BIOGRAFIA
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| ANNE COLLIER | |
| 1970 | Born in Los Angeles, CA |
| Lives and works in New York | |
| Training | |
| 1993 | BFA, California Institute of the Arts, Valencia |
| 2001 | MFA, University of California Los Angeles |
| Solo Exhibitions | |
| 2011 | Nottingham Contemporary, UK |
| 2010 | Anton Kern Gallery, New York |
| Corvi Mora, London | |
| Salina Art Center, Salina, Kansas | |
| 2009 | Giti Nourbakhsch, Berlin |
| Woman With A Camera (35mm), Art Pace, San Antonio | |
| 2008 | Bonner Kunstverein, Bonn, Germany |
| Open Eye Gallery, Liverpool, England | |
| Anton Kern Gallery, New York | |
| Presentation House Gallery, Vancouver | |
| Marc Foxx, Los Angeles | |
| 2007 | Corvi-Mora, London |
| 2006 | Vacio 9, Madrid |
| 2005 | Corvi-Mora, London |
| 2004 | Marc Foxx, Los Angeles |
| Jack Hanley Gallery, San Francisco | |
| 2002 | Marc Foxx, Los Angeles |
| 2001 | Marc Foxx, Los Angeles |
| 1998 | Institute of Visual Arts, University of Wisconsin, Milwaukee |
| 1995 | One on One, Three Day Weekend, Los Angeles |
| Selected Group Exhibitions | |
| 2011 | NY: New Perspectives, with the contribution of Linda Yablonsky, Brand New Gallery, Milan |
| New Age End of the World, Taxter & Spengemann, New York | |
| Singular Visions, Whitney Museum of American Art, New York | |
| 2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton, NY | |
| Catalogue of the Exhibition, TRIPLE V, France | |
| Anti-Photography, Focal Point Gallery, UK | |
| Haunted: Contemporary Photography/Video/Performance, Guggenheim, Bilbao | |
| That’s the Way We Do It: The Techniques and Aesthetic of Appropriation. From El | |
| Arakawa to Andy Warhol. Kunsthaus Bregenz, Bregenz, Austria | |
| Still Life, Lismore Castle, Ireland | |
| 2010 | BigMinis, CAPC Musée d'art Contemporain, Bordeaux |
| Le Faux Miroir, Galerie Rodolphe Janssen, Brussels | |
| Mixtapes Popular Music in Contemporary Art, Lewis Glucksman Gallery, Cork | |
| Gavlak Gallery, Palm Beach | |
| How Soon is Now, Garage Center for Contemporary Culture, Moscow, Russia | |
| Les Rencontres d’Arles Photographie, Arles, France | |
| Fresh Hell, Palais de Tokyo, Paris, France | |
| Haunted:Contemporary Photography/Video/Performance, Guggenheim Museum, New York and Bilbao | |
| Endgame, Slaughterhousespace, Healdsburg, CA | |
| 2009 | To Be Determined, Andrew Kreps Gallery, New York |
| A Twilight Art, Harris Lieberman, New York | |
| Saints and Sinners, Rose Art Museum, Waltham | |
| Curated by…, Galerie Mezzanin, Vienna | |
| Revolver, Coco Kunstverein, Vienna | |
| White Noise, James Cohan Gallery, New York | |
| The Secret Life of Objects, Midway Art, Minneapolis | |
| Copy, Project Room, White Columns, New York | |
| The Living and the Dead, Gavin Brown's Enterprise, New York | |
| Prose pour Des Esseintes, Karma International, Zurich | |
| FLOORS / WALLS, Galerie Giti Nourbakhsch, Berlin | |
| The Audrey and Sydney Irmas Collection of Photographic Self-Portraits, Broad | |
| Contemporary Art Museum, Los Angeles | |
| Il Brusio Della Lingua, Francesca Kaufmann, Milan | |
| 2008 | Friends and Family, Anton Kern Gallery, New York |
| A New High In Getting Low, John Connelly Presents, New York | |
| Group Exhibition, Marc Foxx, Los Angeles | |
| Records Played Backwards curated by Daniel Baumann, Modern Institute, Glasgow | |
| Unknown Pleasures, Aspen Art Museum, Aspen | |
| Legende, Centre d’ Art Contemporain, Charmande, France | |
| Schatten werfen keine Schatten, Meyer Riegger, Karlsruhe | |
| Signs of the Time, Whitney Museum of American Art, New York | |
| Dispersion, ICA, London | |
| La Petite Histoire, Kunstraum Niederoesterreich, Vienna | |
| The World is All. That is the Case., Hudson Franklin, New York | |
