BIOGRAPHY
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MARGO WOLOWIEC | |
1985 | Detroit, MI |
Lives and works in Detroit, MI | |
Education | |
2013 | MFA California College of the Arts, San Francisco, CA |
2007 | BFA School of the Art Institute of Chicago, Chicago, IL |
Solo & Two Person Exhibitions | |
2017 | Rose Garden, Harper’s Apartment, New York, NY |
Evergreen, Searchlight, Rosebud, Jessica Silverman Gallery, San Francisco, CA | |
2016 | Summer Learning Loss, Laura Bartlett Gallery, London, UK |
Double Blind, Anat Ebgi, Los Angeles, CA | |
Spectra (with Jacqueline Kiyomi Gordon), Et Al. etc., San Francisco, CA | |
2015 | Corrections and Exposures, Lisa Cooley, New York, NY |
Margo Wolowiec, Harper’s Books, East Hampton, NY | |
2014 | Margo Wolowiec, Anat Ebgi, Los Angeles, CA |
Following, Johansson Projects, Oakland, CA | |
Nikolas Pence and Margo Wolowiec, East Hampton Shed, East Hampton, NY | |
2013 | Catching Thread, Grizzly Grizzly, Philadelphia, PA |
2012 | Skeleton, Playspace Projects, California College of Arts, San Francisco, CA |
Group Exhibitions | |
2018 | Textile Abstraction, Galeria Casas Riegner, Bogota, CO |
The Ages, Jessica Silverman Gallery, San Francisco, CA | |
2017 | A Thread of Execution, Dimensions Variable, Miami, FL |
A Space For Thought, Brand New Gallery, Milan, IT | |
Gjon Mili International Photography Exhibition, National Gallery of Kosovo, Prishtina, RKS | |
New Threads: Unraveling traditions in fiber, Cabrillo College Gallery, Aptos, CA | |
No Evidence of Sign, LUCE Gallery, Torino, IT | |
Coded Threads: Textile and Technology, Western Washington University, Bellingham, WA | |
Have + Hold, Wasserman Projects, Detroit, Michigan | |
Tie Up, Drawn Down, co-curated by Natalie Campbell and Carissa Carman, Center for Craft, Creativity and Design, Asheville, NC | |
2016 | It Runs Deep, Baby Grand, Detroit, MI |
The Present and the Probable, curated by Jessica Silverman, fused, San Francisco, CA | |
Lines that Tie: Carole Beadle and Lia Cook, Museum of Craft and Design, California College of Arts, San Francisco, CA | |
2015 | Catfish, Anat Ebgi, Los Angeles, CA |
Granpalazzo 2015, Palazzo Rospigliosi, Zagarolo, IT | |
La Mer Insomniaque, Laura Bartlett Gallery, London, GB | |
2014 | Writing Lessons, Butter Projects, Royal Oak, MI |
The History of Technology, Jessica Silverman, San Francisco, CA | |
Zeroes and Ones, curated by Amy Owens, Di Rosa, Napa, CA | |
2013 | Sea Stories Between the Tides, Highlight Gallery, San Francisco, CA |
New New Work, curated by Aaron Harbor, Interface Gallery, Oakland, CA | |
MFA Thesis Exhibition, California College of the Arts, San Francisco, CA | |
Barclay Simpson Award Exhibition, Oliver Art Center, Oakland, CA | |
2012 | KNOTS: Textile Topologies, College Avenue Galleries, Oakland, CA |
Corner of the World, MacArthur B Arthur, Oakland, CA | |
The Brodmann Areas: A New Ballet from Norte Maar, Center For Performance Research, Brooklyn, NY | |
MFA Now, Root Division, San Francisco, CA | |
2011 | In Motion, College Avenue Galleries, Oakland, CA |
2010 | Wanton Fluctuation, YoHo Artists Lofts, Yonkers, NY |
I Can't Go On, I'll Go On, The Janus Project, Brooklyn, NY | |
Glitch Generation, BAC Gallery, Brooklyn, NY | |
2009 | 1.09262009, MVSEVM, Chicago, IL |
2008 | Playlist, Uri Gallery, DukSung Women's University, Seoul, KR |
2007 | InHabit, Revolving Doors Gallery, Chicago, IL |
Public Collection | |
Kadist Art Foundation, San Francisco, CA | |
Hammer Museum, Los Angeles, CA | |
Detroit Center for Photography, Frame/s, Digital Gallery of Lens Based Media, MI | |
MacLean Collection, Libertyville, IL | |
Awards | |
2013 | Barclay Simspon Award |
2011 | Graduate Merit Scholarship, California College of the Arts |
2007 | Bachelor of Fine Arts Fellowship, The School of the Art Institute of Chicago |