglis: Selected Wall Reliefs, USF Contemporary Art Museum, University of South Florida, Tampa, FL | |
1997 | Selected Wall Reliefs, Elizabeth Mayer Fine Art, New York |
Hidden Agenda, Contemporary Art Gallery, Ahmedabad, India | |
Lynda Benglis, Michael Janssen, Cologne, Germany | |
1996 | Porter Troupe Gallery, San Diego |
New Monotypes: Landscapes & Fetishes, Quartet Editions, New York | |
1995 | Galerie Simonne Stern, New Orleans, LA |
Susanne Hilberry Gallery, Birmingham, MI | |
Lynda Benglis: Recent Wall & Glass Sculpture, Heath Gallery, Atlanta | |
Lynda Benglis in conjunction with "Chimera: Recent Ceramic Sculpture", Cranbrook Art Museum, Bloomfield Hills, MI | |
1994 | Wax Paintings, Paula Cooper Gallery, New York |
Lynda Benglis: Wax Paintings, Heath Gallery, Atlanta | |
Chimera: Recent Ceramic Sculpture, The Harwood Foundation Museum, Taos, NM | |
Boulder Museum of Art, Boulder, CO | |
Cranbrook Art Museum, Bloomfield Hills, MI | |
University Gallery, New Mexico State University, Las Cruces, NM | |
1993 | Clothed and Unclothed: Recent Sculpture, Richard Gray Gallery, Chicago |
From the Furnace, Auckland City Art Center, Auckland, New Zealand | |
Ceramic Sculpture, Tavelli Gallery, Aspen, CO | |
Gow-Langsford Gallery, Auckland, New Zealand | |
1992 | Heath Gallery, Atlanta |
1991 | Dual Natures, Traveling Exhibition: The High Museum of Art, Atlanta |
Contemporary Arts Center & New Orleans Museum of Art | |
San Jose Museum of Art | |
Recent Work, Heath Gallery, Atlanta | |
New Works, Tilden Foley Gallery, New Orleans, LA | |
Margo Leavin Gallery, Los Angeles | |
1990 | Richard Gray Gallery, Chicago |
Linda Farris Gallery, Seattle | |
Sena Galleries West, Santa Fe, NM | |
Paula Cooper Gallery, New York | |
1989 | Tilden-Foley Gallery, New Orleans, LA |
Margo Leavin Gallery, Los Angeles | |
Michael Murphy Gallery, Tampa, FL | |
1988 | Lynda Benglis: Recent Sculpture and Works on Paper, Cumberland Gallery, Nashville |
Full Gross Gallery, San Francisco | |
1987 | Paula Cooper Gallery, New York |
Landfall Press, New York | |
Margo Leavin Gallery, Los Angeles | |
1986 | Fuller Goldeen Gallery, San Francisco |
Tilden-Foley Gallery, New Orleans, LA | |
1985 | Works in Glass, Margo Leavin Gallery, Los Angeles |
New Works in Glass, S. Hilberry Gallery, Birmingham, MI | |
Glass, Dart Gallery, Chicago | |
Heath Gallery, Atlanta | |
1984 | Paula Cooper Gallery, New York |
The Texas Gallery, Houston | |
Tilden-Foley Gallery, New Orleans, LA | |
1983 | Susanne Hilberry Gallery, Birmingham, MI |
Dart Gallery, Chicago | |
1982 | Okun-Thomas Gallery, St. Louis, MO |
Flux & Fusion: An Exhibition of Sculpture, Margo Leavin Gallery, Los Angeles | |
Paula Cooper Gallery, New York | |
Fuller Goldeen Gallery, San Francisco | |
1981 | Museum of Art, University of Arizona, Tucson |
Galerie Albert Baronian, Brussels | |
Dart Gallery, Chicago | |
The Texas Gallery, Houston | |
Jacksonville Art Museum, FL | |
1980 | University of South Florida, Tampa, FL |
Lowe Art Museum, Miami, FL | |
Margo Leavin Gallery, Los Angeles | |
Portland Center for the Visual Arts, OR | |
The Texas Gallery, Houston | |
Paula Cooper Gallery, New York | |
David Heath Gallery, Atlanta | |
Chatham College, Pittsburgh | |
Susanne Hilberry Gallery, Birmingham, MI | |
1979 | The Texas Gallery, Houston |
Dart Gallery, Chicago | |
Real Art Ways, New Haven, CT | |
Hansen-Fuller Goldeen Gallery, San Francisco | |
Georgia State University, Atlanta | |
Galerie Albert Baronian, Belgium | |
1978 | Paula Cooper Gallery, New York |
1977 | Margo Leavin Gallery, Los Angeles |
Hansen-Fuller Gallery, San Francisco | |
Douglas Drake Gallery, Kansas City, MO | |
1976 | Paula Cooper Gallery, Los Angeles |
1975 | Fine Arts Center Gallery, State University of New York College at Oneonta, NY |
The Kitchen, New York | |
Paula Cooper Gallery, New York | |
The Texas Gallery, Houston | |
1974 | Paula Cooper Gallery, New York |
Hansen-Fuller Gallery, San Francisco | |
1973 | Paula Cooper Gallery, New York |
Lynda Benglis Video Tapes, Video Gallery, Everson Museum of Art, Syracuse, NY | |
Hansen-Fuller Gallery, San Francisco | |
Portland Center for the Visual Arts, OR | |
The Texas Gallery, Houston | |
Jack Glenn Gallery, Corona Del Mar, CA | |
The Clocktower, New York | |
1972 | Hansen-Fuller Gallery, San Francisco |
1971 | Kansas State University, Manhattan, KS |
Paula Cooper Gallery, New York | |
Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA | |
1970 | Paula Cooper Gallery, New York |
Janie C. Lee Gallery, Dallas | |
Galerie Hans Muller, Cologne | |
1969 | University of Rhode Island, Kingston, RI |
Two Person Exhibitions | |
2009 | Lynda Benglis/Robert Morris: 1973-1974, Susan Inglett Gallery, New York |
2007 | Circa 70: Lynda Benglis and Louise Bourgeois, Cheim & Read, New York |
2005 | Monique Prieto: New Paintings & Lynda Benglis: THE GRACE, Cheim & Read, New York |
2004 | Improvisation: Lynda Benglis and Isaac Witki, Locks Gallery, Philadelphia |
2002 | Bettina Rheims/Lynda Benglis, Cheim & Read, New York |
Small Bronze and Wax Paintings by Lynda Benglis and Images from Mexico, Photographs by Jack Spencer, Cumberland Gallery, Nashville TN | |
1999 | Lynda Benglis – Wols: Photographs of the 1930s, Cheim & Read, New York |
Lynda Benglis – Joe Zucker, Guild Hall Museum, East Hampton, NY | |
1998 | Lynda Benglis: New Sculpture & A Screening of the 1973 video “Female Sensibility”, Cheim & Read, New York |
1989 | American Sculptors, NY & LA, Kamakura Gallery, Tokyo |
1988 | Cumberland Gallery, Nashville |
1987 | Ida Kohlmeyer/Lynda Benglis: Teacher & Student in the 80's, Gibson Barkam Gallery, Imperial Calcasieu Museum, Lake Charles, LA |
Lynda Benglis & Keith Sonnier: A Ten Year Retrospective, 1977-1987, Alexandria Museum of Art, Alexandria, LA | |
1985 | Kohlmeyer & Benglis: Teacher & Student in the 80's, Pensacola Museum of Art, FL |
1983 | Recent Work: Lynda Benglis & John Duff, Margo Leavin Gallery, Los Angeles |
1979 | S. Hilberry Gallery, Birmingham, MI |
1977 | Hansen-Fuller Gallery, San Francisco |
1971 | Kunstforum of Rottwell, Germany |
1970 | Virginia Polytechnic Institute, Blacksburg, VA |
Group Exhibitions | |
2012 | Changing states of matter, Brand New Gallery, Milan, Italy |
Explosion! Painting As Action, Moderna Museet, Stockholm | |
traveling to Fundació Joan Miró, Barcelona | |
2011 | The Women in Our Life, Cheim & Read, New York |
Fabric as Form, Jack Tilton Gallery, New York | |