| Sphinxx, Stuart Shave/Modern Art, London | |
| Sphinxx, Modern Art Inc., London | |
| 2007 | Two Years, Whitney Museum of American Art, New York |
| People Take Pictures of Each Other curated by Bob Nickas, LaMontagne Gallery, Boston | |
| Anything You Want, Pump House Gallery, Battersea Park, London | |
| Mario Testino: At Home, Yvon Lambert, New York | |
| Neointegrity, Derek Eller Gallery, New York | |
| Der Droste Effekt, Esther Schipper, Berlin | |
| Strange Magic, Luhring Augustine, New York | |
| Last Attraction Next Exit curated by Neville Wakefield, Max Wigram Gallery, London | |
| Beneath the Underdog curated by Nate Loman and Adam McEwan, Gagosian Gallery, New York | |
| I Am Eyebeam, Gallery 400, University of Illinois at Chicago, Chicago | |
| 2006 | Corvi-Mora, London |
| Just Off Focus, Andrew Kreps Gallery, New York | |
| Fountains, D’Amelio Terras Gallery, New York | |
| Good Vibrations, Palazzo delle Papesse – Centro Arte Contemporanea, Siena, Italy | |
| The Rhubarb Society, Tracey Lawrence Gallery, Vancouver | |
| Refract, Marc Foxx, Los Angeles | |
| Axis of Praxis, Midway Contemporary Art, Minneapolis | |
| Mid-Life Crisis, Salander-O’Reilly, New York | |
| Whitney Biennial 2006, Whitney Museum, New York | |
| Having New Eyes, Aspen Art Museum, Aspen, CO | |
| Writing in Strobe curated by Andrew Hunt, Dicksmith Gallery, London | |
| Slow Burn curated by Jonah Freeman, Galerie Edward Mitterrand, Paris | |
| Strange Powers, Creative Time, New York | |
| 2005 | Always Crashing in the Same Car, Galerie Susanne Ottesen, Copenhagen |
| The Early Show, White Columns, New York | |
| Drunk vs. Stoned II, Gavin Brown’s enterprise, New York | |
| Bonds of Love curated by Lisa Kirk, John Connelly Presents, New York | |
| Gallery Artists Summer Group Show, Marc Foxx, Los Angeles | |
| Bridge Freezes Before Road curated by Neville Wakefield, Barbara Gladstone Gallery, New York | |
| Greater New York, P.S. 1, Long Island City | |
| In words and pictures, Murray Guy, New York | |
| 2004 | Eye Spy, Museum of Contemporary Art, San Diego |
| Land of the Free curated by Lee Plested, Jack Hanley Gallery, San Francisco | |
| Let The Bullshit Run a Marathon curated by Nate Loman, Nicole Klagsbrun Gallery, New York | |
| Three Day Weekend curated by Dave Muller, Central Park, New York in collaboration with the Whitney Biennial, New York | |
| Likeness: Portraits of Artists by Other Artists, CCA Watts Institute, San Francisco, CA and traveling to Charlotte, Boston, Nova Scotia, Long Beach, Calgary | |
| 2003 | for nobody knows himself if he is only himself and not another at the same time, Marc Foxx, Los Angeles |
| Makeshift World, Stephen Wirtz Gallery, San Francisco | |
| Summer Show, Marc Foxx, Los Angeles | |
| 17 Reasons curated by Kate Fowle & Jack Hanley, Jack Hanley Gallery, San Francisco | |
| Portraiture, Karyn Lovegrove Gallery, Los Angeles | |
| 2002 | Bay Area Now III, Yerba Buena Center for the Arts San Francisco |
| A Show That Will Show That a Show Is Not Only a Show curated by Jens Hoffman, The Project, Los Angeles | |
| Marc Foxx, Los Angeles | |
| 2001 | Marc Foxx, Los Angeles |
| New Wight Art Gallery, UCLA, Los Angeles | |
| I Want More, Temple Bar Gallery, Dublin | |
| 2000 | Summer Group Show, Goldman Tevis, Los Angeles |
| Art Dogs, George’s, Los Angeles | |
| 1996 | Eros Travel Company, Studio Neuwirth, Vienna |
| Striking Distance curated by Andrea Bowers, Internet site | |
| 1995 | Dave’s Not Here, Three Day Weekend, Los Angeles |
| 1994 | Thanks!, Three Day Weekend, Los Angeles |
| Summer Group Show, Three Day Weekend, Los Angeles | |
| 1992 | L.A.C.E., video screening of Los Angeles video artists, Los Angeles |
