BIOGRAFIA
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| TERENCE KOH | |
| 1980 | Born in Beijing, China |
| Lives and works in New York City | |
| Training | |
| 1997 | Emily Carr School of Art and Design, Vancouver, Canada, B.A. |
| Solo Exhibitions | |
| 2011 | nothingtoodoo, Mary Boone Gallery, New York, United States |
| 2009 | Contemporary artifaces and Baroque difformities, curated by Claudia Giola |
| Adansonias: A Tragic Opera in 8 acts, Galerie Thaddaeus Ropac, Paris, France | |
| 2008 | Flowers For Baudelaire, Vito Schnabel, New York, United States |
| The Whole Family, Peres Projects, Los Angeles, United States | |
| Love for Eternity, Museo de Arte Contemporaneo de Castilla y León, León, Spain | |
| Captain Buddha, curated by Dr. Martina Weinhart, Schirn Kunsthalle, Frankfurt, Germany | |
| Dirty Blind God, de Pury & Luxembourg, Zurich, Switzerland | |
| 2007 | God, de Pury and Luxembourg, Zurich, Switzerland |
| Blame Canada, with Bruce LaBruce, Peres Projects, Berlin, Germany | |
| Solo Exhibition, curated by Shamim Momin, The Whitney Museum of American Art, New York, United States | |
| 2006 | Terence Koh, curated by Beatrix Ruf, Kunsthalle Zürich, Zürich, Switzerland |
| Buddha Fly Earth, Asia Song Society, New York, United States | |
| Terence Koh, Statements Art Basel, Peres Projects | |
| Future Cock, Asia Song Society, New York | |
| 2005 | Mein Tod Mein Tod, Peres Projects, Berlin, Germany |
| Gone, Yet Still, Wien Secession, Vienna, Austria | |
| The Voyage of Lady Midnight Snowdrops Through Double Star Death, Peres Projects, Los Angeles, United States | |
| 2004 | Do Not Doubt the Dangerousness of My Butterfly Song, Peres Projects, Los Angeles, United States |
| Koh & 50 Most Beautiful Boy, Peres Projects, Los Angeles, United States | |
| 2003 | The Whole Family, Peres Projects, Los Angeles, United States |
| Selected Group Exhibitions | |
| 2011 | East Ex East, Brand New Gallery Milan, Italy |
| Secret Societies, Schirn Kunsthalle, Frankfurt, Germany | |
| BigMinis, CAPC Musée d'art Contemporain, Bordeaux, France | |
| 2010 | Post Monument, XIV Carrara Biennale, Italy |
| Group Show, Ullens Center for Contemporary Art, Beijing, China | |
| Art Unlimited with Thaddeus Ropac Gallery, Art Basel, Switzerland | |
| Roundabout, traveling exhibition, Hong Kong, China | |
| Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, The New Museum, New York, United States | |
| The Library of Babel / In and Out of Place, curated by Anna-Catharina Gebbers, 176 Zabludowicz Collection, London, United Kingdom | |
| 2009 | Contemporary Artifices and Baroque Difformities, curated by Claudia Gioia, with the scientific direction of Danilo Eccher, ARCOS-Sannio Museum of Contemporary Art, Benevuto, Italy |
| Compassion, curated by AA Bronson, The Institute of Art, Religion, and Social Justice, New York, United States | |
| Degeneration/Regeneration, Marina Abromovic Institute, San Francisco, United States | |
| Performa 09, the third biennial of visual art performance, New York, NY | |
| Objective Affection, curated by Faris Al-Shathir and Gregory Sparks, BOFFO, Brooklyn Heights, NY | |
| New York Minute, curated by Kathy Grayson, Macro Future Museum, Rome, Italy | |
| A Tribute to Ron Warren, Mary Boone Gallery, New York, NY | |
| Mexico: Expected/Unexpected, Colección Isabel y Agustín Coppel, Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Spain | |
| DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK | |
| Private, Von der Heydt Museum, Wuppertal, Germany | |
| The Collectors, curated by Elmgreen and Dragset, Danish and Nordic Pavilions, 53rd Venice Biennale, Venice, Italy | |
| ONEDREAMRUSH, Beijing Independent Film Forum, Beijing, China | |
| Marina Abramovic Presents..., The Whitworth Art Gallery The University of Manchester Oxford Road, Manchester, UK | |
| Get a Rope, curated by Kathy Grayson, CTRL Gallery, Houston, TX | |
| IMAGINE, THERE: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada | |
| The Porn Identity, curated by Florian Waldvogel, Kunsthalle Wien, Germany | |
| The Temptation to Exist: Douglas Gordon, Andy Warhol, On Kawara, Terence Koh, Yvon Lambert, London, UK | |
| KKK, curated by Javier Peres, three person show with Terence Koh, Jeff Koons, and Mike Kelley, Mary Boone, New York | |
| 2008 | FRAGILE, Julia Stoschek Collection, Dusseldorf |
| Political Minimalism, curated by Klaus Biesenbach, Kunst Werke, Berlin | |
| Materialized: New Video in the Third Dimension, curated by Kathy Grayson, Bergen Kunsthalle, Norway | |
