BIOGRAFIA
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| Yinka Shonibare MBE, FGC, RA | |
| (Member of the Order of the British Empire, Fellow of Goldsmiths College, Royal | |
| Academician, The Royal Academy and Fellow of the University of the Arts, London) | |
| Born: 1962 in London, UK | |
| Lives and works in London, UK | |
| Education | |
| 1989-1991 | Goldsmiths College, London, UK |
| 1984-1989 | Byam Shaw School of Art, London, UK |
| Public Commissions | |
| 2014 | Wind Sculpture, Howick Place, Victoria, London, UK |
| 2012 | Nelson’s Ship in a Bottle, Acquisition National Maritime Museum, Greenwich, London, UK |
| Globe Head Ballerina, Royal Opera House, London, UK | |
| 2010- 2012 | Nelson’s Ship in a Bottle, Fourth Plinth Commission, Trafalgar Square, London, UK |
| Solo Exhibitions | |
| 2015 | Rage of the Ballet God, James Cohan Gallery, New York, NY |
| Daegu Art Museum, Daegu, KR | |
| 2014 | Yinka Shonibare MBE, MCA Chicago Plaza Projects, Chicago, IL |
| Aliens in Parliament, Parliament Building, Kiel, DE | |
| Yinka Shonibare MBE, Hebert Gerisch-Stiftung, Neumunster, DE | |
| Yinka Shonibare, Howick Place, London, UK | |
| Yinka Shonibare MBE: Magic Ladders, The Barnes Foundation, Philadelphia, Pennsylvania, US | |
| Addio del Passato, Brand New Gallery, Milan, IT | |
| Making Eden, Blain|Southern, Berlin, DE | |
| Wroclaw Contemporary Museum, Wroclaw, PL | |
| 2013-2014 | Yinka Shonibare, MBE: Dreaming Rich, Pearl Lam Galleries, Hong Kong, CN |
| Yinka Shonibare MBE, Royal Museums Greenwich, London, UK | |
| Selected Works, Gdansk City Gallery, Gdansk, Poland; travelling to Wroclaw, Contemporary Museum, Wroclaw, PL | |
| 2013 | FABRIC-ATION, GL Strand, Copenhagen, DK |
| FABRIC-ATION, Yorkshire Sculpture Park, Wakefield, UK | |
| FOCUS: Yinka Shonibare, MBE, Modern Art Museum of Fort Worth, Texas, TX | |
| POP!, Stephen Friedman Gallery, London, UK | |
| Dreaming Rich, Pearl Lam Galleries, Hong Kong, CN | |
| 2012 | Imagined as the Truth, San Diego Art Museum, San Diego, CA |
| Invasion, Escape: Aliens do it right!, Anna Schwartz Gallery, Sydney, AU | |
| Addio del Passato, James Cohan Gallery, New York, NY | |
| 2011 | El Futuro del Pasado, Alcalá 31 Centros de Arte, Madrid, SP |
| 2010-2011 | Human Culture: Earth, Wind, Fire and Water, Israel Museum, Jerusalem, IL |
| Yinka Shonibare, MBE: Sculpture, Photography and Film, Western Michigan University, Michigan, MI | |
| Looking Up, Nouveau Musée National de Monaco, Monaco | |
| Yinka Shonibare MBE, Friedrichswerder Church, Berlin, DE | |
| Before and After Modernism: Byam Shaw, Rex Vicat Cole, Yinka Shonibare, MBE, Lethaby, Gallery, Central Saint Martins College of Art & Design, London, UK | |
| 2009-2010 | Mother and Father Worked Hard So I Can Play, Brooklyn Museum of Art, Brooklyn, NY, USA; Travelling to the St Louis Art Museum, MO |
| 2009 | Willy Loman: The Rise and Fall, Stephen Friedman Gallery, London, UK |
| Party Time: Re-Imagine America - A Centennial Commission by Yinka Shonibare MBE, Newark Museum, NJ | |
| Dublin City Gallery The Hugh Lane, IE | |
| A Flying Machine for every Man, Woman and Child & other Astonishing Works, Santa Barabara Museum of Art, CA | |
| A Flying Machine for every Man, Woman and Child, Miami Art Museum, Miami, FL | |
| Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, NY and National Museum of African Art Smithsonian Institution, Washington D.C | |
| 2008 | Odile and Odette, Savannah College of Art and Design, ACA Gallery, Atlanta, GA |
| Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and the Smithsonian, Washington D.C. | |
