BIOGRAFIA
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SARA VANDERBEEK | |
1976 | Born in Baltimore, Maryland |
Lives and works in New York | |
Training | |
1998 | B.F.A Cooper Union School of Art and Science |
Solo Exhibitions | |
2011 | Metro Pictures, New York |
Hammer Museum, Los Angeles | |
2010 | Of Ruins and Light, Altman Siegel, San Francisco |
To Think of Time, Whitney Museum of American Art, New York | |
2008 | The Principle of Superimposition, The Approach, London |
2006 | Mirror in the Sky, D’Amelio Terras, New York |
Selected Group Exhibitions | |
2011 | NY: New Perspectives, with the contribution of Linda Yablonsky, Brand New Gallery, Milan |
The Anxiety of Photography, Aspen Art Museum, Aspen | |
Intermediate Activity, Nicelle Beauchene Gallery, New York | |
From the Recent Past: New Acquisitions, The Museum of Contemporary Art, Los Angeles | |
2010 | Image Transfer: Pictures in a Remix Culture, Henry Art Gallery, Seattle |
At Home-Not At Home: The Martin and Rebecca Eisenberg Collection, CCS Bard, Annandale-on-the-Hudson, New York | |
Knight’s Move, Sculpture Center, Long Island City, New York | |
Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York; Guggenheim Museum, Bilbao | |
In a Paperweight, Tony Wight Gallery, Chicago | |
The Library of Babel / In and Out of Place, Projectspace 176 at the Zabludowicz Collection, London | |
That Place: Selections from the Collection, Brooklyn Museum, New York | |
Haute Romantics, Verge Gallery, Sacramento, curated by Art Fag City | |
2009 | The Reach of Realism, Museum of Contemporary Art, North Miami |
See: Abstraction (disambiguation), Altman Siegel Gallery, San Francisco | |
Amazement Park: Stan, Sara and Johannes VanDerBeek, The Frances Young Tang | |
Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York | |
New Photography 2009, Museum of Modern Art, New York | |
Gallery Collection, Take Ninagawa Gallery, Tokyo | |
D'Amelio Terras, New York | |
Phot(o)bjects, Presentation House Gallery, Vancouver; Lawrimore Project, Seattle | |
On From Here, Guild & Greyshkul, New York | |
Bivouac, Vox Populi, Philadelphia | |
Weird Beauty, International Center of Photography, New York | |
2008 | Signs of the Times, Whitney Museum of American Art, New York |
Untitled (Vicarious): Photographing the Constructed Object, Gagosian Gallery, New York | |
Defining A Moment: 25 New York Artists, The House of Campari, New York | |
Currents: Recent Acquisitions, The Hirshhorn Museum and Sculpture Garden, Washington, D.C. | |
Past—Forward, Projectspace 176 at the Zabludowicz Collection, London | |
A New High in Getting Low (nyc), John Connelly Presents, New York | |
2007 | I Am Eyebeam, Gallery 400, University of Illinois, Chicago |
A New High in Getting Low, Art Forum Berlin, Berlin | |
The Line of Time, and the Plane of Now, Harris Lieberman and Wallspace, New York Museum 52, London | |
Strange Magic, Luhring Augustine, New York | |
Radiant City, Cherry and Martin, Los Angeles | |
Galleri Christina Wilson, Copenhagen | |
Curacion Geometrica, The Reliance, London | |
Blood Meridian, Michael Janssen Galerie, Berlin | |
To Build A Fire, Rivington Arms, New York | |
Cosmologies, James Cohan Gallery, New York | |
2006 | Dice Thrown (Will Never Annul Chance), Bellwether, New York |
Thin Walls, Klaus Von Nichtssagend Gallery, Brooklyn, New York | |
History Lesson 3, Gavin Brown’s Passerby, New York | |
Psychic Reality, Bellwether Gallery, New York | |
2005 | The General’s Jamboree, Guild & Greyshkul, New York |
2004 | Guild & Greyshkul at Placemaker Gallery, Miami, Florida |