BIOGRAFIA
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| KASPER SONNE | |
| 1974 | Born in Copenhagen, Denmark |
| Lives and works in New York | |
| Education | |
| 1997-2000 | BA, The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation |
| Solo exhibitions | |
| 2016 | New Religion, Herning Museum of Contemporary Art, Herning, DK |
| 2015 | Dirty Blonde, Christian Larsen, Stockholm, SE |
| BLACK BOX, Jeanrochdard, Brussels, BE | |
| The Arts Club, London, UK | |
| 2014 | Toxic Waste, Blumenthal East Hampton, East Hampton, NY |
| Bad Chemistry, Brand New Gallery, Milan, Italy | |
| New Territory, West, Den Haag, NL | |
| On Destruction And Decoration, Galerie Olivier Robert, Paris, FR | |
| 2013 | Zero Emotional Content, The Hole, New York, NY |
| All Their Lies Are True, Henningsen Gallery, Copenhagen, DK | |
| All Information Is Subject To Change, SALTS, Basel, CH | |
| 2012 | The Total Loss of Innocence Regained, Primo Piano, Paris, FR |
| 2010 | Pure Colors, Charles Bank Gallery, New York, NY |
| Untitled Sign # 3, SAPS museum, Mexico City, MEX | |
| 2009 | Total Revolution, V1 Gallery, Copenhagen, DK |
| 2006 | Trust Me, V1 Gallery, Copenhagen, DK |
| 2003 | AM I EVIL?, V1 Gallery, Copenhagen, DK |
| 2002 | The Dicktator Sucks!, I-N-K Institut for nutidskunst, Copenhagen, DK |
| Group exhibitions | |
| 2016 | Face to Face: Works from Ernesto Esposito Collection, Palazzo Fruscione, Salerno, IT |
| 2015 | Hashtag Abstract, curated by Kamiar Maleki, Ronchini Gallery, London, UK |
| Gatherings, Fergus McCaffrey, New York, NY | |
| Tekst, Den Frie, Copenhagen, DK | |
| Volumes, Berthold Pott at Koelnberg, Cologne, DE | |
| 2014 | The Go Between: Works from Ernesto Esposito Collection, curated by Eugenio Viola, Museo Nazionale di Capodimonte, Napoli, IT |
| The Go Between: Works from Ernesto Esposito Collection, curated by Eugenio Viola, Sprovieri Gallery, London, UK | |
| Bikuben, curated by Rebecca Maksym, Utah Museum of Contemporary Art, Utah, UT | |
| From Pre-History to Post-Everything, Sean Kelly Gallery, New York, NY | |
| Sputnik III, Barbara Seiler Gallery, Basel, CH | |
| Popup, Los Angeles, US | |
| To Draw a Line, curated by Jay Ezra NayssanUndisclosed Venue, Los Angeles, US | |
| YEAH AND LOOK WHERE IT GOT US, curated by Jeanroch Dard and Philippe Valentin, Mon Cheri, Brussels, BE | |
| Drive the Change, curated by Annette von Spesshardt-Portatius, 100plus Zürich, CH | |
| 2013 | ZEIGEN - Karin Sander, Nikolaj Contemporary Art Center, Copenhagen, DK |
| Room 1, Henningsen Gallery, Copenhagen, DK | |
| The Wall, curated by Benjamin Bianciotto, Galerie Olivier Robert, Paris, FR | |
| Secret Garden II, curated by Mads Damsbo, Gl. Holtegaard - gallery for contemporary and modern art, DK | |
| Tectonic, curated by Simon Sakhai and Aya Mousavi, The Moving Museum, Dubai, UAE | |
| IRL, curated by Mikkel Carl, Point B, New York, NY | |
| 2012 | The Dark Cube, curated by Francesca Gavin, Palais de Tokyo, Paris, FR |
| Tonight We Won’t Be Bored - 10 years of V1 Gallery, V1 Gallery, Copenhagen, DK | |
| Each Memory Recalled Must Do Some Violence To Its Origin, curated by Aaron Moulton, undisclosed location | |
| Under The Volcano, curated by Raul Zamudio, Andromeda Arte Contemporaneo, San Jose, Costa Rica | |
| Paper Match, curated by Johan Rosenmunthe, Halmlageret, Copenhagen, DK | |
| The Inhabitants, curated by Mathias Kryger and Christina Malbek, Apart, Copenhagen, DK | |
| Celebrity Skin, curated by Raul Zamudio, White Box Contemporary, San Diego, CA | |
| Rock, Paper, Scissors, curated by Sam Bardaouil and Till Fellrath, Leila Heller Gallery, New York, NY | |
| The Artist Is Not Present, curated by Tali Wertheimer & Susi Kenna, Meulensteen, New York, NY | |
| BODY SNATCHERS, curated by Raul Zamudio, White Box Contemporary, New York, NY | |