| Prospero’s Monsters, James Cohan Gallery, New York, NY | |
| 2007 | Scratch the Surface, National Gallery, London, UK |
| Jardin d’Amour, Musée du Quai Branly, Paris, FR | |
| White Flag at Half Mast, commission for the Jubilee Flagpole, Hayward Gallery, South Bank Centre, London, UK | |
| 2006 | Yinka Shonibare Installation, Speed Museum, Kentucky, KY |
| Flower Time, Stephen Friedman Gallery, London, UK | |
| 2005 | Mobility, James Cohan Gallery, New York, NY |
| Yinka Shonibare Selects: Works from the Permanent Collection, Cooper-Hewitt, National Design Museum of the Smithsonian Institution, New York, NY | |
| Collaborative film/dance project with the Royal Opera House and the Africa Centre, London, UK | |
| 2004 | Turner Prize, Tate Britain, London, UK |
| Yinka Shonibare: Double Dutch, Boijmans van Beuningen Museum, Rotterdam, NL; touring to Kunsthalle Vienna, AT | |
| Vasa, Commission for the opening of Moderna Museet, Stockholm, SE | |
| Yinka Shonibare, The Fabric Workshop and Museum, Philadelphia, PA | |
| 2003 | Play with me, Stephen Friedman Gallery, London, UK |
| 2002-2003 | Double Dress, Israel Museum, Jerusalem, IL; toured to KIASMA, Helsinki, FI; Studio Museum, Harlem, NY, US, Padiglione d’Arte Contemporanea, Milan, IT |
| 2002 | Christmas Tree Project, Tate Britain, London, UK |
| Britannia project, Tate Britain, London, UK | |
| Be-muse, The British School in Rome, Rome, IT | |
| The Andy Warhol Museum, Pittsburgh, PA | |
| 2001 | Stephen Friedman Gallery, London, UK |
| 2000 | Effective, defective, creative, permanent video installation, Wellcome Wing, Science Museum, London, UK |
| Camden Arts Centre, London, UK | |
| Affectionate Men, Victoria & Albert Museum, LondoN, UK | |
| Diary of a Victorian Dandy Project, INIVA; toured to Castle Museum, Nottingham, UK | |
| 1999 | Dressing Down, Ikon Gallery, Birmingham, UK |
| Brent Sikkema, New York, NY | |
| 1998 | Diary of a Victorian Dandy, site-specific project on the London Underground, commissioned and produced by INIVA, London, UK |
| Alien Obsessives, Mum, Dad and the Kids, Tablet, the Tabernacle, London; toured to Norwich Art Gallery, Norwich, UK | |
| 1997 | Stephen Friedman Gallery, London, UK |
| Present Tense, Art Gallery of Ontario, Toronto, ON | |
| 1995 | Sun, Sea and Sand, BAC Gallery, London, UK |
| 1994 | Double Dutch, Centre 181 Gallery, London, UK |
| 1989 | Byam Shaw Gallery, London, UK |
| Bedford Hill Gallery, London, UK | |
| Group Exhibitions | |
| 2014 | Study from the Human Body, Stephen Friedman, Gallery, London, UK |
| Misled by Nature: Contemporary Art and the Baroque, The Museum of Contemporary Canadian Art, Toronto, ON | |
| Ship to Shore, John Hansard Gallery, Southampton, UK | |
| The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists, curated by Simon Njami, Frankfurt MMK, Frankfurt, DE; travels to Smithsonian National Museum of African Art, Washington, US; Museo Reina Sofia, Madrid, SP; Correo Venezia, Venice; Hayward Gallery, London, UK | |
| Fabric as Material and Concept in Modern Art from Klimt to the Present, Staatsgalerie, Stuttgart, DE | |
| 2013 | Education, Voegele Kultur Zentrum, Pfaffikon, CH |
| Block Party: Contemporary Craft Inspired by the Art of the Tailor, AUB, Bournemouth, UK | |
| Living Archive, Paco Das Artes, Sao Paulo, BR | |
| Bienniale Cuvee, Offenes Kulturhaus, Linz, AT | |
| Out of Fashion, glHoltegaard, Holte, Denmark; travelling to Kunsten Museum of Modern Art Aalborg, Aalborg, DK | |
| Pivot Points: 15 Years & Counting: 15th Anniversary Collection, MOCA, North Miami, US | |