| Meet Me Around the Corner – Works from the Astrup Fearnley Collection, Astrup Fearnley Museum of Modern Art, Oslo, Norway | |
| Expenditure, Busan Biennale 2008, Busan Museum of Modern Art, Busan, Korea | |
| 21: Contemporary Art, The Brooklyn Museum, New York, 2008 | |
| The Boys of Summer, The Fireplace Project, East Hampton, NY | |
| Shape of Things to Come, Saatchi Gallery, London, UK | |
| Yokohama Triennial, Yokohama, Japan | |
| Eurasia. Geographic Cross-Overs in Art, Museo di Arte Moderna e Contemporanea die Trento e Rovereto, Trento, Italy | |
| Expected Unexpected Mexico, the Collection of Augustin and Isabel Coppel, curated by Monica Amor, Maison Rouge, Paris, France | |
| The Zabludowicz Collection: When We Build, Let Us Think That We Build Forever, Baltic Centre for Contemporary Art, Gateshead, UK | |
| New York States of Mind, Queens Museum of Art, Queens, NY, USA | |
| Gravity: Selected works from the Ernesto Esposito Collection, Museo Artium, Vitorai, Spain | |
| 2007 | Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK |
| Effigies, Stuart Shave / Modern Art, London, UK | |
| Fractured Figure, curated by Jeffrey Deitch, selections from the Dakis Joannou Collection, Deste Foundation, Athens | |
| Beyond the Zero, Peres Projects, Athens, Greece | |
| Destroy Athens, the First Athens Biennial | |
| Get Lost, Artists Map Downtown New York, New Museum, New York, NY | |
| How Much Longer, curated by J.J. Kegan McFadden, Belkin Satellite, Vancouver B.C. Canada | |
| Out of Art, from the Collection of Ernesto Eposito, CentrePasquArt: Kunsthaus Centre d’Art, Biel Bienne, Switzerland | |
| Sweet Bird of Youth, Arndt & Partner, Berlin, Germany, curated by Hedi Slimane | |
| Chi Peng’s Journey to the West, White Space Beijing, China in association with Alexander Ochs Galleries Berlin-Beijing | |
| New York – States of Mind, curated by Shaheen Merali, Haus der Kulturen der Welt, Berlin, Germany | |
| Two Person Exhibition with AA Bronson, Galerie Fredric Giroux, Paris, France | |
| Absent Without Leave, Victoria Miro Gallery. London, UK | |
| Between Two Deaths, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, curated by Ellen Blumenstein and Felix Ensslin | |
| Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK | |
| Body Politix, Witte de With Center for Contemporary Art, Rotterdam, the Netherlands | |
| 2006 | USA Today, in conjunction with the Saatchi Gallery, Royal Academy of Arts, London, United Kingdom, |
| The Gold Standard, Curated by Bob Nickas, PS1 Contemporary Art Center, Long Island City, United States | |
| WAR on .45/MY MIRRORS Are PAINTED BLACK (for you), Bortolami Dayan, New York, United States | |
| Let’s go Kamping!!, Kamp K48 at John Connelly Presents, New York, NY | |
| The Beat, Haswelldiger & Co. Gallery, New York, NY | |
| Cosmic Wonder, Yerba Buena Center for the Arts, San Francisco, United States | |
| Dark, curated by Rein Wolfs and Jan Grosfeld, Museum Boijmans Van Beuningen, Rotterdam, Holland | |
| A Lover's Discourse: Nobuyoshi Araki, Annette Kelm, Terence Koh, Sakiko Nomura, Heinz Peter Knes, Marcos Rosales, curated by Dean Sameshima, Peres Projects, Los Angeles, United States | |
| 2005 | Blankness Is Not A Void, curated by Gardar Eide Einarsson, Standard, Oslo |
| The Zine UnBound: Kults, Werewolves and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, California | |
| No Ordinary Sanctity, curated by Shamim Momin, Kunstraum Deutsche Bank, Salzburg, Austria | |
| Log Cabin, curated by Jeffrey Uslip, Artist Space, New York | |
| 2004 | Do a Book: Asian Artists Summer Project 2004, Plum Blossoms, New York |
| The Temple of Golden Piss, Extra City, Center for Contemporary Art, Antwerp, Belgium | |
| Phiiliip: Divided by Lightning, Deitch Projects, New York, United States | |
| The Black Album, Maureen Paley Interim Art, London, UK | |
| Get Off! Exploring the Pleasure Principal, Museum of Sex, NY | |
| Harlem Postcards Fall 2004, The Studio Museum in Harlem, New York | |
| Whitney Biennial, The Whitney Museum of American Art, New York, United States | |
| 2003 | DL: The Down Low in Contemporary Art, Longwood Art Gallery, Bronx, New York |
| Today's Man, John Connelly Presents, New York, United States | |
| Now Playing, D'Amelio Terras, New York, United States | |
| Mixer 03, Monique Meloche Gallery, Chicago | |
| Game over, Grimm / Rosenfeld, Munich, Germany | |
| Today's Man, Traveling Show, Hiromi Yoshii Gallery, Tokyo | |
| Attack – The Kult 48 Klubhouse, K48 & Deitch Projects | |
