BIOGRAFIA
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| TAMAR HALPERN | |
| 1979 | Born in Los Angeles, CA |
| Lives and works in Brooklyn | |
| Training | |
| 2005 | MFA, Columbia University, New York |
| 2003 | BFA, College of Santa Fe, New Mexico |
| Solo Exhibitions | |
| 2011 | Office Baroque, Antwerp |
| D'Amelio Terras, New York | |
| 2010 | Short Trip To Nowhere, D’Amelio Terras, New York, NY |
| Tamar Halpern: Short Trip To Nowhere (Part 1), Office Baroque Gallery, Antwerp, Belgium | |
| 2008 | Tony Wight Gallery, Chicago, IL |
| 2007 | White Columns, New York, NY |
| Selected Group Exhibitions | |
| 2011 | NY: New Perspectives, with the contribution of Linda Yablonsky, Brand New Gallery, Milan |
| Nereden Nereye, Galeri Manâ, Istanbul, Turkey | |
| Catalogue de l’Exposition / Catalogue of the Exhibition, curated by Bob Nickas, TRIPLE V, Paris, France | |
| 2010 | Looking Back / The Fifth White Columns Annual – Selected by Bob Nickas, White Columns, New York, NY |
| Which Witch is Which? And/or Summertime, White Flag Projects, St. Louis, MO | |
| Acts Are For Actors, SOUTHFIRST, Brooklyn, NY | |
| Greater New York, P.S.1 Contemporary Art Center a MoMA Affiliate, Long Island City, NY | |
| You May Feel Something, Scotiabank CONTACT Photography Festival, Drake Hotel, Toronto, Canada | |
| Knight’s Move, curated by Fionn Meade, SculptureCenter, Long Island City, New York | |
| In a Paperweight, Tony Wight Gallery, Chicago | |
| Owl Stretching Time, curated by Gyonata Bonvicini Galerie Nordenhake, Berlin, Germany | |
| Metamorphoses: Error, curated by Ofri Cnaani, Braverman Gallery, Tel-Aviv, Israel | |
| 2009 | Processed: Considering Recent Photographic Processes, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY, curated by Amy Scally |
| From Yarn to Yucca, John Connelly Presents, New York, NY | |
| Collection of..., White Columns, New York, NY | |
| Palomar, Marvelli Gallery, New York, NY | |
| Xerox Prints, Shane Campbell Gallery, Chicago, IL | |
| Olio, Tony Wight Gallery, Chicago, IL | |
| Separate Entities, Museum 52, New York, NY, curated by Natalia Sacasa | |
| This Has Been, On Stellar Rays Gallery, New York, NY | |
| Photography In The Abstract, Lora Reynolds Gallery, Austin, Texas, curated by Maureen Mahoney | |
| 2008 | Gallery Artists, Office Baroque Gallery, Antwerp, Belgium |
| The Gentle Art of Collapsing the Expanded Field, curated by Chris Sharp, Atelier Cardenas Bellanger, Paris, France | |
| Maria Antelman, Tamar Halpern, Jack Hanley Gallery, San Francisco | |
| Update, White Columns, New York, NY | |
| A New High in Getting Low, John Connelly Presents, New York, NY | |
| Jeremy Chance, Tamar Halpern, Davis Rhodes, Office Baroque Gallery, Antwerp, Belgium | |
| 2007 | Tamar Halpern, Florian Morlat, Michael Phelan, Eleven Rivington, New York, NY |
| Distinctive Messengers, curated by Simon Watson and Craig Hensala, New York, NY | |
| A New High in Getting Low, Art Forum Berlin, traveled to John Connelly Presents, New York | |
| Ann Craven, Deer Beer, Mandrake, Los Angeles, CA | |
| 2006 | Two Friends and So On, Andrew Kreps Gallery, New York, NY |
| 2005 | Free Radio HDTS, The High Desert Test Sites, curated by Christy Gast and Fabiene Lasserre |
| Video Series 2005, Goliath Visual Space, New York, NY | |
