BIOGRAPHY
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DOWNLOAD PDF (89 Kb, UK)
MARIE LUND | |
1976 | Born in Copenhagen, DK |
Lives and works in London, UK | |
Education | |
2004 | MA, Royal College of Art, London, UK |
2002 | BA, The Royal Danish Academy of Fine Arts, Schools of Architecture, Copenhagen, DK |
Solo Exhibitions | |
2012 | Croy Nielsen, Berlin, D |
Christian Andersen Gallery, Copenhagen, DK | |
2011 | Two Ways to Fall, Proyectos Monclova, Mexico City, MEX |
Turtles, Laura Bartlett Gallery, London, UK | |
Selected Group Exhibitions | |
2013 | Beyond the Object, Brand New Gallery, Milan, I |
It's Over There, Simone Subal Gallery, New York, NY | |
2012 | When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, CCA Wattis, San Francisco, CA |
Group show curated by Gemma Lloyd and Eve Smith, Czarna, Warsaw, PL | |
House of Leaves,curated by Vincent Honore, David Robert Art Foundation, London, UK | |
From Stavanger with Love, curated by Chris Sharp, Galeri Opdahl, Stavanger, N | |
Two Pages (Four Sides),curated by Trine Friis Sørensen, Copenhagen, DK | |
Group show curated by Rose Lejeune, A.P.T Gallery, London, UK | |
Beyond Words, GAK Gesellschaft für Aktuelle Kunst, Bremen, D | |
Formes Brèves, Autres, 25, curated by Anja Isabel Schneider, Frac Lorraine, F | |
April, MARCO, Vigo, E | |
A wavy line is drawn across the middle of the original plans, curated by Søren Grammel, Koelnischer, Kunstverein, Cologne, D | |
L’Entre-deux: des savoirs bouleversés (4 études: Aurelien Froment, Marie Lund, Melvin Moti, Benjamin Seror,Formes, récits, musées), curated by Vincent Honore, Kunsthalle Mulhouse, Mulhouse, F | |
Who Am I? What Am I Doing Here??, inaguration show at Shanaynay, Paris, F | |
2011 | Under Destruction I, curated by Chris Sharp and Gianni Jetzer, The Swiss Institute, New York, NY |
(One hour) long exhibition - with Chosil Kil and Tr Kirstein & Johns Lunds, Supplement Gallery, London, UK | |
No Day without a Temperament,curated by Benjamin Hirte, Galerie Emanuel Layr, Vienna, A | |
Les Statues Meurent Aussi,Galleria Suzy Shammah, Milan, I | |
The Event,curated by Beti Zerovc, The 29th Biennial of Graphic Arts, Ljubljana, SLO | |
Young London, V22, London, UK | |
Somiglianze Non Sensibili,curated by Cecilia Canziani, Galleri Opdahl, Berlin, D | |
Inaguration show,Croy Nielsen, Berlin, D | |
Paysages avec Objets Absents,curated bny Corinne Charpentier, Kunsthalle Freiburg, Freiburg, CH | |
The Event,The 29th Biennial of Graphic Arts, Ljubljana, SLO | |
Bob Dylan, Bob Dylan, Boba Dylana, (3 person show with Jiri Kovanda and Nina Beier),curated by Edith Jerabkova, DOX, Prague, CZ | |
2010 | The Object Lessons (with Nina Beier, curated by Christophe Gallois, Mudam, Luxembourg, L |
The Testimony(with Nina Beier), curated by Laura Fried, Contemporary Art Museum St. Louis, St. Louis, MO | |
Best Laid Plans,curated by Cylena Simmonds,Drawing Room, London, UK | |
Best Laid Plans,curated by Cylena Simmond, Tate Modern, London, UK | |
Somiglianze Non Sensibili,curated by Cecilia Canziani,Galleri Opdahl, Stavanger, N | |
Frieze Sculpture Park, curated by David Thorp, London, UK | |
Could We Also Be Temporarily,curated by Nathanja van Dijk, 21rozendaal Centre for Contemporary Art, Enschede, NL | |
Tumult, curated by Christian Skovbjerg, Public art festival, Lolland Falster, Denmark, DK | |
Under Destruction,curated by Chris Sharp and Gianni Jetzer, Museum Tinguely, BaseL, CH | |
Der ideale Ort,curated by Stefanie Böttcher, Künstlerhaus Bremen, Bremen, D | |
End Note,curated by Robert Okuda Fitzpatrick and Tanya Leighton,Tanya Leighton Gallery, Berlin, D | |
Nomad-ness,Frac Pays de la Loire, Carquefou, F | |
À l’ombre d’un Doute,Frac Lorraine, Metz, F | |
Among the Nightingales,curated by Clarissa Corfe, Screening programme, Tatton Park Biennial, Tatton, UK | |
A Never Ending Story,Copenhagen, DK | |
We Have as Much Time as it Takes,CCA Wattis Institute for Contemporary Arts, San Francisco, CA | |
History of Art,curated by Mihnea Mircan, The DRAF, London, UK | |
Book Show,curated by James Langdon and Gavin Wade, Eastside Projects, Birmingham, UK | |
In Which the Wind is Also a Protagonist,curated by Chris Sharp, La Generale, Sevres, F | |
Collection 02, De Vleeshal Kabinetten, Middelburg, NL | |
A Very Very Long Cat,Wallspace, New York, NY | |
Gestures,curated by Sanne Kofod Olsen, The Museum of Contemporary Art, Roskilde, DK | |