| Donatello parmi les fauves, curated by Benjamin Bianciotto, Galerie Olivier Robert, Paris, FR | |
| Transhuman, curated by Cecelia Stucker, Old School, New York, NY | |
| An Øje At The Hole, curated by Jens-Peter Brask, The Hole, New York, NY | |
| Overgaden at The Armory Show, curated by Henriette Bretton-Meyer, New York, NY | |
| Retrospect, Charles Bank Gallery, New York, NY | |
| Casa de Empeno, Anonymous Gallery, Mexico City, MEX | |
| 2011 | Grey Area – Art and Object Shop, Bass Museum of Art, Miami, FL |
| Visible Alternative, New Museums Festival of Ideas for the New City at Old School, New York, NY | |
| No One is an Island, curated by Omar Lopez-Chahoud, LMCC at Governors Island, New York, NY | |
| Lake of Fire, curated by Mikkel Carl, Den Frie Centre of Contemporary Art, Copenhagen, DK | |
| Ut Pictura Poesis, curated by Jesper Elg, Nikolaj Contemporary Art Center, Copenhagen, DK | |
| In Case We Don't Die, KPH Volume,Copenhagen, DK | |
| What’s he building in there?, curated by Jesper Elg and Mikkel Grønnebæk, Fuse Gallery, New York, NY | |
| Artprojx Cinema at the SVA Theatre, curated by David Gryn, New York, NY | |
| Art Machine, curated by Alife and Kathy Grayson, The Hole, New York, NY | |
| One Shot, curated by Jesper Elg, Kunstpakhuset, Ikast, DK | |
| Status, V1 Gallery, Copenhagen, DK | |
| January White Sale, curated by Beth Rudin DeWoody, Loretta Howard Gallery, New York, NY | |
| 2010 | Faint to black, curated by Mikkel Carl, Henningsen Gallery, Copenhagen, DK |
| Art Moves, Commissioned billboard, Torun, PL | |
| Paradiso, 17th annual Watermill Center benefit, Watermill, NY | |
| Album, V1 Gallery, Copenhagen, DK | |
| Seeing Voices, Stedman Gallery, Rutgers, NJ | |
| One Shot, Allmänna Galleriet 925, Stockholm, SE | |
| Summer Show, LaviolaBank Gallery, New York, NY | |
| When the vacation is over for good, Pianissimo Gallery, Milan, IT | |
| 2009 | One Shot, Werkstette Gallery, Copenhagen, DK |
| 2008 | The Destruction of Atlantis, curated by Jesper Elg, Union Gallery, London, UK |
| Year One, LaViolaBank Gallery, New York, NY | |
| 56° N, 10° E, Museo de San Carlos, Mexico City, MEX | |
| FIGUR, Lauritz Kunsthal, Copenhagen, DK | |
| TEMPO, Public art commission, curated by Anne Szefer Karlsen, Skien, NO | |
| 2007 | What can desert islands do?, curated by Paul Pieroni, Seventeen Gallery, London, UK |
| Spitting Image, V1 Gallery, Copenhagen, DK | |
| 2006 | Exportable Goods - Contemporary Danish Art, curated by Severin Dunser and Jesper N. Jorgensen, Galerie Krinzinger Projekte, Vienna, AT |
| The wish list, M+R Gallery, London, UK | |
| 2005 | DNA, DogA, Norges Design og Arkitekturcenter, Oslo, NO |
| DNA, So Stockholm, Stockholm, SE | |
| DNA, Galleri edition, Copenhagen, DK | |
| Framed, Turbinehallerne, Copenhagen, DK | |
| 2004 | Video 2004, Bergen Kunsthall, Bergen, NO |
| Dagen efter, Public art exhibition in the cities Copenhagen, Århus and Randers, DK | |
| One, V1 Gallery, Copenhagen, DK | |
| 5 million Peace March, Let us talk while we walk 5, Ridehuset, Århus, DK | |
| 5 million Peace March, Let us talk while we walk 4, Espace SD, Beirut, Lebanon | |
| 5 million Peace March, Let us talk while we walk 3, Lothringer Dreizehn, Munich, DE | |
| 2003 | Size 12, Galleri Asbæk, Copenhagen, DK |
| 2002 | KE 2002, Den Frie udstillingsbygning, Copenhagen, DK |
| Gallery Luhmann, Nils Stærk Contemporary Art, Copenhagen, DK | |
| Performative works | |
| 2011 | Sign Language, New Museums Festival of Ideas for the New City at Charles Bank Gallery, New York, NY |
| 2008 | Untitled performance, Karriere Bar, Copenhagen, DK |
| 2004 | One night performance No. 2, Stereo Bar, Copenhagen, DK |
| 2002 | One night performance No. 1, Kkunst at Stereo bar, Copenhagen, DK |