| Brilliant Disguise: Masks and Other Transformations, Contemporary Art Centre, Louisiana, US | |
| Earth Matters: Land as Material and Metaphor in the Arts of Africa, Smithsonian Institute, National Museum of African Art, Washington DC, US | |
| Encounters: Photography from the Sheldon Museum of Art, Sheldon Museum of Art, Lincoln, Nebraska, US | |
| Pedro Lasch, Susan Harbage Page and Yinka Shonibare, Nasher, Museum of Art at Duke University, North Carolina, US | |
| Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London, Seattle Art Museum, Seattle, WA, US | |
| Victoriana: The Art of Revival, Guildhall Art Gallery, London, UK | |
| Kunst & Textile, Kunstmuseum, Wolfsburg, DE | |
| Miniartextil, Villa Olmo, Como, IT | |
| 2012-2013 | The Progress of Love, Center for Contemporary Art, Lagos, Nigeria; touring to The Menil Collection, Texas, USA; The Pulitzer Foundation for the Arts, St. Louis, Missouri, US |
| The Desire for Freedom: Art in Europe since 1945, Deutsches Historisches Museum Berlin, Berlin, DE | |
| 2012 | Happening to Be, Lethaby Gallery, Central Saint Martins, London, England |
| The Desire for Freedom: Art in Europe since 1945, German Historical Museum, Berlin, DE | |
| Encounters: Conflict, Dialogue, and Discovery, Princeton University Art Museum, Princeton, New Jersey, US | |
| Migrations: Journeys into British Art, Tate Britain, London, UK | |
| Trade Routes Over Time, Stevenson, Cape Town, SZ | |
| Déjà-vu? Die Kunst der Wiederholung von Durer bis YouTube (Déjà-vu? The Art of Reproduction from Durer to YouTube), Staatliche Kunsthalle Karlsruhe, Karlsruhe, DE | |
| Rokoko Mania: Contemporary art and design in dialogue with crafts from the 1700’s, Designmuseum, Copenhagen, DK | |
| Cotton: Global Threads, Whitworth Art Gallery, Manchester, UK | |
| The Crisis Commission, Somerset House, London, UK | |
| Six Yards, Guaranteed Real Dutch Wax Exhibition, Museum of Modern Art, Arnhem, NE | |
| Block Party, Smiths Row, London; touring to National Craft Gallery, Kilkenny, Ireland; New Walk Museum & Gallery, Leicester, UK | |
| Fairy Tales, Monsters, and the Genetic Imagination, Frist Centre for the Visual Arts, Nashville, Tennesse, US; touring to Winnipeg Art Gallery, Manitoba, Canada; and to the Glenbow Art Museum, Calgary, AB | |
| Histories of the Colonial screening event for Colonial Spectres: A moving Picture Blues, film series curated by Christian Kravagna, Museum Moderner Kunst (MUMOK), Vienna, AT | |
| African Cosmos: Stellar Arts, Smithsonian, National Museum of African Art, Washington DC, US | |
| 2011 | Travelling Light, Whitechapel Art Gallery, London, UK |
| I Know Something About Love, Parasol Unit, London, UK | |
| Sympathy for the Devil, Vanhaerents Art Collection, Brussels, BE | |
| Rewind-Play-Forward, Kaunas Biennial, Kaunas, Lithuania | |
| Environment and Object, Tang Art Museum, New York, US | |
| Anderson Gallery, Virginia Commonwealth University, Virginia, US | |
| Middlebury College Museum of Art, Vermont, US | |
| Human Nature: Contemporary Art from the Collection, LACMA, Los Angeles, California, US | |
| The African Continuum, the United Nations, New York, US | |
| Sprit and Space: Collection Sandretto Re Rebaudengo, Fundacion Banco Santander, Madrid, SP | |
| African Interweave: Textile Diasporas, Harn Museum of Art, Gainesville, Florida, US | |
| The Way We Are Now: Selections from the 21c Collection, Cincinnati Art Museum, US | |
| 2010-2011 | Lust and Vice. The Seven Deadly Sins from Durer to Nauman, Kustmuseum Bern and the Zentrum Paul Klee, Bern, CH |