Micaela Amateau Amato, Lynda Benglis, Heather McGill, Dwight Hackett Projects, Santa Fe | |
Four Sculptors (Von Rydingsvard, Benglis, Winsor, and Castoro), TheWork Space Gallery, New York | |
The Last Grand Tour, Museum of Cycladic Art, Athens, Greece | |
Then & Now, Contemporary Arts Center, New Orleans | |
Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents, Metropolitan Museum of Art, New York | |
Unpainted Pictures, Luxembourg Dayan, New York | |
Valery Proust Museum, Museum of Modern Art, Oostend, Belgium | |
Belief & Understanding, Nicole Klagsbrun Gallery, New York | |
Body Gesture, Elizabeth Leach Gallery, Portland, OR | |
2010 | Painting and Sculpture: To Benefit the Foundation for Contemporary Arts, Lehmann Maupin Gallery, New York |
Keeping It Real: An Exhibition in Four Acts: The D. DaskalopoulosCollection, Act 2, Whitechapel Gallery, London | |
Christmas in July, Galerie Yvon Lambert, New York | |
Behind The Green Door, Harris Lieberman, New York | |
40, Texas Gallery, Houston | |
Reflection, Nathan A. Bernstein & Co., Ltd., New York | |
Not Cooperative, The Harriet & Charles Luckman Fine Arts Complex, California State University, Los Angeles | |
Think Pink, Gavlak Gallery, Palm Beach, Florida | |
Ordinary Madness, Carnegie Museum of Art, Pittsburg, PA | |
2009 | Space as Medium, Miami Art Museum |
Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles | |
After Awkward Objects, Hauser & Wirth, London | |
Abstractions by Gallery Artists, Cheim & Read, New York | |
Not New Work: Vencent Fecteau Selects from the Collection, SanFrancisco Museum of Modern Art, San Francisco | |
The Female Gaze: Women Look at Women, Cheim & Read, New York | |
Target Practice: Painting Under Attack 1949-1978, Seattle Art Museum, Seattle | |
Jo Baer, Lynda Benglis, Jutta Koether, Van Abbemuseum, Eindhoven,Netherlands | |
Arte Povera and Anti-Form, Tate Modern, London | |
Soft Sculpture, National Gallery of Australia, Canberra | |
The Dorothy and Herbert Vogel Collection – Fifty Works for Fifty States, The Speed Art Museum, Louisville, KY | |
1968: The Great Innocents, Kunsthalle Bielefeld, Bielefeld, Germany | |
American Concepts and Global Visions/Selections from the AT&T Collection: Contemporary Paintings and Sculpture, McNay Art Museum,San Antonio, TX | |
Synthetic, Whitney Museum of American Art, New York | |
2008 | Metal, Kresge and Pascal Galleries, Berrie Center, Ramapo College, NJ |
Medien, Charim Ungar Contemporary, Berlin | |
Pretty Ugly, Maccarone Gallery, New York | |
Sand: Memory, Meaning, and Metaphor, The Parrish Art Museum, Southampton, NY | |
The Alliance, doArt, Beijing, China | |
travel to doArt, Seoul, Korea | |
Punk Generation - No one is innocent, Kunsthalle Wien, Wien, Germany | |
Decoys, Complexes, and Triggers: Feminism and Land Art in the 1970s, Sculpture Center, Long Island City, NY | |
Texas Gallery, Houston, Texas | |
Group Show, Texas Gallery, Houston | |
Action Painting, Beyeler Museum, Basel, Switzerland | |
The Sum of Its Parts, Cheim & Read, New York | |
2007 | 90º The Margins as Center, Andrea Rosen Gallery, New York |
eFEMera, Binghamton University, Binghamton, NY | |
Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, NY | |
I Am As You Will Be - The Skeleton in Art, Cheim & Read, New York | |
Gender Battle, Centro Galego de Arte Contemporanea, Spain | |
Material Affinites: To Clay and Back, University of Southern California Fischer Gallery, Los Angeles | |
Sensuality in the Abstract, Frank Lloyd Gallery, Santa Monica, CA | |
Short distance to now, Paintings from New York 1967-1975, Galerie Kienzle & Gmeiner, Berlin, Germany | |
traveling toGalerie Thomas Flor, Dusseldorf, Germany | |
A point in space is a place for an argument, David Zwirner, New York | |
Role Play: Feminist Art Revisited, 1960 – 1980, Galerie Lelong, New York | |
WACK! Art and the Feminist Revolution, The Museum of Contemporary Art, MOCA, The Geffen Contemporary | |
National Women's Museum,Washington D.C. | |
PS1, New York | |
Vancouver Art Gallery, Vancouver, Canada | |
High Times, Hard Times: New York Painting 1965 – 75, Independent Curators International, New York, traveling to Weatherspoon ArtMuseum, University of North Carolina at Greensboro, NC | |
American University Museum at the Katzen Arts Center, Washington, D.C. | |
National Academy Museum, New York | |
Museo Tamayo Arte Contemporáneo, Mexico City, Mexico | |
Neue Galerie Graz, Graz, Austria | |
ZKM | Center for Art and MediaKarlsruhe, Karlsruhe, Germany | |
Not For Sale, P.S.1 Contemporary Art Center, Long Island City, NY | |
The Artist's Body, Then and Now, Centre d'Art Contemporain Geneve, Geneva, Switzerland | |
2006 | 1970 – 1975, Paula Cooper Gallery, New York |
60 Years -The Skowhegan School of Painting and Sculpture, Colby College Museum of Art, Waterville, ME | |
Your Beauty’s Gold is Clay, Alexandre Gallery, New York | |
Into Me/Out of Me, PS 1 Contemporary Art Center, New York | |
travels to: Kunst-Werke Institute for Contemporary Art, Berlin | |
The Materialization of Sensibility: Art and Alchemy, Leslie Tonkonow Artworks & Projects, New York | |
The 181st Annual: An Invitational Exhibition of Contemporary American Art, National Academy, New York | |
The Last Time They Met, Stephen Friedman Gallery, London, UK | |
Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles | |
Women’s Work, Greenberg Van Doren, New York | |
2005 | How American Women Artists Invented Post-Modernism, Rutgers University, New Brunswick, NJ |
traveling to Monmouth Museum in Lincroft, NJ | |
The Harold B. Lemmerman Gallery and The Visual Arts Gallery, New Jersey City University, Jersey City, NJ | |
Noyes Museum, Oceanville, NJ | |
Hunterdon Museum of Art in Clinton, NJ | |
Morris Museum in Morristown, NJ | |
PART object PART sculpture, Wexner Center for the Arts, Columbus, OH | |
Water without you I'm not, 3rd Valencia Biennial, Valencia, Spain | |
Interstate, Nicole Klagsbrun Gallery, NY | |
Summer of Love: Psychedelic Art from the 60’s, Tate Liverpool, England | |
travel to Schirn Kunsthalle, Frankfurt, Germany | |
Kunsthalle Wien, Vienna | |
Whitney Museum of American Art, New York | |
Contemporary Woman Artists, University Art Gallery, Indiana State University, Terre Haute, IN | |
Potentially Harmful: The Art of American Censorship, Georgia State University, Welch School of Art & Design, Atlanta | |
2004 | Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Austria |
