BIOGRAPHY
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JAMES HOFF | |
1975 | Born in Fort Wayne, Indiana |
Lives and works in Brooklyn, NY | |
Education | |
1998 | BA, Indiana University |
One and Two person Exhibitions | |
2015 | VI, VII, Oslo, NO |
B=R=I=C=K=I=N=G, Contemporary Art Center, New Orleans, LA | |
The Quick Brown Fox Jumps Over the Lazy Dog, Supportico Lopez, Berlin, DE | |
2014 | Skywiper, Callicoon Fine Arts, New York, NY |
James Hoff, Or Gallery, Vancouver, BC | |
2013 | Drop Shadow, Oslo Kunsthall, Oslo, NO |
2012 | Milking the Flat Cow, Callicoon Fine Arts, New York, NY |
I’m Already A Has-Been, VI, VII, Oslo, NO | |
Selected Group Exhibitions | |
2016 | The Blob, Berman Museum of Art at Ursinus College, Collegeville, PA |
2015 | Eugene Gomringer &, Kunstverein, Bielefeld, Bielefeld, DE |
Mediated Images, Brand New Gallery, Milan, IT | |
On the Exacitude of Rain, Ryan Lee Gallery, New York, NY | |
Exploring Compositional Epistemologies: A Series of Notional Synthesization on Topological Morphologies and Heuristic Gestures in the Relm of Sonic Language, Midway Contemporary Art, Minneapolis, MN | |
2014 | Itself Not So, Lisa Cooley, New York, NY |
Spectrum II, Apples, Brooklyn, NY | |
Farm to Table, Foxy Production, New York, NY | |
Bachelor Machines, Room East, New York, NY | |
Reading List, Selections from the MoMA Library Collection, Museum of Modern Art, NY | |
Postscript: Writing After Conceptual Art, The Eli & Edythe Broad Art Museum, MI | |
2013 | Some Woolly Buzz, Publication Studio Vancouver, Vancouver, BC |
New Humans, Bureau, NY | |
Sæthre, and Marianne Zamecznik, Norsk Skulpturbiennale, Oslo, NO | |
Drop Shadow, Oslo Kunsthall, Oslo, NO | |
Parasitic Gaps, curated by Miriam Katzeff, Team Gallery, New York, NY | |
The String and the Mirror, organized by Lawrence Kumpf and Justin Luke, Lisa Cooley, New York, NY | |
Pulp 3, Beat Pictoris Gallery, Birmingham, AL | |
Postscript: Writing After Conceptual Art, Power Plant, Toronto, ON | |
PAN_ACT, Anthony Greaney, Boston, MA | |
Sound Spill, Zabludowicz Collection, New York, NY | |
2012 | Postscript: Writing After Conceptual Art, Museum of Contemporary Art Denver, CO |
Can Stop The Rock Lobster, Shoot the Lobster, New York, NY | |
2011 | I Don’t Know if It Makes Any Sense, IMO, Copenhagen, DK |
Freeks and Geeks, Air De Paris, Paris, FR | |
2010 | Pig Latin, Nice & Fit Gallery, Berlin, DE |
Mapping the Studio, Bastard, Oslo, NO | |
2009 | Indian Ocean, Dispatch Bureau, NY, NY |
2008 | Black Friday, Printed Matter, NY, NY |
Artist-Initiated Magazines, Rekord, Oslo, NO | |
Psychotic Reactions, KS Art, NY | |
Performances | |
2015 | Blaster, Midway Contemporary Art, Minneapolis, MN |
2014 | La Monnaie / De Munt, Brussels, BE |
2013 | Earworm: Compositions for Brass, Issue Project Room, Brooklyn, NY |
Dancing for the Advanced in Age, Museum of Contemporary Art Denver, CO | |
2012 | PennSound: Edit Series, University of Pennsylvania, Philadelphia, PA |
2009 | How Wheeling Feels When the Ground Walks Away, Artists Space, NY |
Curatorial | |
2013 | Excursis IV, Institute of Contemporary Art, Philadelphia, PA |
2012 | Memoirs of a Shy Pornographer, Tidens Krav, Oslo, NO |
2011 | Hungry for Death (Destroy All Monsters), Boston University, Boston, MA |
2010 | Ear to the Page (Co-curated with Alan Licht), Center for Book Arts, NY |
Hungry for Death (Destroy All Monsters), AMP Gallery, Athens, GR | |
Hungry for Death (Destroy All Monsters), American Academy, Rome, IT | |
Hungry for Death (Destroy All Monsters), SPACE, London, UK | |
2009 | Year in Review, White Columns, New York, NY |
Hungry for Death (Destroy All Monsters), Projekt 0047, Oslo, NO | |
Hungry for Death (Destroy All Monsters), White Flag Project, St. Louis, MI | |
Hungry for Death (Destroy All Monsters), Printed Matter Inc., New York, NY | |
2008 | Leaderless: Contemporary Cassette Culture Now, Torpedo, Oslo, NO |
2007 | Fuck for Peace: A History of The Fugs, Printed Matter Inc., New York, NY |
Leaderless: Contemporary Cassette Culture Now, Printed Matter Inc., New York, NY | |
Selected Talks/Readings/Lectures | |
2014 | Reading List: Artists’ Selections from the MoMA Library Collection, MoMA, New York, NY |
Discussion on the Music of Mike Kelley, MoMA/PS1, New York, NY | |
2013 | Dancing Lessons for the Advanced in Age, MCA/Denver, Denver, CO |
Pan Festival, Goethe-Institut, New York, NY June 26. | |
Metal Fatigue Music, AVA, New York, NY, May 07, 2013. | |
Lecture/Performance, Issue Project Room, New York, NY, April 25. | |
Reading (with Exact Change), Museum of Modern Art, New York, NY, April 20. | |
Dancing Lessons for the Advanced in Age, MCA, Denver, CO, January 27. See it here. | |
Your PC Is Now Stoned!, Counterpath, Denver, CO, January 25. | |
Radio Arthur Program (How Wheeling Feels When the Ground Walks Away), Kunsthalle Basel, CHI, January 18 | |
2012 | Sound and Text: Experiments in Transmedia Object Making, PS1/MoMA, New York, NY |
Segue Series, Bowery Poetry Club. | |
Inventory Arousal Launch, Torpedo Books, Oslo, NO | |
2011 | Discussion on Destroy All Monsters, Museum of Modern Art Library, New York, ny |
2010 | Ear to the Page, Center for Book Arts (In conversation with Kenny Goldsmith, Alan Licht, and Allen Ruppersberg |
Confounding Expectations XI, New School for Social Research, NY, NY, April 08 CAA, Chicago, IL, February 13 | |
Pompidou, Paris, FR(In Conversation with Vito Acconci), January 27 | |
Sorbonne, Paris, FR (In Conversation with Vito Acconci), January 27 | |
2009 | Academy of Art, Oslo, NO, November 2-4 |
Walker Art Center, Minneapolis, MN, February, 5 | |
2008 | Ronnells/OEI Reading Series, Stockholm, SW, December 5 |
École Normale Supérieure Lettres et Sciences Humaines, Lyon, FR, February 13 | |
Academy of Art, Oslo, NO, February 11 | |
St. Marks Poetry Project, New York, NY January 14 |