| GSK Contemporary – Aware: Art Fashion Identity, Royal Academy, London, UK | |
| 2010 | Raw, 242nd Summer Exhibition, Royal Academy, London, UK |
| Lust and Vice: The 7 Deadly Sins from Durer to Nauman, Art Museum of Bern, CH | |
| Aware: Art Fashion Identity, Royal Academy of Arts, London, UK | |
| 21st Century: Art in the First Decade, Queensland Art Gallery, Brisbane, AU | |
| The House of Fairy Tales, Harris Museum and Art Gallery, Preston, UK | |
| Huckleberry Finn, CCA Wattis, San Francisco, California, US | |
| Spanish Muse: A Contemporary Response, Meadows Museum, Southern Methodist University, Dallas, Texas, US | |
| Eye of the Pacific Rim, Gyeonggi Museum of Modern Art, Ansan City, KR | |
| Foundation of Art: Sculpture and its Base since Rodin, ARP Museum, Bonn, DE | |
| Summer Exhibition, Royal Academy, London, UK | |
| Who Knows Tomorrow, Friedrichswerder Church, Berlin, DE | |
| Until Now: Collecting the Contemporary (1960-2010), Minneapolis Institute of Arts, Minneapolis, US | |
| Size DOES Matter, The FLAG Art Foundation, New York, US | |
| Contemplating the Void, Guggenheim Museum, New York, US | |
| Pattern I.D., Akron Art Museum, Akron, Ohio, US | |
| Nothing is Forever, South London Gallery, London , UK | |
| Performance/Art, Dallas Center for the Performing Arts, Dallas, US | |
| DaDaFest International, Liverpool, UK | |
| 2009 | British Subjects: Identity and Self-Fashioning, 1965-2009, Neuberger Museum of Art, Purchase, NY |
| A Rebelión dos Xeneros, Centro Torrente Ballester, Ferrol, SP | |
| Third Moscow Bienniale of Contemporary Art, The garage Center for Contemporary Culture, Moscow, Russia | |
| Persona, Royal Museum for Central Africa, Tervuren, Belgium | |
| Perhaps Truth is a Woman, Museum of European Garden History, Düsseldorf, Germany | |
| Unbounded: New Art for a New Century, Newark Museum, New Jersey, USA | |
| Body Memory, Princeton University Art Museum, Princeton, New Jersey, USA | |
| Bodies in Contemporary Art, Norton Museum of Art, West Palm Beach, Florida, USA | |
| Pictures in Series, Fischer Landau Center for Art, Long Island City, New York, USA | |
| 2008 | Nos, Museu de republica, Rio de Janeiro, Brasil |
| The Poetics of Cloth: African Textiles, The Grey Art Gallery, New York University, New York, USA | |
| Space Now!, The Triangle Gallery at Space Studios, London | |
| Angaza Afrika, The October Gallery, London | |
| The Essential Art of African Textiles: Design Without End, Metropolitan Museum of Art, New York, USA | |
| Body Space, Tullie House Museum & Art Gallery, Carlisle, UK | |
| 2007 | Crossing the Water, Cartwright Hall Gallery, Bradford; travelling to City Gallery, Leicester, UK |
| Stardust or the last border, Musée d’art contemporain du Val-de-Marne (MAC/VAL), Vitry-sur-Seine, France | |
| Role Exchange, Sean Kelly, New York, USA | |
| African Art Today: An Unbounded Vista, Nelson-Atkins Museum of Art, Kansas City, USA | |
| Check-List Luanda Pop, African Pavillion, 52nd Venice Biennale | |
| Uncomfortable Truths – the shadow of slave trading on contemporary art and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK | |
| Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg | |
| War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA | |
| Scratch the Surface, National Portrait Gallery, London, United Kingdom | |
| Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, Asia | |
| RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA | |
| Alien Nation, Institute of Contemporary Arts, London, England | |
| William Hogarth, Musée du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain | |
| Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA | |
| MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain | |
| DRESSCODE, Historisches und Voelkerkundemuseum, St Gallen, Switzerland | |
| Space is the Place, Independent Curators International, New York, USA | |
| Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) | |
| Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA | |
| Africa Remix, Moderna Museet, Stockholm, Sweden | |
| Acting the Part: Photography as Theatre, National Gallery of Canada | |
| Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia | |
| A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA | |
| East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England | |
| Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England | |
| Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA | |
| Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson) | |
| 2005 | Linkages and Themes in the African Diaspora: Selections from the Eileen Harris Norton Francisco, California, USA |
| Woman Women, Ville de Carouge, Geneva, Switzerland; toured to the Palazzo Strozzi, Florence, Italy; Palais des Beaux Arts/Entrepõt Royal Tour & Taxis (curated by Adelina von Furstenberg) | |
| Take Two. Worlds and Views, The Museum of Modern Art, New York, USA | |
| Acting Out: The Invented Melodrama in Contemporary Photography, University of Iowa Museum of Art, Iowa City, IA, USA; toured to the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, USA (organized by UIMA curator Kathleen A. Edwards, catalogue) | |
| Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London | |
| Africa Remix, Contemporary Art of a Continent, Museum Kunst Palast, Düsseldorf, Germany; toured to Hayward Gallery, London; Centre Georges Pompidou, Paris, France; Mori Art Museum, Tokyo, Japan | |
| African Voices, New Museum of World Cultures, Gothenburg, Sweden | |
| Translation, Palais de Tokyo, Paris, France | |
| 2004 | African Art, African Voices: Long Steps Never Broke a Back, Philadelphia Museum of Art, PA, USA |
| Shonibare, Norton Museum in West Palm Beach, FL, USA | |
| Fashination, Moderna Museet, Stockholm, Sweden | |
| The Fabric Workshop and Museum, New York, NY, USA | |
| Flexible 4: Identities, Landes Museen, Linz, Austria | |
| Between The Lines, James Cohan Gallery, New York, NY, USA | |
| Black President: The Art and Legacy of Fela Anikulapo-Kuti, Yerba Buena Centre for the Arts, San Francisco, CA, USA, (catalogue) | |
| 2003 | Looking Both Ways: Art of the Contemporary African Diaspora, The Museum for African Art, New York, USA (catalogue) |
| Love over Gold, Gallery of Modern Art, Glasgow, Scotland NY, USA, (catalogue) | |
| Flexible 4: Identities, The Whitworth Art Gallery, Manchester | |
| Supernova: Art of the 1990s from the Logan Collection, SF MOMA, San Francisco, CA, USA | |
| (doublures), vêtements de l'art contemporain, Musée national des beaux-arts du Québec, Québec, Canada (catalogue) | |
| Independence, South London Gallery, London | |
| The African Exile Museum, Migros Museum, Zürich, Switzerland | |
| Somewhere better than this Place, The Contemporary Arts Center, Cincinnati, Ohio, USA | |
| 2002 | Extension, Magasin 3, Stockholm Konsthalle, Stockholm, Sweden |
| Attitude 2002, Contemporary Art Museum, Kumamoto, Japan (catalogue) | |
| Documenta 11, Kassel, Germany (catalogue) | |
| Spoleto Festival, Charleston, WV, USA | |
| Fondazione Levi, Venice, Italy | |
| Unpacking Europe, Boijmans Van Beuningen Museum, Rotterdam, Netherlands; toured | |
| The Short Century, Museum Villa Stuck, Munich; toured (catalogue) | |