Four-Ply, Andrea Rosen, New York | |
Soft Edge, Museum of Contemporary Art, Chicago | |
North Fork/South Fork: East End Art Now- Part I, Parrish Art Museum, Southampton, NY | |
When I Think About You I Touch Myself, New York Academy of Art, NY | |
Extreme Abstraction, Albright-Knox Gallery, Buffalo, NY | |
Sculpture, Danese, New York | |
2003 | Breaking Boundaries, Ise Cultural Foundation Gallery, New York |
Die Verlarung des Un-Gewohnlichen, Charim Galerie, Wien, Austriche | |
25th Anniversary Exhibition, Arthur Roger Gallery, New Orleans, LA | |
Women’s Lines, G Fine Art, Washington, D.C. | |
Eye of the Beholder, George Adams Gallery, New York | |
2002 | Heckscher Museum of Art, Huntington, NY |
Decades: Gretchen Albrecht, Lynda Benglis, Ron Gorchov, James Ross, Robert Steele Gallery, New York | |
Gloria: Another look at Feminist Art in the 1970's, White Columns, New York | |
travels to: The Galleries at Moore College of Art and Design | |
Museum of Art RISD | |
Personal and Political: The Women’s Art Movement, 1969-1975, Guild Hall Museum, East Hampton, NY | |
Summarize/Summer Eyes, Jan Weiner Gallery, Kansas City, KS | |
Revealing Nature, Glenn Horowitz Bookseller, East Hampton, NY | |
Time Share, Sara Meltzer Gallery, New York | |
Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York | |
Scenic Group, Art & Outrage, Robert Miller Gallery, curated by Simon Watson | |
The Sea, The Sea, Glenn Horowitz Bookseller, East Hampton, NY | |
Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis, MN | |
Rags to Riches: 25 Years of Paper Art From Dieu Donné Papermill, Kresge Art Museum | |
travelling to: Maryland Institute College of Art | |
Marianna Kistler Beach Museum of Art | |
Heckscher Museum of Art | |
Milwaukee Art Museum | |
Fort Wayne Museum of Art | |
Women Artists, Their Work and Influence, Paule Anglim Gallery, San Francisco | |
2001 | Century City: Art and Culture in the Modern Metropolis, Tate Modern, London |
Autobiographies, Kappatos Gallery, Athens, Greece | |
Clay, Jan Weiner Gallery, Kansas City, MO | |
Liquid Properties, Cheim & Read, New York | |
New York, Circa 1975, David Zwirner Gallery, New York | |
Matter, Museum of Modern Art, New York | |
Shadow Dancing: 1975-9, D’Amelio Terras Gallery, New York | |
2000 | The Likeness of Being: Contemporary Self Portraits by 60 Women, DC Moore Gallery, New York |
The Persistence of Memory, Nature Morte Gallery, New Delhi, India | |
American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts & Letters, NY | |
20th Anniversary Exhibition, Cumberland Gallery, Nashville | |
Action/Performance & the Photograph, Sidney Mishkin Gallery, Baruch College, NY | |
Opulent, Cheim & Read Gallery, New York | |
Summerstage, Charim Klocker Gallery, Salzburg, Germany | |
Making Time: Considering Time as a Material in Contemporary Video & Film, Palm Beach Institute of Contemporary Art, Palm Beach, FL | |
Rites of Spring 2000, Long House Reserve, East Hampton NY | |
Eccentric Forms & Structures, Microsoft Corporation, Redmond, WA | |
The American Century, Whitney Museum of Modern Art, NY | |
1999 | Off the Wall, 8 Contemporary American Sculptors, Asheville Art Museum, Asheville, NC |
Univ. of Alabama, Birmingham, AL | |
Afterimage, Drawing through Process, Film & Video program, Museum of Contemporary Art, Los Angeles | |
Twistfoldlayerflake, California College of Arts & Crafts, Oakland, CA | |
New Etchings & Monoprints, Quartet Additions, NY | |
Modern Odysseys: Greek American Artists of the 20th Century, Queens Museum of Art, Queens, NY | |
Neuberger Museum of Art Biennial Exhibition, Neuberger Museum, Purchase, NY | |
1998 | International Group Show, Wainscott Gallery, Wainscott, New York |
Hanging by a Thread, Hudson River Museum of Westchester, Yonkers, NY | |
Women Artists in the Vogel Collection, President’s Gallery, Simmons Visual Arts Center, Brenau University, Gainsville, GA | |
MAI 98-Positions in Contemporary Art Since the 1960’s, Kunsthalle, Cologne, Germany | |
Male Female-for instance Picasso, Newton, Yoko Ono and... Centro Internazionale Mostre, Rome, Italy | |
Dreams for the Next Century: A View of the Collection, Parrish Art Museum, Southampton, NY | |
1997 | The Edge of Chaos, Fotouhi Cramer Gallery, NY |
After the Fall: Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY | |
Plastik, Wurttembergischer Kunstverein, Stuttgart, Germany | |
Laying Low, Kunstnernes Hus, Oslo, Norway | |
Lynda Benglis, Adam Fuss, David Salle, Serge Spitzer, Cheim & Read, New York | |
Gravity - Axis of Contemporary Art, National Museum of Art, Osaka, Japan | |
Art Foundry Editions, Santa Fe, Knoedler & Company, New York | |
Selections from the Video Collection, MOMA, Department of Film & Video, New York | |
A Tribute to Frederick R. Weisman: Selections from the New Orleans Museum of Art, New Orleans Museum of Art, New Orleans, LA | |
The Masters Exhibition, Fine Arts Gallery, Long Island University, Southampton, NY | |
Envisioning the Contemporary: Selections from the Permanent Collection, Museum of Contemporary Art, Chicago | |
Art/Fashion, Guggenheim Museum Soho, NY | |
Luces, cámara, acción, ¡Corten! (videoacción: el cuerpo y sus fronteras), IVAM Centre Julio Gonzalez, Valencia, Spain | |
Clear Intentions, Auckland Art Gallery, Auckland, NZ | |
Salient green, Susanne Hilberry Gallery, Birmingham, MI | |
Surveying The 1st Decade: Video Art & Alternative Media in the US, SFMOMA, San Francisco | |
1996 | More Than Minimal: Feminism & Abstraction in the 70s Rose Art Museum, Brandeis University, Waltham, MA |
Epitaphs, Edward Thorp Gallery, New York | |
Laura Carpenter Gallery, Santa Fe, NM | |
Lesbian Genders, Whitney Museum of American Art, New York | |
The Artist’s Choice, Santa Fe Fine Arts Gallery, College of Santa Fe, NM | |
Sexual Politics, Armand Hammer Museum of Art & Cultural Center, University of California, Los Angeles | |
Graphics from Solo Impression, Inc, Albright-Knox Art Gallery, Buffalo, NY | |
Gala Art Auction ’96, University Art Gallery, New Mexico State University, Las Cruces, NM | |
Homeland of the Imagination: The Southern Presence in 20th Century Art, NationsBank Plaza, Atlanta | |
Love Gasoline, Mercer Union, Toronto, Canada | |
Openclosure, Hand Graphics Gallery, Santa Fe, NM | |
FremdKörper-corps étranger-Foreign Body, Museum für Gegenwartskunst, Basel, Switzerland | |
Lynda Benglis, John Chamberlain, Rudolph Stingel, James Welling, Margo Leavin Gallery, Los Angeles | |
