BIOGRAFIA
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SARAH CROWNER | |
1974 | Born in Philadelphia, PA |
Lives and works in Brooklyn, NY | |
Education | |
2002 | BA, University of California, Santa Cruz, CA |
2002 | MFA, Hunter College City University of New York, NY |
1996 | École Nationale Supérieure des Beaux Arts, Paris, FR |
Solo Exhibitions | |
2013 | Catherine Bastide, Brussels, B |
Geometric Parks, SAKS Galerie, Geneve, CH | |
2012 | Rehearsal, Galerie Nordenhake, Stockholm, S |
2011 | Acrobat, Nicelle Beauchene Gallery, New York, NY |
Ballet Plastique, Catherine Bastide, Brussels, B | |
Zig Zags and Curves, Helena Papadopoulos, Athens, GR | |
2009 | Paintings and Pots, Nicelle Beauchene Gallery, New York, NY |
2008 | Handbuilt Vessels, Nice + Fit Gallery, Berlin, D |
Selected Group Exhibitions | |
2013 | Painter Painter, curated by Eric Crosby and Bartholomew Ryan, Walker Art Center, Minneapolis, MN |
Beyond the Object, Brand New Gallery, Milan, I | |
2012 | a gathering, Athens Festival, curated by Maria-Thalia Carras & Olga Hatzidaki, Athens, GR |
Surface in Volume, Luce Gallery, Torino, I | |
Material Occupation, University Art Museum, University at Albany, NY | |
2011 | WE REGRET TO INFORM YOU THERE IS CURRENTLY NO SPACE OR PLACE FOR ABSTRACT PAINTING, Martos Gallery, New York, NY |
New Shadow Old Legs, Eleven Rivington, New York, NY | |
Paying A Visit to Mary Part 2, Kunstverein, Amsterdam, NL | |
2010 | Peter Saville’s ‘Accessory to an Artwork’, Glenn Horowitz Bookseller, East Hampton, NY |
Creeds, Colors and Combinations, Nicelle Beauchene Gallery, New York, NY | |
Owl Stretching Time, Nordenhake, Berlin, D | |
Whitney Biennial, curated by Francesco Bonami and Gary Carrion-Murayari, The Whitney Museum of American Art, New York, NY | |
2009 | Looking Back: The White Columns Annual, selected by Primary Information, White Columns, New York, NY |
For the blind man in the dark room looking for the black cat that isn’t there, curated by Anthony Huberman, Contemporary Art Museum, St. Louis, MO (Traveling exhibition to: ICA, London, UK; Museum of Contemporary Art, Detroit, MI; de Appel, Amsterdam, NL; Culturgest, Lisbon, P) | |
Cave Painting: Installment #1, curated by Bob Nickas, Gresham’s Ghost, New York, NY | |
Sarah Crowner and Yiannis Moralis: Conversations Part I, Nice + Fit Gallery,Berlin, D | |
2008 | Ceramics and Other Things with Paulina Olowska, DAAD Galerie, Berlin, D |
Opportunity as Community: Artists Select Artists - Part Two, Dieu Donne, New York, NY | |
2007 | Shopping, curated by Robin Kahn, Emily Harvey Gallery, New York, NY |
2006 | White Columns, New York, NY |
Orchard Gallery for North Drive Press, New York, NY | |
2005 | White Columns / Momenta Art, Brooklyn, NY |
2004 | Issue Project Space, New York, NY |
2002 | MFA Exhibition, Hunter College, New York, NY |
Blue for a Mountain, Kirkridge Center, Bangor, PA | |
2001 | Surveillance, Printed Matter, New York, NY |
1999 | Frango Sinatra, Lisbon, P |
Annual Exhibition of ARCO, Center for Arts and Visual Communication, Lisbon, P | |
Public Art Projects | |
2001 | Garden Chairs, Luxembourg Gardens, Paris |
Brooklyn Monochrome Project, Brooklyn, NY | |
Residencies | |
2008 | Skopelos Foundation for Art, Skopelos, GR |
2007-2008 | Artist in Residence Ceramics Department, Hunter College, City University of New York; NY |
1999 | ARCO (Centro de Art Communication Visual), Lisbon, P |