BIOGRAFIA
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| KADAR BROCK | |
| 1980 | Born New York, NY |
| Lives and works in Brooklyn, NY | |
| Education | |
| 2002 | BFA Cooper Union School of Art; New York, New York |
| Solo Exhibitions | |
| 2016 | Patron Gallery, Chicago, IL |
| 2015 | Almine Rech Gallery, Brussels, BE |
| Unburial Rites, Vigo Gallery, London, UK | |
| 2014 | scry 2, Gallery Diet, Miami, FL |
| 2013 | dredge, The Hole, New York, NY |
| 2012 | disenchant magic item, Vigo Gallery, London, UK |
| Evil Dead 2, with Matt Jones, Horton Gallery, Berlin, DE | |
| 2011 | wcfsb, House Gallery, Salt Lake City, UT |
| 2010 | Unclaimed Space, Thierry Goldberg Projects, New York, NY |
| Conjuring and Dispelling, Motus Fort, Tokyo, JAPAN | |
| 2005 | Human After All, with Matt Jones, BUIA Gallery, New York, NY |
| Selected Group Exhibitions | |
| 2015 | Theory of Forms, Patron Gallery, Chicago, IL |
| Surface Tension, The Flag Art Foundation, New York, NY | |
| Space and Matter, Sperone Wetwater, New York, NY | |
| Summertime, Galerist, Istanbul, TK | |
| New Vibrations, Brand New Gallery, Milan, IT | |
| 2014 | Brand New Second Hand, Vigo Gallery, London, UK |
| 3A Project: Abstraction-Absorpation-Attribution, Bodson Gallery, Brussels, BE | |
| Warp and Weft, The Hole, New York, NY | |
| 2013 | Paint Off, Paint On, Halsey Mckay Gallery, East Hampton, NY |
| XSTRACTION, The Hole, New York, NY | |
| The Example, Bleeker Street Arts Club, New York, NY | |
| Painted Perfect, Anonymous Gallery, Mexico City, MX | |
| 2012 | Hue + Cry, curated by Vladimir Restoin Roitfeld, Sotheby's S/", New York, NY |
| Ululation, Vigo Gallery, London, UK | |
| News from Chicago and New York, organized by Henning Strassburger, Fiebach Minniger, Cologne, DE | |
| Portrait of a Generation, The Hole, New York, NY | |
| Changing states of matter, Brand New Gallery, Milan, Italy | |
| Kadar Brock, Jason Gringler, Jim Lee, The Proposition, New York, NY | |
| Casa de Empeno, Anonymous Gallery, Mexico City, MX | |
| 2011 | "...", The Hole, New York, NY |
| An Instance of Vibration, curated by Peter Makebish, Anonymous, New York, NY | |
| Norfolk, Thierry Goldberg Gallery, New York, NY | |
| Out of Practice, curated by Nudashank, Art Blog Art Blog Summer Space, New York, NY | |
| Outer Space, Exit Art benefit auction, Exit Art, New York, NY | |
| Paper A-Z, Sue Scott Gallery, New York, NY | |
| Pieced Together, HKJB, Brooklyn, NY | |
| Cover Version LP, curated by Timothy Hull, BAM, Brooklyn, NY | |
| The Sultans Played Creole, curated by James Cope, Champion, Austin, TX | |
| The Open Day Book, L.A.C.E., Los Angeles, CA | |
| 2010 | Perseids, curated by Sorine Anderson & Kari Adelaide, Custer Observatory, Southold, NY |
| Night Fishing, Thierry Goldberg Projects, New York, NY | |
| Substance Abuse, curated by Colin Huerter, Leo Koenig Projekte, New York, NY | |
| In Dialogue, curated by Peter Makebish, Anonymous Gallery, New York, NY | |
| Informal Relations,curated by Scot Grow, Indianapolis Museum of Contemporary Art, Indianapolis, IN | |
| in.flec.tion., Hudson Valley Center of Contemporary Art, Peekskill, NY | |
| Quick While Still, curated by Colin Huerter, Heist Pop-Up, New York, NY | |
| Holy Hail, Cottleston Advisors at Ligne Roset, New York, NY | |
| Nothing Is Wrong If It Feels Good, Mike Potter Projects, Cologne, GERMANY | |
| The Artist's Guide to the LA Galaxy, West Los Angeles College Art Gallery, Los Angeles, CA | |
| New Mirrors, curated by Herb Tam, Exit Art, New York, NY | |
| 2009 | Too Big To Fail, sponsored by NADA and LaMontagne Gallery, 395 Flatbush Extension, Brooklyn, NY |
| Quick While Still, Motus Fort, Tokyo, JAPAN | |
| The Cursed Chateau, Indianapolis Museum of Contemporary Art, Indianapolis, IN | |
| Night Shift, Hudson Guild, New York, NY | |
| Candygrammar, curated by Michael Wilson, 999 Metropolitan, Brooklyn, NY | |
| Heart Break Hotel, Freight + Volume, New York, NY | |
| ACRIA Silent Auction, 15 USW, New York, NY | |
| 2008 | Heaven is a place on earth, BUIA Gallery, New York, NY |
| You only live once, Angell Gallery, Toronto, Ontario, CANADA | |
| HVCCA Benefit Auction, Yvonne Lambert, New York, NY | |
| I Want A Little Sugar In My Bowl, Curated by Anat Ebgi, Terence Koh, and Jenny Schlenzka, Asia Song Society, New York, NY | |
| Cover Version, Curated by Timothy Hull, Taylor De Cordoba Gallery, Los Angeles, CA | |
| 2007 | eFlux PawnShop, New York, NY |
| Stuff: international contemporary art from the collection of Burt Aaron, Detroit MOCA, Detroit, MI | |
| The Dominant Planets, High Energy Constructs, Los Angeles, CA | |
| Invisible Jet, BUIA Gallery New York, NY | |
| 2006 | Painting can you take me to heaven, BUIA Gallery, New York, NY |
| MASH, Design District, Miami, FL | |
| Breezer, BUIA Gallery, New York, NY | |
| New York Style, Angel Gallery, Toronto, Ontario, CANADA | |
| Junge Abstrakte, Temporary, Düsseldorf, GERMANY | |
| 2005 | NBC curated by Matt Jones, BUIA Gallery, New York, NY |
| In The Ring, BUIA Gallery, New York, NY | |
| 2004 | The Frisbee Art Fair, Miami, FL |
| Crystalis, The Peekskill Project, Peekskill, NY | |
| One for GrandMa, Capsule Gallery, New York, NY | |
| NINETEENEIGHTY: Art Show, RARE, New York, NY | |
| Deceptively Naïve, W/O Walls, ~ScopeNY, New York, NY | |
| 2003 | We Do What We Like and We Like What We Do, Atlantic Conference, Brooklyn, NY |
| The Beginning is the End, Atlantic Conference, Brooklyn, NY | |
| 2002 | Native, The House, Miami, FL |