Art at the End of the 20th Century, Selections from the Whitney Museum of American Art, Itinerary: | |
National Gallery: Alexandros Soutzos Museum, Athens, Greece | |
Museu d’Art Contemporani Barcelona, Spain | |
Kunstmuseum Bonn, Bonn, Germany | |
Lynda Benglis, Louis Lieberman, Astrid Fitzgerald, Murakami Gallery, New York | |
Chimériques Polymères, Musée d’Art Moderne et d’Art Contemporain, Nice, France | |
Art au Corps, MAC, Galeries Contemporaines des Musées de Marseille, Marseille, France | |
Summer Group Exhibition, Laura Carpenter Fine Arts, Santa Fe, NM | |
Women’s Work, Greenenaftali, Inc, New York | |
La Toilette de Venus: Women & Mirrors, CRG, New York | |
1995 | In a Different Light, University Art Museum, University of California, Berkeley, CA |
Light (for the Dark Days of winter), A/D Gallery, NY | |
Duck! Edward Thorp Gallery, New York | |
Prints from Solo Impression, Inc, NY, Gallery 72, Omaha, NE | |
20 Years of Hallwalls Contemporary Arts Center 1975-95, Burchfield Penny Art Center, Buffalo State College, Buffalo, NY | |
Cumberland Gallery, Nashville | |
Phallic Symbols: Images in Contemporary Art, 24 Hours for Life Gallery NY | |
Anne Reed Gallery, Ketchum, ID | |
25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles | |
In 3 Dimensions: Women Sculptors of the 90's-Part II - Beyond Gender, Snug Harbor Cultural Center, Staten Island, NY | |
The Golden & the Baroque in Contemporary Art, Robert McClain & Co, Houston | |
New Works at Laumeier Sculpture Park, St. Louis 44th Biennial: Exhibition of Contemporary American Painting: Painting Outside Painting, Corcoran Gallery of Art, Washington DC | |
Fémininmasculin: le sexe dans l’art, Centre George Pompidou, Paris, France | |
1994 | Sculpture, Nina Freudenheim Gallery, Buffalo, NY |
American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts & Letters, NY | |
Tandem Press: 5 Years of Collaboration & Experimentation, Elvehjem Museum of Art, Madison, WI | |
30 Years, The Aldrich Museum of Contemporary Art, Ridgefield, CT | |
From Minimal to Conceptual Art: Works from the Dorothy & Herbert Vogel Collection, National Gallery of Art, Washington | |
Prints from Solo Impression, Inc., NY, College of Wooster Art Museum, Wooster, OH | |
The Essential Gesture, The Newport Harbor Art Museum, Newport Beach, CA | |
Poetic Heroic: 12 American Artists, Art Initiatives at Tribeca 148 Gallery, New York | |
Sculpture from Santa Fe, Greer Garson Theatre Gallery, College of Santa Fe, Santa Fe, NM | |
Holiday Exhibition, Paula Cooper Gallery, New York | |
1993 | The 1st Generation: Women & Video, 1970-75, ICI Exhibition |
Sculpture & Multiples, Brooke Alexander Editions, New York | |
Bodily, Penine Hart Gallery, New York | |
Hunter College MFA Faculty, Hunter College Art Gallery, New York | |
Design Invitations from 1940 to Present, Exit Art, New York | |
Action Performance & the Photograph, Turner/Krull Galleries, Los Angeles | |
Coming to Power: 25 Years of Sexually X-Plicit Art by Women, David Zwirner Gallery, New York | |
Real Arts Ways, Hartford, CT | |
Blast Art Benefit, 142 Greene Street, 4th floor. New York | |
Abject Art: Repulsion & Desire in American Art, Whitney Museum of American Art, NY | |
Prints, Haenah-Kent Gallery, New York | |
An Exhibition, Richard Gray Gallery, Chicago | |
25 Years (Part I), Paula Cooper Gallery, New York | |
The Return of the Cadavre Exquis, The Drawing Center, New York | |
The Corcoran Gallery of Art, Washington DC | |
Foundation for Contemporary Art, Mexico City | |
The Santa Monica Museum, Los Angeles | |
Forum, St. Louis, MO | |
9 Sculptors & Their Printer, Bernard Toale Gallery, Boston, MA | |
Drawings: 30th Anniversary Exhibition to Benefit the Foundation for Contemporary Performance Arts, Castelli Gallery, NY | |
1992 | NAME's 11th Annual St Valentine's Exhibition & Benefit Auction, Chicago |
Visiting Artist Program: 20th Anniversary Show, CU Art Galleries, University of Colorado at Boulder, Boulder, CO | |
Blast Art Benefit, X-Art Foundation, New York | |
Erotiques, A.B. Galleries, Paris | |
Volume 6 Contemporary Sculptors, Guild Hall Museum, New York | |
3 Louisiana Women Artists: Benglis, Connell & Kohlmeyer, Masur Museum of Art, Monroe, LA | |
Benefit: YMCA Clayworks Youth Shelter Program, Stark Gallery, NY | |
Her Art Works, juror & participant at national competitive exhibition co-sponsored by the South Bend Regional Museum of Art & the Indiana Women's Caucus for Art, IN | |
Cross Section, by American Express, Battery Park City Authority, Merrill Lynch & Olympia & NY, Battery Park City & World Financial City, NY | |
Glass: from Ancient Craft to Contemporary Art, 1962 to 1992 & Beyond, Morris Museum, Morristown, NJ | |
University of Oklahoma Museum of Art, OK | |
Fine Arts Museum of the South, Mobile, AL | |
Art Museum of South Texas | |
Scottsdale Center for the Arts, Scottsdale, AZ | |
Philbrook Museum of Art | |
4th Benefit Art Auction, Contemporary Art Society, Milwaukee Art Museum, MN | |
Functional Objects by Artists & Architects, Rhona Hoffman Gallery, Chicago | |
Small Works, Julian Pretto, New York | |
Clearly Art, Pilchuck's Glass Legacy, Whatcom Museum of History & Art, Bellingham, WA | |
Crocker Art Museum, Sacramento, CA | |
Currier Gallery of Art, Manchester, NH | |
Chrysler Museum, Norfolk, VA | |
Tucson Museum of Art, Tucson | |
Palm Springs Desert Museum, Palm Springs, CA | |
Hunter Museum of Art, Chattanooga, TN | |
Brunnier Gallery, Iowa State University, Ames, IA | |
Muskegon Museum of Art, Muskegon, MI | |
Birmingham Museum of Art, Birmingham, AL | |
Fort Wayne Museum of Art, Fort Wayne, IN | |
Museum of Art, Washington State University, Pullman, WA | |
Celebrating Art & Architecture: Creating a Place for People, La Salle Partners, Charlotte, NC | |
Federal Reserve Board, Washington, DC | |
Santa Fe Sculpture Project, Fine Arts Gallery, College of Santa Fe, NM | |
1991 | Baubles, Bangles & Mardi Gras Beads, Galveston Arts Center, TX |
Focus on Louisiana: Artists from AMoA's Permanent Collection, Alexandria Museum of Art, LA | |
25th Anniversary Exhibition, Gloria Luria Gallery, Miami, FL | |
Dead Heroes, Disfigured Love, Lorence Monk Gallery, New York | |
Action & Reaction: Jackson Pollock's Influence, Panel discussion, School of Visual Arts, New York | |
Physicality, Hunter College, NY | |
University Art Gallery, Albany, NY | |
DW Bell Gallery, Providence, RI | |
Plattsburgh Art Museum, Plattsburgh, PA | |
R. Gibson Gallery, Postdam | |
