BIOGRAPHY
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| NICOLAS DESHAYES | |
| 1983 | Born in Nancy, France |
| Lives and works in London | |
| Education | |
| 2007-2009 | Royal College of Art, MA Sculpture |
| 2002-2005 | Chelsea College of Art and Design, BA Fine Art Sculpture |
| Solo Exhibitions | |
| 2013 | S1 Artspace, Sheffield |
| Snails, Brand New Gallery, Milan | |
| 2012 | Vanille, with George Henry Longly, Galerie Chez Valentin, Paris |
| Nicolas Deshayes@Galleries Goldstein, Hotel Palanque, London | |
| Browns in Full Colour, Jonathan Viner, London | |
| 2011 | PRECURSOR, E:vent Gallery, London |
| Autumn, Clockworkgallery, Berlin | |
| 2010 | A Killer Whale Breaching in Soft Focus, with Ed Atkins,Transmission Gallery, Glasgow |
| Cultural Wood,Concrete, Hayward Gallery, curated by Tom Morton, London | |
| Stiff Peaks,The Two Jonnys’ Project Space, London | |
| 2007 | Neo, RUN Gallery, London |
| The Travels, 42 Contemporaneo, Modena | |
| 2006 | Specimens, 42 Contemporaneo, Modena |
| 2005 | Noble’s Island, MOOT, Nottingham |
| Group Exhibitions | |
| 2013 | SLIP, The Approach, London |
| Notes (on de-classing), curated by Vincent Honore, Galleri Opdahl, Stavanger | |
| £5.34, curated by Jess Flood-Paddock, Carl Freedman Gallery, London | |
| Abstract Cabinet, David Roberts Art Foundation, London | |
| Pop Tarts, James Fuentes, New York | |
| Out of Memory, curated by Eleanor Cayre, Marianne Boesky Gallery, New York | |
| De Puristes et De Fauves, Shanaynay, Paris | |
| The World is Almost Six Thousand Years Old: Contemporary Art and Archaelogy from the Stone Age to the Present, curated by Tom Morton, The Collection, Lincoln | |
| Paradise Garage, Eighty One, London | |
| Relatively Absolute, Wysing Arts Centre, Cambridge | |
| 2012 | Chimera Q.T.E., Cell Project Space, London |
| Original Copy (III), Peles Empire, Cluj | |
| Original Copy (II), Peles Empire, London | |
| Changing states of matter, Brand New Gallery, Milan | |
| GLAZE, curated by George Henry Longly, Galerie Chez Valentin, Paris | |
| Surface to Surface, Jonathan Viner, London | |
| Painting is a painting, is a painting, Cul De Sac, London | |
| The Starry Rubric Set, Wysing Arts Centre,Cambridge | |
| 2011 | Rain, Cell Project Space, London |
| GLAZE,Bischoff & Weiss, London | |
| The Shape We’re In, 176 Zabludowicz Collection, London | |
| Keep Floors and Passages Clear, White Columns, New York | |
| 2010 | 2010.10, MOT International, London |
| Radio IPS, International Project Space, Birmingham | |
| Keep Floors and Passages Clear, OneThoresby Street, Nottingham | |
| A Stranger's Window, Nottingham Castle and Museum | |
| Bolton Street, Bolton Street, London | |
| 2009 | Indoor Life, Walden Affairs, Den Haag |
| Bloomberg New Contemporaries, Cornerhouse, Manchester / A Foundation, London | |
| Time is A Sausage, DomoBaal, London | |
| Once In a Lifetime, Peckham Multiplex Car Park, London | |
| 2006 | Artists' Choice, Mogadishni CPH, Copenhagen |
| Year_06 Art projects, Moot at the Mary Ward House, London | |
| From There, Bloomberg SPACE, London | |
