BIOGRAFIA
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KATE STECIW | |
1978 | Born in Bethlehem, PA |
Lives and works in Brooklyn, NY | |
Training | |
BA, Sociology, Smith College, Northampton, MA | |
MFA, Photography, SAIC, Chicago, IL | |
Solo-Two Person Exhibitions | |
2016 | Kate Steciw & Letha Wilson - Fold and Unfold, MACRO Museo d'Art Contemporanea, Roma, IT |
Christophe Gaillard, Paris, FR | |
Higher Pictures, New York, NY | |
Things of Shapes, Neumeister Bar-Am, Berlin, DE | |
Shapes of Things, Brand New Gallery, Milan, IT | |
2015 | Kate Steciw, Higher Pictures, New York, NY |
Kate Steciw, Retrospective Gallery, Hudson, NY | |
Soul Hackers (with Yannick Val Gesto), Levy.Delval, Brussels, BE | |
2014 | Kate Steciw, Higher Pictures, New York, NY |
Open for Business III (with Rachel De Jode), Neumeister Bar-Am, Berlin, DE | |
Actife Plassity, Neumeister Bar-Am, Berlin, DE | |
New Custom Wall Art, Annarumma Gallery, Naples, IT | |
2013 | Debaser, Levy.Delval, Brussels, BE |
Open for Business II (with Rachel De Jode), Casa Mauaad, Mexico City, DF | |
Open for Business I (with Rachel De Jode), Stadium, New York, NY | |
2012 | Boundless Hyper, Toomer Labzda Gallery, New York, NY |
Live, Laugh, Love, The Composing Rooms, London, UK | |
2011 | Love My Way, Primary Photographic Gallery, New York, NY |
Group Exhibitions | |
2017 | New Dawn, curated by Domenico de Chirico, Neumeister Bar-Am, Berlin, DE |
2016 | Physical Fiction, Garage, Amsterdam, NL |
The Perfume and The Bottle, Parisian Laundry, Montreal, QC | |
We Gave Our Best Now The Rest Is Up To The Hope Chest, Im Ersten, Vienna, AT | |
Future Form, Gamma Galeria, Guadalajara, MX | |
Dense Mesh, curated by Joshua Citarella, Carroll / Fletcher, London, UK | |
2015 | Not A Photo, The Hole, New York, NY |
Touch Tone: Rachel de Joode, Kate Steciw & Letha Wilson, Martos Gallery, New York, NY | |
Windoes, The Composing Rooms, Berlin, DE | |
Catfish, Anat Ebgi, Los Angeles, CA | |
Under Construction-New Position in American Photography, Pioneer Works, Brooklyn, NY | |
COOL / As a State of Mind, MAMO, Marseille, FR | |
2014 | Under Construction-New Position in American Photography, Foam, Amsterdam, NL |
Not Abstraction, New Galerie @ Yves Klein Archive, Paris, FR | |
Pure Product, 247365, New York, NY | |
Fixed Variable, Hauser & Wirth, New York, NY | |
The New Romantics, Eyebeam, Brooklyn, NY | |
Material Images (curated by Nate Hitchcock), Johannes Vogt, New York, NY | |
Shakti, Brand New Gallery, Milan, IT | |
What is a Photograph, International Center for Photography, New York, NY | |
2013 | Apparatus, M+B Art, Los Angeles, CA |
Wingding, LVL3, Chicago, IL | |
Building Materials, The Control Room, Los Angeles, CA | |
Color Shift, Mixed Greens, New York, NY | |
The Web is a Lonely Place, The Center for Photography at Woodstock, Woodstock, NY | |
1:1, Steve Turner Gallery, Los Angeles, CA | |
2012 | Attachments, The Hole, New York, NY |
How to Eclipse the Light, Wilkinson Gallery, London, UK | |
Business Innovations for Ubiquitous Authorship, Higher Pictures, New York, NY | |
Image Object, Foxy Production, New York, NY | |
Real Time, Nudashank, Baltimore, MD | |
That is the Dawn, Gregor Staiger Gallery, Zurich, CH | |
Aude Pariset/Kate Steciw/Letha Wilson, Toomer Labzda, New York, NY | |
Matt Nichols/Kate Steciw, Hungry Man, San Fancisco, CA | |
2011 | Flatten Image, The End, Brooklyn, NY |
Notes on a New Nature, 319 Scholes, Brooklyn, NY | |
BCC#6, Reference Gallery, Richmond, VA | |
BAM Next Wave Festival, Brooklyn, NY | |
A Small Forest, Kunsthalle New, Chicago, IL | |
Monkey Wrench, Horton Gallery, New York, NY | |
Wax Apple, Bodega, Philadelphia, PA | |
Always the Young Strangers, Higher Pictures Gallery, New York, NY | |
2010 | Post-Internet Survival Guide, Future Gallery, Berlin, DE |