Gallery, Gallerie, Galleria,curated by Adam Carr, Norma Mangoine Gallery, Turin, I | |
Performative Strategies,curated by Alexandra Blättler, Kunsthaus Glarus, Switzerland, CH | |
2009 | The Object Lessons (with Nina Beier),curated by Lorenzo Benedetti, De Vleeshal, Middelburg, NL |
The Testimony (with Nina Beier)Les Sabots, The Making of Difference, The Complete Works, curated by by Ilaria Gianni and Cecilia Canziani, Nomas Foundation, Rome, I | |
Permanent Collection(with Nina Beier),Croy Nielsen, Berlin, D | |
Loss and Cause(with Nina Beier), Proyectos Monclova, Mexico City, MEX | |
Suns Neither Rise Nor Set, Hockney Gallery, Royal College of Art, London, UK | |
Momentum: Nordic Biennial, Moss, Norway, DK | |
Sniper,curated by Thomas Kratz, Galerie Biedermann, Munich, D | |
Collective Spirits,curated by Johanne Løgstrup,Four Boxes Gallery, Krabbesholm, DK | |
A Sensed Pertubation,Murray Guy, New York, NY | |
We Would Like To Thank (Again) The Curators Who Wish To Remain Anonymous, Anne Barrault, Paris, F | |
The Announcement, curated by Isla Leaver-Yap, ICA, London, UK | |
Audio, Video, Disco, curated by David Bussel, Kunsthalle Zürich, Zürich, CH | |
Getting Even - Oppositions and Dialogues, curated by Matt Packer,Lewis Glucksman Gallery, Cork, Kunstverein Hannover, Hannover, D | |
Don’t Expect Anything,Francesca Minini, Milan, I | |
Berlin-Paris,curated by Croy Nielsen, GB Agency, Paris, F | |
Fragile Currency, curated by Ilaria Gianni, Klemm’s Gallery, Berlin, D | |
La Notte,curated by Lorenzo Benedetti, Kunsthalle Mulhouse, Mulhouse, F | |
Reduction & Suspense,curated by Eva Kraus and Tilo Schultz, Kunstverein Bregenz, Bregenz, A | |
Chapter three: The Wall of the Sky, The Wall of the Eye,curated by Christiane Rekade, About Change Collection, Berlin, D | |
2008 | Nina Beier and Marie Lund, Limoncello, London, UK |
Two Women(with Nina Beier), Laura Bartlett Gallery, London, UK | |
All The Best (with Nina Beier),co-curated with Vincent Honoré for the David Roberts Foundation, Gallery one one one, London, UK | |
A Circular Play(with Nina Beier),curated by Ursula Schondeling,Braunschweig Kunstverein, Braunschweig, D | |
A Circular Play (A Play in Circles) (with Nina Beier),curated by Mami Kataoka,Wako Works of Art, Tokyo, J | |
What is my name,curated by Lorenzo Bruni, Hisk, Gent, B | |
Insoluables Solides,curated by Cyril Dietrich, Betonsalon, Paris, F | |
Oh, A Show,curated by Annette Amberg, Showroom Platform, Basel, CH | |
Behind,curated by Ilaria Gianni, Monitor Gallery, Rome, I | |
Nought To Sixty,Institute of Contemporary Art, London, UK | |
Nordic Art and Experimental Film,film programme curated by Johanna Billing, Malmö,Malmo Konsthall, Malmo, S | |
Playtime,curated by Melanie Bouteloup and Gregory Castera, Betonsalon, Paris, F | |
I have nothing to say and I am saying it,Platform Seoul, Contemporary Art Festival, Seoul, ROK | |
Weisses Laecheln,Croy Nielsen, Berlin, D | |
Good Fences,(double show with Chosil Kil), Galleri Opdahl, Stavanger, N | |
U-Turn,Quadrennial in Copenhagen, Copenhagen, DK | |
Eurasia,MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, I | |
Notes Concernant les Objects qui sont sur la Table de Cuisine,guest in show by Sean Edwards, Super, Paris, F | |
Past Forward,176 Gallery, London, UK | |
Participation,Galerie Martin Janda, Vienna, A | |
Laughing In A Foreign Language,curated by Mami Kataoka, Hayward Gallery, London, UK | |
The Self-To-Other Ratio, TWS, Tokyo, J | |
This Way (Danish Contemporary Photography), Brandts Museum for Photography, Odense, DK | |
From a Distance,curated by Vincent Honore, Wallspace, New York, NY | |
Video Sequence 3, la Maison des Arts de Malakoff, Malakoff, F | |
2007 | Dance Like I Do(with Nina Beier), curated Thorsten Sadowsky, Århus Kunstbygning, Center for Contemporary Art, Aarhus, DK |
Dance Like I Do(with Nina Beier), curated by Henriette Bretton Meyer, Overgaden Institute of Contemporary Art, Copenhagen, DK | |
Actions & Interruptions,curated by Catherine Wood, Tate Modern, London, UK | |
The Difference Between Humans & Walls and The Division, curated by Heidi Reitmaier, Tate Britain, London, UK | |
Collectivity,curated by Joseph del Pesco,Yerba Buena Center for the Arts, San Francisco, CA | |
Abstract Things,curated by Harrell Fletcher, Laura Bartlett Gallery, London, UK | |
This is A Gettogether,curated by Dunja Kukovec and Josephine Michau,Skuc Gallery, Ljubljana, SLO |