University Art Museum, Binghamton | |
Setting the Stage: Contemporary Artists Design for the Performing Arts, Columbus Museum of Art, OH | |
Little Things Mean Alot, Momentary Modern, Amsterdam | |
Blast Art Benefit, The X-Art Foundation, New York | |
Show of Strength, Annie Plumb Gallery, New York | |
Aspects of Collage, Guild Hall Museum, East Hampton, NY | |
Masterworks of Contemporary Sculpture, Painting & Drawing, the 1930's to the 1990's, Bellas Artes, Santa Fe, NM | |
Small Sculpture in an Inner Space, Bellas Artes, Santa Fe, NM | |
Changing Sculpture Exhibition, Margo Leavin Gallery, Los Angeles | |
Illeme Biennale de Sculpture, Monte Carlo, Monaco | |
1st Parrish Art Museum Design Biennial: Weathervanes, Parrish Art Museum, New York | |
Small-Scale Sculpture, Sewall Art Gallery, Houston | |
American Academy & Institute of Arts & Letters: 43rd Annual Purchase Exhibition, American Academy & Institute of Arts & Letters, New York | |
Little Things Mean A Lot, Momentary Modem, Amsterdam | |
1990 | The Radiant Principle, Penine Hart Gallery, NY |
Writ in Water, Solo Press/Solo Gallery, NY | |
Group Exhibition, Susanne Hilberry Gallery, Birmingham | |
Group Exhibition, Genovese Gallery, Boston, MA | |
The New Sculpture 1965-75: Between Geometry & Gesture, Whitney Museum of American Art, New York | |
Museum of Contemporary Art, Los Angeles | |
Sculpture from New England Collections, Beth Urdang Fine Art, Boston, MA | |
Hand Body House: Approaches to Sculpture, Ben Shahn Center for the Visual Arts, William Paterson College, Wayne, NJ | |
Pharmacy, Jan Kesner Gallery, Los Angeles | |
Hellenikon, City Gallery, New York | |
Carsinart: The Automobile Icon, Pensacola Museum of Art, Pensacola, FL | |
Art in Europe & America: The 1960s & 1970s, Wexner Center for the Visual Arts, Columbus, OH | |
Let's Play House, The Fabric Workshop, Philadelphia | |
Newer Sculpture, Charles Cowles Gallery, New York | |
Group Exhibitions, Paula Cooper Gallery, New York | |
Prints of the 80’s, Guild Hall Museum, East Hampton, NY | |
Amerikanische Videos aus den jahren 1965-75, The Castelli/Sonnabend Tapes & Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuttgart | |
Tandem Press Benefit, Pace Prints, New York | |
1989 | Making Their Mark, Cincinnati Art Museum |
New Orleans Museum of Art | |
Denver Art Museum | |
Pennsylvania Academy of Fine Arts, Philadelphia | |
Monoprints/Monotypes, University of Maine Museum of Art, Orono, ME | |
Golden Opportunity: Benefit Exhibit for the Resettlement of Salvadoran Refugees, Leo Castelli, New York | |
American Sculptors, Kamakura Gallery, Tokyo | |
1st Impressions: Early Prints by 46 Contemporary Artists, Walker Art Center, Minneapolis | |
Laguna Gloria Art Museum, Austin, TX | |
Baltimore Museum of Art, Baltimore, MD | |
Neuberger Museum, Purchase, NY | |
Don't Bungle the Jungle, Tony Shafrazi Gallery, NY | |
Contemporary Art from NY: The Collection of the Chase Manhattan Bank, Yokohama Museum of Art, Yokohama, Japan | |
Sculptural Intimacies: Recent Small-Scale Work, Security Pacific Gallery, Los Angeles | |
Knots & Nets, Parrish Art Museum, Southampton, NY | |
Small & Stellar, Ruth Siegel Gallery, New York | |
Benefit for the Wooster Group, Brooke Alexander Editions, New York | |
1988 | From the Collection of Dorothy & Herbert Vogel, Arnot Art Museum, Elmira, NY |
Grand Rapids Art Museum: Terra Museum of American Art, Chicago | |
Laumeler Sculpture Park, St. Louis MO | |
Art Museum of Florida International University, FL | |
Collecting on the Cutting Edge: Frito Lay, Inc, Laguna Gloria Art Museum, Austin, TX | |
Lynda Benglis, John Chamberlain, Mel Kendrick, Joel Fisher, Robert Therrien, Magasin 3 Stockholm, Sweden | |
Private Works for Public Spaces, R.C. Erph Gallery, New York | |
Painting in Relief/Sculpture on the Wall, John Stoller & Co, Minneapolis, MN | |
Life Forms: Contemporary Organic Sculpture, Freedman Gallery, Albright College, Reading, PA | |
Group Exhibition, Res Nova, New Orleans, LA | |
Four Sculptors, Nina Freudenheim Gallery, Buffalo, NY | |
11 Artists from Paula Cooper, Mayor Rowan Gallery, London | |
Minos Beach Art Symposium, Minos Beach Hotel, Crete | |
American Artists in Jewelry, Rena Bransten Gallery, San Francisco | |
The Material Image: Pure & Simple, Elizabeth McDonald Gallery, New York | |
New Works in Glass by Artists in Residence, Linda Farris Gallery, Seattle | |
Knots & Nets, The Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY | |
NY State Museum, Albany, NY | |
Parrish Art Museum, Southampton, NY | |
Group Exhibition Gallery Artists, Tilden-Foley Gallery, New Orleans, LA | |
The Gold Show 1988, Genovese Gallery, Boston, MA | |
Pilchuck: An Exhibition of Contemporary Glass Sculpture, Walter Gallery, Santa Monica, CA | |
Video Art Series: Early Experimental Work & Recent Explorations, Gray Art Gallery, Jenkins Fine Art Center, E. Carolina University, Greenville, NC | |
Changing Group Exhibition, Paula Cooper Gallery, New York | |
1987 | Sculpture Installation, Margo Leavin Gallery, Los Angeles |
Group Exhibition, Tilden-Foley Gallery, New Orleans, LA | |
Artists from Paula Cooper Gallery, Galerie EMI- Valentim de Carvalho, Lisbon | |
Contemporary American & European Glass: The Saxe Collection, American Craft Museum, New York | |
Alternative Supports: Contemporary Sculpture on the Wall, Bell Gallery, Brown University, Providence, RI | |
From the LeWitt Collection, Wadsworth Atheneum, Hartford, CT | |
Structure to Resemblance: Work by 8 American Sculptors, Albright-Knox Art Gallery, Buffalo, NY | |
Art Against Aids: Benefit Exhibition, Paula Cooper Gallery, New York | |
AMFAR, Dia Art Foundation, New York | |
Avery Distinguished Professors, Blum Art Institute, Bard College, Annandale-on-Hudson, New York | |
The Faux Arts, La Jolla Museum of Art, La Jolla | |
A Bountiful Decade: Selected Acquisitions 1977-1987, Nelson-Atkins Museum of Art, Kansas City, MO | |
Contemporary Masters: Selection from the Collection of Southwestern Bell Corporation, St Louis Gallery of Contemporary Art | |
New Space, New Work, New York, The Helander Gallery, Palm Beach, CA | |
Contemporary American Collage, Herter Art Gallery, University of Massachusetts, Amherst, MA | |
William Bennett Museum of Art, University of Connecticut, Storrs | |
Lehigh University Galleries, Bethlehem | |
Butler Institute of American Art, Youngstown | |
Kansas City Art Institute | |
University Art Gallery, SUNY, Albany, NY | |