| Give and Take, Serpentine Gallery and Victoria & Albert Museum, London | |
| Secret Victorians, Fabric Workshop, Philadelphia, PA, USA | |
| Vantage Point, Irish Museum of Modern Art, Dublin, Ireland | |
| Sense of Wonder, Herzliya Museum of Art, Israel | |
| 2000 | Age of Influence: Reflections in the Mirror of American Culture, MCA Chicago, IL, USA |
| Partage d’exotismes, 5th Biennale of Contemporary Art, Lyon, France | |
| Other Modernities, Camberwell College of Arts, London | |
| Laboratory. Continental Shift-Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands | |
| Intelligence: New British Art 2000, Tate Britain, London | |
| 1999 | From where–To here, Art from London, Konsthallen Göteborg, Sweden |
| Kunstwelten im Dialog, Museum Ludwig, Cologne | |
| Missing Link, Museum of Arts, Bern, Switzerland | |
| Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool | |
| Mirror’s Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark | |
| In the Midst of Things, Bournville Village, Birmingham | |
| Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA | |
| Sensation, Brooklyn Museum of Art, New York, NY, USA | |
| 1998 | Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. |
| Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham | |
| Ethno-antics, Nordic Museum, Stockholm, Sweden | |
| Crossings, National Gallery of Canada, Ottowa, Canada | |
| Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA | |
| Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain | |
| Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University | |
| Global Vision; New Art from the ‘90s, Deste Foundation, Athens, Greece | |
| 1997 | Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, USA |
| Portable Personal Histories Museum, Ikon Gallery, Birmingham | |
| Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa | |
| Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966- 1996, | |
| Caribbean Cultural Center/African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand | |
| What, Trinity Buoy Wharf, London | |
| 1996 | Pledge Allegiance to A Flag?, London Printworks Trust |
| Imagined Communities, National Touring Exhibition, Oldham Art Gallery; John Hansard Gallery, University of Southampton; Colchester Minories; Royal Festival Hall, London and Glasgow Gallery of Modern Art, Glasgow, Scotland | |
| Discreet Charm, Visionfest, Croxteth Hall, Liverpool | |
| Inklusion:Exclusion, Steirischer Herbst, Graz, Austria | |
| Jurassic Technology, 10th Biennale of Sydney, Australia | |
| Painting, Stephen Friedman Gallery, London | |
| Out of Order, Independent Art School, London; Cornerhouse, Manchester | |
| 1995 | The Art of African Textiles: Technology, Tradition and Lurex, Barbican Centre, London |
| Seeing and Believing, The Economist Building, London | |
| Original, Gasworks, London | |
| 1994 | 2 out of 4 dimensions, Centre 181 Gallery, London |
| Where are they now...?, Byam Shaw Gallery, London | |
| Seen/unseen, Bluecoat Gallery, Liverpool | |
| TENQ, group exhibition in Senegal, West Africa | |
| 1993 | Space Studios Open Exhibition, London |
| 1992 | Barclays Young Artists Award, Serpentine Gallery, London |
| 1991 | Interrogating Identity, Grey Art Gallery, New York, NY; Museum of Fine Arts, Boston, MA; Walker Arts Centre, Minneapolis, MN; Madison Art Centre, Wisconsin, WI; Memorial Art Museum, Ohio, OH, USA |
| Goldsmiths College, London | |
| 1989 | Black Art New Directions, Stoke-on-Trent City Museum and Art Gallery, Stoke-on Trent |
| Byam Shaw Final year show, London | |
| 1988 | Byam Shaw Concourse Gallery, London |
