BIOGRAPHY
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| JEFFREY GIBSON | |
| 1972 | Colorado Springs, CO |
| Lives and works in Germantown, NY | |
| Education | |
| 2016 | Honorary Doctorate, Claremont Graduate University, Claremont, CA |
| 1998 | MA, Royal College of Art, London, GB |
| 1995 | BFA, The Art Institute of Chicago, Chicago, IL |
| Solo Exhibitions | |
| 2019 | Jeffrey Gibson:This Is The Day, The Blanton Museum, Austin, TX |
| Jeffrey Gibson: Like a Hammer, Madison Museum of Contemporary Art, Madison, WI | |
| Jeffrey Gibson: Like a Hammer, Seattle Art Museum, Seattle, WA | |
| 2018 | Don't Make Me Over, The de la Cruz Gallery of Art, Georgetown University, Washington D.C. |
| THIS IS THE DAY, The Ruth and Elmer Wellin Museum, Hamilton College, Clinton, NY | |
| Brand New Gallery, Milan, IT | |
| Jeffrey Gibson: Like a Hammer, Missisipi Museum of Contemporary Art, Jackson, MS | |
| Jeffrey Gibson: Like a Hammer, Denver Art Museum, Denver, CO | |
| 2017 | In Such Times, Roberts & Tilton, Culver City, CA |
| Jeffrey Gibson: Speak to Me, Oklahoma Contemporary Arts Center, Oklahoma City, OK | |
| Look How Far We’ve Come!, Haggerty Museum of Art, Marquette University, Milwaukee, WI | |
| 2016 | A Kind of Confession, Gallery 1600, Savannah College of Art and Design, Atlanta, GA |
| 2015 | Jeffrey Gibson, Marc Straus, New York, NY |
| Jeffrey Gibson, Lange & Sohne, New York, NY | |
| 2014 | Jeffrey Gibson, Marc Straus, New York, NY |
| 2013 | Love Song, Institute of Contemporary Art, Boston, MA |
| Said The Pigeon To The Squirrel, National Academy Museum, New York, NY | |
| Tipi Poles Performing As Lines, Cornell Fine Arts Museum, Winter Park, FL | |
| The Spirits Refuse Without A Body, Shoshana Wayne Gallery, Santa Monica, CA | |
| Timeline, performance, Museum of Fine Arts, Boston, MA | |
| Artist in Residence, Denver Art Museum, Denver, CO | |
| 2012 | Jeffrey Gibson, Marc Straus, New York, NY |
| One Becomes The Other, Participant Inc, New York, NY | |
| One Becomes The Other, American Contemporary, New York, NY | |
| Nephelococcygia, Permanent Percent for Art Installation, PS264-Bay Ridge, Brooklyn, NY | |
| 2011 | Jeffrey Gibson, 222 Shelby Street, Santa Fe, NM |
| Jeffrey Gibson, Submerge Arin Contemporary Art, Laguna Beach, CA | |
| 2009 | Totems Sala Diaz, San Antonio, TX |
| 2006 | Talkin’ Smack, Samson Projects, Boston, MA |
| 2005 | Indigenous Anomaly, American Indian Community House, New York, NY |
| 2001 | (re)positions, The Bronx Museum of The Arts, New York, NY |
| 1998 | Fever, G.U.N. Gallery, Oslo, NO |
| 1997 | Transitional Bodies, Hockney Gallery, London, GB |
| Group Exhibitions | |
| 2019 | Re: Define, Heard Museum, Phoenix, AZ |
| Suffering from Realness, MASS MoCA, North Adams, MA | |
| Aftereffect, Museum of Contemporary Art, Denver, CO | |
| 2018 | One Way or Another, Roberts Projects, Culver City, CA |
| Surface/Depth: The Decorative After Miriam Schapiro, Museum of Art and Design, New York, NY | |
| Crystal Bridges Museum of American Art, Bentonville, AR | |
| A Decolonial Atlas, Aidekman Art Center, Tufts University, Medford, MA | |
| 2017 | Sanctuary, For-SITE Foundation, San Francisco, CA |
| Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE | |
| Sanctuary, FOR SITE FOUNDATION, San Francisco, CA | |
| Opulent Landscapes, DeBuck Gallery, Saint Paul De Vance, FR | |
| From a whisper to a scream, Lehmann Maupin, New York, NY | |
| Desert X Biennial, Palm Desert, CA | |
| A Decolonial Atlas: Strategies In Contemporary Art Of The Americas, Vincent Price Art Museum, Los Angeles, CA | |