Nevada Institute for Contemporary Art, Las Vegas, NV | |
American Artists in Jewelry, Dorothy Goldeen Gallery, Santa Monica, CA to Fuller-Gross Gallery, San Francisco: Nancy Hoffman Gallery, New York: Harcus Gallery, Boston, MA | |
Drawings from the Collection of Dorothy & Herbert Vogel, University of Arkansas at Little Rock: University of Alabama, Moody Gallery of Art & Pennsylvania State University Museum of Art, PA | |
50 Years of Collecting: An Anniversary Selection (Sculpture of the Modern Era), Solomon R. Guggenheim Museum, New York | |
The Gold Show, Maloney Gallery, Santa Monica, CA | |
1986 | Heller Gallery, New York |
Connecticut Collects: American Art since 1960, Whitney Museum of American Art/Fairfield County, Stamford, CT | |
Pilchuck: The Creative Fire (1985 Pilchuck Faculty Exhibition), Washington State Capital Museum, Olympia, WA | |
Cut Glass Sculpture, Main Art Gallery, Visual Arts Center, California State University, Fullerton, CA | |
1986 Museum of Contemporary Art Benefit Auction, Gemini G.E.L. & Margo Leavin Gallery, Los Angeles | |
Natural Forms & Forces: Abstract Images in American Sculpture, MIT, List Visual Arts Center & Bank of Boston Gallery, Boston, MA | |
The Artist and the Quilt, Pratt Manhattan Gallery, New York | |
Between Geometry & Gesture: American Sculpture 1965-1975, Palacio de Velazquez, Madrid | |
Painting & Sculpture Today: 1986, Indianapolis Museum of Art, IN | |
Changing Group Exhibition, Paula Cooper Gallery, New York | |
Changing Group Exhibition, Tilden-Foley Gallery, New Orleans, LA | |
Group Exhibition, Paula Cooper Gallery, New York | |
Philadelphia Collects: European & American Art since 1940, Philadelphia Museum of Art, PA | |
20th Century Drawings & Sculptures, Janie Lee Gallery, Houston | |
Works from the Paula Cooper Gallery, John Berggruen Gallery, San Francisco | |
Works by American Women 1976-86, 1st Bank Skyway Gallery, Minneapolis, MN | |
Contemporary Painting & Sculpture Galleries, MOMA, New York | |
Paper's 3rd Dimension, Bergen Museum of Art & Science, Paramus, NJ | |
Benefit for the Kitchen, Brooke Alexander, NY | |
1985 | Monuments to: An Exhibition of Proposals for Monumental Sculpture, University Art Museum, California State University, Long Beach, CA |
Group Exhibition, Paula Cooper Gallery, New York | |
Dracos Art Center: 1st Show, New Dialogues, Dracos Art Center, Athens, Greece | |
A New Beginning: 1968-1978, The Hudson River Museum, Yonkers, NY | |
Drawings, Lorence Monk, New York | |
In 3 Dimensions: Recent Sculpture by Women, Pratt Institute Gallery, Brooklyn, NY | |
Abstract Relationships, Charles Cowles Gallery, NY | |
By the Sea, By the Sea...Creative Time Benefit Art Sale, Christie's, New York | |
Benefit Art Auction for Parallel Films, Littlejohn Smith Gallery, NY | |
Paper: From Surface to Form, City Gallery, NY | |
Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, | |
Body & Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati, OH | |
20th Anniversary of the NEA, MOMA, New York | |
A Decade of Visual Arts at Princeton: Faculty 1975-1985, Princeton Art Museum, NJ | |
Independent Curators' Incorporated 10th Anniversary Exhibition & Auction, The Puck Building, New York | |
Guerrilla Girls at the Palladium, New York | |
Video Arts Festival, Stockholm | |
El Bohio Benefit Auction and Exhibition, El Bohio, NY | |
Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum & Art Center, Brattleboro, VT | |
Wellesley College Museum of Art, Wellesley | |
League of NH Craftsmen, Concord | |
Worcester Craft Center, Worcester | |
Museum of Art, Science & Industry, Bridgeport | |
Rochester Institute of Technology, Bevier Gallery, Rochester, NY | |
The Easthampton Star 100th Anniversary Portfolio, Guild Hall Museum, Easthampton, NY | |
Aids Benefit Exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles | |
Benefit Auction for Gay Men's Health Crisis, Sotheby's, New York | |
Made in India, Museum of Modern Art, New York | |
NY Now: Correspondences, Laforet Museum, Tokyo | |
Tochigi Prefectural Museum of Fine Arts, Tochigi | |
Tazaki Hall Espace Media, Kobe | |
Diversity: NY Artists, University of RI, Kingston, RI | |
Changing Sculpture Exhibit, Paula Cooper Gallery, New York | |
American Art: American Women, Stamford Museum & Nature Center, Stamford, CT | |
NY Artists, Helander Gallery, Palm Beach, CA | |
Sculpture, Nina Freudenheim Gallery, Buffalo, NY | |
1984 | Cover to Cover, Penrose Hall Gallery, Tyler School of Art, Temple University, Philadelphia |
Artists Call Against Intervention in Central America Benefit Exhibition, Paula Cooper Gallery, New York | |
Intermedia: Between Painting & Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, CT | |
International Water Sculpture Competition, Davis McClain Galleries, Houston | |
A Celebration of American Women Artists, Part 2: The Recent Generation, Sidney Janis Gallery, New York | |
Works by Women, Texas Women's University, Denton, TX | |
Monotypes, Weintraub Gallery, New York | |
Forming, Parrish Art Museum, Southampton, NY | |
Citywide Contemporary Sculpture Exhibition, Toledo Museum of Art, OH | |
Paper Transformed: A National Exhibition of Paper Art, Turman Gallery, Indiana State University, Terre Haute | |
American Sculpture, Margo Leavin Gallery, Los Angeles | |
American Art Since 1970: Painting, Sculpture & Drawings from the Collection of the Whitney Museum of American Art, Whitney Museum of American Art, New York | |
A Changing Group Exhibition, Paula Cooper Gallery, NY | |
Ecstasy, Monique Knowlton Gallery, NY | |
Arabesque: Grand Gestures in Painting, Sculpture & Decorative Arts, Bette Stoler Gallery, New York | |
The Decorative Continues, Pam Adler Gallery, New York | |
Creative Time Benefit, Oil and Steel Gallery, New York | |
Group Exhibition, Olsen Gallery, New York | |
Content: A Contemporary Focus 1974-84, Hirshhorn Museum & Sculpture Garden, Washington, DC | |
American Bronze Sculpture: 1850 to the Present, Newark Museum, NJ | |
American Sculpture: Three Decades, The Seattle Art Museum | |
Highlights: Selections from the BankAmerica Corporation Art Collection, Plaza Gallery, Concourse Gallery, AP Gianni Gallery, San Francisco | |
Stars: A Theme Exhibition, Fuller Goldeen Gallery, San Francisco | |
8 Artists from Paula Cooper Gallery, Contemporary Art Gallery, Seibu Corporation, Tokyo | |
Gala!Gala! Art Auction, Museum of Contemporary Art, San Pedro, CA | |
1983 | Festival of the Arts, Muhlenberg College, Allentown, PA |
Printed by Women: A National Exhibition of Photographs & Prints, The Print Club, Port of History Museum, Philadelphia | |
Women Artists Invitational 1983: Selections from the Women Artists Historical Archives, Philadelphia College of Art Philadelphia | |
Arrivals, Guild Hall Museum, Easthampton, NNY | |
Small Bronzes, McIntosh/Drysdale Gallery, Houston | |
20th Century Sculpture: Process & Presence, Whitney Museum of American Art at Phillip Morris, New York | |
Surreal, Robert Miller Gallery, New York | |
All that Glitters, Tweed Gallery, Plainfield, NJ | |
Back to the U.S.A., Rheinisches Landesmuseum Bonn, West Germany | |
Kunstmuseum, Lucerne & Wurttenmbergischer Kunstverein, Stuttgart | |
Minimalism to Expressionism: Painting & Sculpture since 1965 from the Permanent Collection, Whitney Museum of American Art, New York | |
Group Exhibition, Paula Cooper Gallery, New York | |
Selections II, Fuller Goldeen Gallery, San Francisco | |
New Decorative Art, The Berkshire Museum, Pittsfield, MA | |
State University of Albany, Albany, NY | |
The 6th Day: A Survey of Recent Developments in Figurative Sculpture, The Renaissance Society, The University of Chicago | |
Black and White, Margo Leavin Gallery, Los Angeles | |
Art Cars: National Juried Exhibition, Contemporary Arts Center, New Orleans, LA | |
Sixteenth Annual Artists of the Springs Invitational Exhibition, Easthampton, NY | |
Group Exhibition, Olsen Gallery, New York | |
Of, On or About Paper, USA Today, Arlington | |
Language, Drama, Source & Vision, New Museum of Contemporary Art, New York | |
Shift: LA, NY, Neuberger Museum, Purchase, NY | |
1984 Olympic Fine Art Posters: 15 Contemporary Artists Celebrate the Games of the 23rd Olympiad, University Art Gallery, California State University, Carson, CA | |
The Knot & Spiral Show, Suellen Haber Gallery, New York | |
Group Exhibition, Christminister Fine Art, New York | |
Collector's Gallery 17, Marion Koogler McNay Art Institute, San Antonio, TX | |
Floored, Hillwood Art Gallery, C.W. Post Center, School of the Arts, Long Island University, Greenvale, NY | |
Changing Group Exhibition, Paula Cooper Gallery, New York | |
1982 | U.S. Art Now, Nordiska Kompaniet, Stockholm |
Flux & Fusion: An Exhibition of Sculpture from 1970 to the Present, Margo Leavin Gallery, Los Angeles | |
Flat & Figurative: 20th Century Wall Sculpture, Zabriskie Gallery, New York | |
Views by Women Artists, Institute for Art & Urban Resources at PS 1, Long Island City, NY | |
Energie NY, ELAC, Centre d'Echanges, Lyon, France | |
Early Work, The New Museum for Contemporary Art, New York | |
Sweet Art Sale Benefit, Franklin Furnace, New York | |
Made in California,Thomas Segal Gallery, Boston, MA | |
74th American Exhibition, Art Institute of Chicago | |
Dynamix, The Contemporary Arts Center, Cincinnati, OH | |
Prints by Contemporary Sculptors, Yale Art Gallery, New Haven, CT | |
New Glass Review 3, The Corning Museum of Glass, Corning, New York | |
The Americans: The Collage 1950-82, Contemporary Arts Museum, Houston | |
Casting, Fuller Goldeen Gallery, San Francisco | |
Metals: Cast-Cut-Coiled, Museum of Art, RISD, Providence, RI | |
Selected Prints III, Brooke Alexander, New York | |
Women of the Americas, Center for Inter-American Relations, New York | |
Post MINIMALISM, Aldrich Museum of Contemporary Art, Ridgefield, CT | |
Shift: LA/NY, Newport Harbor Art Museum, Newport Beach, CA & Neuberger Museum, Purchase, NY | |
Out of the South, Heath Gallery, Atlanta | |
20th Anniversary Exhibition of the Vogel Collection, Brainard Art Gallery, State University College of Arts & Sciences, Potsdam, NY: Gallery of Art, University of Northern Iowa, Cedar Rapids | |
Androgyny in Art, Emily Lowe Gallery, Hofstra University, Hempstead, Long Island, NY | |
The Destroyed Print, Pratt Manhattan Center Gallery, New York | |
New York Now, Kestner-Gesellschaft E.V., Hannover, West Germany | |
Changing Group Exhibition, Paula Cooper Gallery, New York | |
1981 | Decorative Sculpture, Sculpture Center, New York |
1981 Whitney Biennial, Whitney Museum of American Art, New York | |
Sculptor's Drawings and Macquettes, Max Hutchinson Gallery, New York | |
Coast to Coast, Okun-Thomas Gallery, St. Louis, MO | |
Bronze, Hamilton Gallery, New York | |
Selected Prints Published by Landfall Press, Fox Graphics Gallery, Boston, MA | |
New Dimensions in Drawing, The Aldrich Museum of Contemporary Art, Ridgefield, CT | |
Donne in Arte - Viaggo a New York, Provincia di Genova | |
The Great American Fan Show, Lerner Heller Gallery, New York | |
New Options in Sculpture, Mattingly Baker Gallery, Dallas | |
Media Relief, John Weber Gallery, New York | |
American Reliefs, 121 Gallery, Antwerp | |
ICA Street Sights 2, Institute of Contemporary Art, University of Pennsylvania, Philadelphia | |
In the Summer Space, Okun-Thomas Gallery, St. Louis, MO | |
Developments in Recent Sculpture, Whitney Museum of American Art, New York | |
Susanne Hilberry Gallery, Birmingham, MI | |
Cast, Carved a Constructed, Margo Leavin Gallery, Los Angeles | |
Handmade Paper: Prints A Unique Works, Art Lending Service, MOMA, New York | |
Benefit for the Kitchen, Paula Cooper Gallery, NY | |
Variants: Drawings by Contemporary Sculptors, Sewell Art Gallery, Rice University, Houston | |
Art for E.R.A., Zabriskie Gallery, New York | |
Currents: A New Mannerism, Jacksonville Museum of Art, Jacksonville, FL | |
Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators, Inc. ;New Gallery of Contemporary Art, Cleveland; Long Beach Museum of Art, Long Beach, California; Contemporary Arts Center, New Orleans, LA | |
Group Exhibition, Paula Cooper Gallery, New York | |
Polychrome, Hansen Fuller Goldeen Gallery, SF, CA | |
Possibly-Overlooked Publications: A Re-examination of Contemporary Prints & Multiples, Landfall Gallery, Chicago | |
1980 | Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, The Contemporary Arts Museum, Houston |
Sculpture on the Wall, University Gallery, University of MA, Amherst Current/NY, Syracuse University, Lowe Gallery, Syracuse, NY | |
Invitational, Brown Univ., Bell Gallery, Providence, RI | |
Paula Cooper at Yvon Lambert, Galerie Yvon Lambert, Paris | |
Painting in Relief, Whitney Museum of American Art/Downtown Branch, New York | |
Painted Structure, J. Fuller Fine Art, Philadelphia | |
Sculpture in CA: 1975-1890, San Diego Museum of Art, CA | |