| Southern Accent: Seeking the American South in Contemporary Art, Speed Museum of Art, Louisville, KY | |
| 2016 | Southern Accent: Seeking the American South in Contemporary Art, Nasher Museum of Art at Duke University, Durham, NC |
| Perfect Day, Roberts & Tilton, Culver City, CA | |
| Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, NY | |
| Greater New York, MoMA PS1, New York, NY | |
| New Geometries, Fleisher/Ollman Gallery, Philadelphia, PA | |
| An Evening Redness in the West, IAIA Museum of Contemporary Native Arts, Santa Fe, NM | |
| Convene, The Nerman Museum of Contemporary Art, Kansas City, KS | |
| Much Wider Than A Line, SITE Santa Fe Biennial, NM, | |
| Kindred Beasts, Everson Museum, Syracuse, NY | |
| Obsidian Gaze, Riddu Riddu Festival, Sammuelsberg, NO | |
| March Madness, Fort Gansevoort, New York, NY | |
| No Commission, The Dean Collection, New York, NY | |
| 2015 | Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, NY |
| P3 Prospect New Orleans, New Orleans, LA | |
| Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, MO | |
| Gray Would Be The Color if I Had a Heart, Marc Straus, New York, NY | |
| 2014 | Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, KA |
| 2013 | Sakahàn National Gallery of Canada, Ottawa, CA |
| Outside The Lines, Contemporary Art Museum, Houston, TX | |
| Fiction / Non-Fiction, Esker Foundation, Calgary, CA | |
| Totem, Aysa Geisberg, New York, NY | |
| Hotbox Fever, Steven Wolf, San Francisco, CA | |
| The Old Becomes The New, Wilmer Jennings Gallery, New York, NY | |
| 2012 | Shapeshifter, Peabody Essex Museum, Salem, MA, |
| Changing Hands 3, Museum of Art and Design, New York, NY | |
| E-Vapor-8, 319 Scholes, New York, NY | |
| Peekskill Project, Hudson Valley Center for Contemporary Art, Peekskill, NY | |
| 2011 | Recent Acquisitions, Museum of Fine Arts, Linde Family Wing for Contemporary Art, Boston,MA |
| Close Encounters, Plug-In Institute of Contemporary Art, Winnipeg, CA | |
| Recent Acquisitions, Denver Art Museum, Denver, CO | |
| Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, CA | |
| An Exchange with Sol LeWitt, Cabinet Exhibitions, Brooklyn, NY and Mass MoCA, North Adams, MA | |
| Drift of Summer, RM Gallery, Auckland, NZ | |
| Observe/Recognize, Berlin Gallery at Legends, Santa Fe, NM | |
| 2010 | The Shades: Jeffrey Gibson and Jackie Saccoccio, Samson Projects, Boston, MA |
| Collision, Rhode Island School of Design Museum, Providence, RI | |
| Lush Life, Invisible Exports Gallery, New York, NY | |
| Everyday Mystics, Patricia Sweetow Gallery, San Francisco, CA | |
| Vantage Point, Recent Acquisitions Smithsonian National Museum of The American Indian, Washington D.C. | |
| Raw State, Shelby Street Gallery, Santa Fe, NM | |
| New Paintings, Staley Wise Gallery, New York, NY | |
| Alluring Subversions, Timken Art Center, California College of The Arts, San Diego, CA | |
| Currents, University of Northern Colorado, Greenley, CO | |
| 2009 | Lover, On Stellar Rays, New York, NY |
| Signs Taken For Wonders, Jack Shainman Gallery, New York, NY | |
| Surveillance, Affirmation Arts, New York, NY | |
| Solutions, Diverseworks, Houston, TX | |
| Recent Acquisitions, Eiteljorg 2008-09 Fellows, Eiteljorg Museum, Indianapolis, IN | |
| The Banality of Good, Claremont Graduate University, Claremont, CA | |
| Currents, Metro Visual Arts Center, Denver, CO | |
| Relevant, Nathan Cummings Foundation, New York, NY | |
| 2008 | Make It Rain, Dust Gallery, Las Vegas, NV |
| Blueballs, Art Production Fund LAB, New York, NY | |
| Visions, Flushing Town Hall Projects, Flushing, NY | |