Jack Brogan Projects, Baxter Art Gallery, Pasadena, CA | |
Three Dimensional Painting, Museum of Contemporary Art, Chicago | |
Drawings: The Pluralist Decade, American Pavilion, Venice Biennale, Venice | |
American Contemporary Sculpture, Max Hutchinson Gallery, New Orleans, LA | |
With Paper, About Paper, Albright-Knox Art Gallery, Buffalo, NY | |
Flight Patterns, Third Floor Gallery, Atlanta | |
Working with Bummy Huss Paper, Nielsen Gallery, Boston, MA | |
The Pluralist Decade, Institute of Contemporary Art, University of Pennsylvania, Philadelphia | |
New York City, Galerie Daniela Ferraria, Rome, Italy | |
The Peaceable Kingdom, Hansen Fuller Goldeen Gallery, San Francisco | |
Selected Prints Published by Landfall Press, Fox Graphics, Boston, MA | |
All that Glistens... Marilyn Pearl Gallery, New York | |
1979 | Artattack, Otis Art Institute Gallery, Los Angeles |
Color & Structure, Hamilton Gallery, New York | |
Contemporary Sculpture: Selections from the MOMA Collection, MOMA, New York | |
Painting: 5 Views, Ben Shahn Gallery, William Paterson College, Wayne, NJ | |
Group Exhibition, Margo Leavin Gallery, Los Angeles | |
Pittura Ambiente, Palazzo Reale, Milan | |
First Exhibition, Toni Girhead Gallery, Cincinnati, OH | |
1978 | Up Against the Wall, Daniel Weinberg Gallery, San Francisco |
Group Exhibition, Paula Cooper Gallery, NY | |
Art at Work: Recent Art from Corporate Collections, Whitney Museum of American Art/Downtown Branch, New York | |
11 Artists, Georgia State University, Atlanta | |
Philbrood Art Center, Tulsa, OK | |
Gold Silver, Holly Solomon Gallery, New York | |
Made by Sculptors, Stedelijk Museum, Amsterdam | |
Gold, The Penthouse, Museum of Modern Art, New York | |
1977 | Five from Louisiana, New Orleans Museum of Art |
A Women's Exhibition, Cedars-Sinai Medical Center | |
Group Exhibition, Paula Cooper Gallery, NY | |
Materials of Art, Loseloff Gallery, Hartford Art School, Hartford, CT | |
For the Mind & the Eye: Artwork by 9 Americans, NJ State Museum, Trenton, PA | |
Recent Acquisitions, Solomon R. Guggenheim Museum, New York | |
10 Years: A View of a Decade, Museum of Contemporary Art, Chicago | |
Contemporary Women: Consciousness & Content, Brooklyn Museum Art School, New York | |
Southwestern College Art Gallery, Chula Vista, CA | |
1976 | Nine Sculptors, Nassau County Center for the Fine Arts, Roslyn, NY |
Group Exhibition, Hall Walls, Buffalo, NY | |
American Artists-A Celebration, Marion Koogler McNay Art Institute, San Antonio, TX | |
Color Photography & Its Derivatives, Auckland Art Gallery, Auckland, New Zealand | |
American Salon des Refuses, Stamford Museum & Nature Center, Stamford | |
The Liberation: 14 American Artists, Aarhus Museum of Art, Denmark | |
Sequential Imagery in Photography, Broxton Gallery, Los Angeles | |
5 Contemporary Artists, Otis Art Institute, Los Angeles | |
Selection of New Work, The Texas Gallery, Houston | |
Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia | |
Recent Acquisitions, Museum of Modern Art, New York | |
Opening Exhibition, Susanne Hilberry Gallery, Birmingham, MI | |
Benefit Exhibition for Einstein on the Beach, BlumHelman Gallery, New York | |
1975 | The Year of the Woman, The Bronx Museum of the Arts, New York |
The Texas Gallery, Houston | |
New Editions 1974-75, New York Cultural Center, NY | |
Artists' Rights Today, Rayburn Building, Washington, DC & West Broadway Gallery, New York | |
Fourteen Artists, Baltimore Museum of Art, MD | |
Spring Group Exhibition, Paula Cooper Gallery, New York | |
Painting, Drawing & Sculpture of the ‘60s & ‘70s from Dorothy & Herbert Vogel Collection, Institute of Contemporary Art, Philadelphia: Contemporary Art Center, Cincinnati, OH | |
Photography/Not Photography, Fine Arts Building, NY | |
Group Exhibition, Paula Cooper Gallery, New York | |
1974 | Choice Dealers/Dealer's Choice, NY Cultural Center |
Opening Exhibition, Galerie John Doyle, Paris | |
Group Exhibition, John Doyle Gallery, Chicago | |
Spring Group Exhibition, Paula Cooper Gallery, New York | |
Fall Group Exhibition, Paula Cooper Gallery, New York | |
Drawings and Other Work, Paula Cooper Gallery, NY | |
1973 | 1973 Biennial Exhibition of American Painting & Sculpture, Whitney Museum of American Art, New York |
Options and Alternatives, Yale University Art Gallery, New Haven, CT | |
Options 73/30: Recent Works of Art, Contemporary Art Center, Cincinnati, OH | |
Memorial Art Gallery, University of Rochester, NY | |
Drawings and Other Work, Paula Cooper Gallery, NY | |
1972 | New York '72, Paula Cooper Gallery Group, Greenwich, CT |
New York Artists, Richard Gray Gallery, Chicago | |
American Women Artists Show, GEDOK, Kunsthaus, Hamburg | |
Painting: New Options, Walker Art Center, Minneapolis, MN | |
Painting and Sculpture Today, Indianapolis Museum of Art, IN | |
Kent Invitational Exhibition, Kent State University, OH | |
32nd Annual Exhibition, Society for Contemporary Art, The Art Institute of Chicago | |
American Women: 20th Century, Lakeview Center for the Arts & Sciences, Peoria, IL | |
12 Statements beyond the 60's, Detroit Institute of Arts, MI | |
Unmanly Art, Suffolk Museum, Stony Brook, New York | |
Small Series, Paula Cooper Gallery, New York | |
1971 | MOMA's Restaurant, Members' Penthouse, MOMA, New York |
Mansfield Art Center, Mansfield, OH | |
Twenty-six by Twenty-six, Vassar College, Poughkeepsie, NY | |
Paula Cooper Gallery Group, Windham College, Putney, VY | |
Paula Cooper Gallery, New York | |
Works for New Spaces, Walker Art Center, Minneapolis, MN | |
Directions 3: 8 Artists, Milwaukee Art Center, MN | |
University of Rochester, New York | |
1970 | Highlights of the Season, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
Referendum 70 Exhibition, Paula Cooper Gallery, NY | |
3 Person Show, Ithaca College Museum of Art, New York | |
Art for Your Collection, Museum of Art, RISD, Providence, RI | |
Small Works, The New Gallery, Cleveland, OH | |
Drawing Show, Paula Cooper Gallery, New York | |
Benglis, Kuehn, Van Buren, Paula Cooper Gallery, New York | |
1969 | Other Ideas, Detroit Institute of Arts, MI |
Bykert Gallery, New York | |
Lynda Benglis, Gary Dubosen, Alan Shields, Paula Cooper Gallery, New York | |
Prospect 69, Dusseldorf, West Germany | |
Drawing Show, Paula Cooper Gallery, New York | |
Art and Process IV, Finch College Museum, New York | |
Carmen Lamanna Gallery, Toronto | |
Winters Gallery, Winters College, York University, Toronto |