| Voices of the Mound, Institute of American Indian Arts, Santa Fe, NM | |
| Native Voices: Contemporary Indigenous Art/Works, on Paper Kentler International Drawing Space, New York, NY and Long Island University, Greenvale, NY | |
| Cautionary Tales, 516 Arts, Albuquerque, NM | |
| Shameless, 1x1 Project, Jersey City Museum, Jersey City, NJ | |
| 2007 | Sonotube, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA |
| Off The Map, The National Museum of the American Indian, Smithsonian Institution, New York, NY | |
| Postmillennial Black Madonna (in two parts), New England School of Art and Design, Boston, MA | |
| Paradise, MoCADA, and Inferno, Skylight Gallery, New York, NY | |
| Newark Open 2007, Newark, NJ | |
| 2006 | No Reservations, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
| Paperworks, Paul Kopeikin Gallery, Los Angeles, CA | |
| Brooklyn, Westport Arts Center, Westport, CT | |
| Paumanoka, State University of New York, Stonybrook, NY | |
| Tropicalisms, The Jersey City Museum, Jersey City, NJ | |
| 2005 | Le Désert de Retz, Massimo Audiello, New York, NY |
| From the Root, Alona Kagan Gallery, New York, NY | |
| Out of Bounds, Wave Hill, Glyndor Gallery, New York, NY | |
| Evolving Pattern, New Jersey City University, Jersey City, NJ | |
| Play, Landor Fine Arts, Newark, NJ | |
| AIR, Cuchifritos Gallery, Artists Alliance, New York, NY | |
| 2004 | The Urge That Binds, Samson Projects, Boston, MA |
| Jersey (New), Jersey City Museum, NJ | |
| New American Talent, The Jones Art Center for Contemporary Art, Austin, TX | |
| The Space Between Words, Kean University, Union, NJ | |
| Timeless/Timeliness, Aljira Center for Contemporary Art, Newark, NJ | |
| Super Salon, Samson Projects, Boston, MA | |
| Public Collection | |
| Cornell Fine Arts Museum, Rollins College, Winter Park, FL | |
| Crystal Bridges Museum of American Art, Bentonville, AR | |
| Denver Art Museum, Denver, CO | |
| Eiteljorg Museum, Indianapolis, IN | |
| Museum of Fine Arts, Boston, MA | |
| National Gallery of Canada, Ontario, Canada | |
| Nerman Museum of Contemporary Art, Kansas City, KS | |
| Newark Museum, Newark, NJ | |
| Philbrook Museum of Art, Tulsa, OK | |
| School of Advanced Research, Santa Fe, NM | |
| Smithsonian Institution, Washington D.C. | |
| Grants and Awards | |
| 2015 | Art Matters Grant |
| 2012 | Joan Mitchell Foundation, Painters and Sculptors Award |
| TED Foundation Fellow | |
| 2011 | Smithsonian Institution, National Museum of The American Indian, Contemporary Arts Grant |
| Jerome Foundation Research and Travel Grant | |
| HARPO Foundation Grant | |
| 2010 | Headlands Center for the Arts, Artist in Residence |
| Herekeke, Artist in Residence | |
| 2009 | Department of Cultural Affairs, New York City, Percent for Art Commission, PS264 |
| 2008 | Eiteljorg Museum Fellowship |
| Crow Shadow Printmaking Residency | |
| Dubin Fellowship, Indian Arts Research Center, School of Advanced Research, Santa Fe, NM | |
| 2007 | Art Omi International Artist Residency |
| 2005 | Creative Capital Foundation Grant |
| Vision, Space, and Desire: Global Perspectives and Cultural Hybridity (Symposium), Istituto Veneto di Scienze, Venice, Italy | |
| 2004 | Artist Alliance, Inc. / Alianza de Artistas Studio Program, New York, NY |
| Newark Museum, Artist in Residence | |
| Creative Capital Professional Development Workshop | |
| 2002 | Smithsonian, National Museum of the American Indian Alternate Fellow |
| Aljira, A Center for Contemporary Art, Emerge 2003 | |
| 1998 | Bundy Project Award |
| 1996 | Mississippi Band of Choctaw Indians Tribal Scholarship |
