BIOGRAPHY
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| LISA YUSKAVAGE | |
| 1962 | Born in Philadelphia, Pennsylvania |
| Lives and works in New York | |
| Training | |
| 1986 | M.F.A. Yale School of Art, New Haven, Connecticut |
| 1984 | B.F.A. Tyler School of Art, Temple University, Philadelphia, Pennsylvania |
| 1982 | Temple Abroad, Tyler School of Art, Rome, Italy |
| Solo Exhibitions | |
| 2011 | Lisa Yuskavage, David Zwirner, New York |
| Lisa Yuskavage, Royal Hibernian Academy, Dublin | |
| 2010 | Lisa Yuskavage, greengrassi, London, England |
| 2009 | Lisa Yuskavage, David Zwirner, New York, New York |
| 2007 | Lisa Yuskavage, greengrassi, London, England |
| 2006 | Lisa Yuskavage, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico |
| Lisa Yuskavage: New Work, David Zwirner, New York, New York | |
| Lisa Yuskavage: New Work, Zwirner & Wirth, New York, New York | |
| 2004 | Lisa Yuskavage, greengrassi, London, England |
| 2003 | Lisa Yuskavage, Marianne Boesky Gallery, New York, New York |
| 2002 | Lisa Yuskavage, greengrassi at The Galleries Show, Royal Academy of Arts, London, England |
| Lisa Yuskavage, greengrassi, London, England | |
| 2001 | Lisa Yuskavage, Centre d’Art Contemporain, Geneva, Switzerland |
| Lisa Yuskavage, Marianne Boesky Gallery, New York, New York | |
| Lisa Yuskavage: Watercolors, Studio Guenzani, Milan, Italy | |
| 2000 | Lisa Yuskavage, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania |
| 1999 | Lisa Yuskavage, greengrassi, London, England |
| 1998 | Lisa Yuskavage, Marianne Boesky Gallery, New York, New York |
| 1997 | Lisa Yuskavage, Studio Guenzani, Milan, Italy |
| 1996 | Lisa Yuskavage, Boesky & Callery, New York, New York |
| Lisa Yuskavage, Christopher Grimes Gallery, Santa Monica, California | |
| 1994 | Lisa Yuskavage, Christopher Grimes Gallery, Santa Monica, California |
| Lisa Yuskavage, Luhring Augustine, New York, New York | |
| Lisa Yuskavage: Watercolors, Elizabeth Koury, New York, New York | |
| 1993 | Lisa Yuskavage, Elizabeth Koury, New York, New York |
| Lisa Yuskavage, Studio Guenzani, Milan, Italy | |
| 1990 | Lisa Yuskavage, Pamela Auchincloss Gallery, New York, New York |
| Selected Group Exhibitions | |
| 2011 | NY: New Perspectives, with the contribution of Linda Yablonsky, Brand New Gallery, Milan |
| Creating the New Century: Contemporary Art from the Dicke Collection, Dayton Art Institute, Dayton, Ohio | |
| Secret Societies, Schirn Kunsthalle, Frankfurt | |
| 2010 | Between Picture and Viewer: The Image in Contemporary Painting, Visual Arts Gallery, School of Visual Arts, New York |
| Face to Face, Museum of Contemporary Art, Denver, Denver, Colorado | |
| Size Does Matter, The FLAG Art Foundation, New York, New York | |
| Until Now: Collecting the New (1960-2010), Minneapolis Institute of Arts, Minneapolis, Minnesota | |
| 2009 | 30th Anniversary, Christopher Grimes Gallery, Santa Monica, California |
| Bad Habits, Albright-Knox Gallery, Buffalo, New York | |
| The Female Gaze: Women Look at Women, Cheim & Read, New York, New York | |
| Figuratively Seeing, Massachusetts College of Art and Design, Boston, Massachusetts | |
| 2008 | Attention to Detail, The FLAG Art Foundation, New York, New York |
| Bad Painting Good Art, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria | |
| Diana and Actaeon: The Forbidden Glimpse of the Naked Body, Museum Kunst Palast, Dusseldorf, Germany | |
| Female Forms and Facets: Artwork by Women from 1975 to the Present, Central Connecticut State University Art Galleries, New Britain, Connecticut | |
| The Gallery, David Zwirner, New York, New York | |
| Happy Vacation, Thrust Projects, New York, New York | |
| Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York | |
| Paint Made Flesh, The Frist Center for the Visual Arts, Nashville, Tennessee itinerary: The Phillips Collection, Washington, D.C.; The Memorial Art Gallery, The University of Rochester, Rochester, New York | |
| Weighing and Wanting: Selections from the Collection, Museum of Contemporary Art, San Diego, La Jolla, California | |
| 2007 | America Today: 300 Years of Art from the USA, National Art Museum of China, Beijing, China itinerary: Shanghai Museum and the Shanghai Museum of Contemporary Art, Shanghai, China |
| Artist Collaborations: Fifty Years of Universal Limited Art Editions, The Museum of Modern Art, New York, New York | |
| Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958), Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts | |
| Multiplex: Directions in Art 1970 to Now, The Museum of Modern Art, New York, New York | |
| Paper, Fisher Landau Center for Art, Long Island City, New York | |
| The Present: The Monique Zajfen Collection, Stedelijk Museum, Amsterdam, The Netherlands | |
| 2006 | The Other Side #2: Radical Pursuits: Delights in the subversive and sublime, Tony Shafrazi Gallery, New York, New York |
| 2005 | Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Gallery of Contemporary Art, University of Colorado Springs, Colorado Springs, Colorado |
| Girls on Film, Zwirner & Wirth, New York, New York | |
| Laguna's Hidden Treasures: Art from Private Collections, Laguna Art Museum, Laguna Beach, California | |
| “Post” and After: Contemporary Art from the Brandeis Collection, Rose Art Museum, Brandeis University, Waltham, Massachusetts | |
| 2004 | 5th International Biennial: Disparities and Deformations, Our Grotesque, SITE Santa Fe, Santa Fe, New Mexico |
| The Charged Image, Joseloff Gallery, University of Hartford, Hartford, Connecticut | |
| Seeing Other People, Marianne Boesky Gallery, New York, New York | |
| She’s Come Undone, Artemis Greenberg Van Doren, New York, New York | |
| 2003 | de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, New York |
| Reverie: Works from the Collection of Douglas S. Cramer, The Speed Art Museum, Louisville, Kentucky | |
| Self Portraits, Deitch Projects, New York, New York | |
| Skowhegan Faculty Exhibition, Institute of Contemporary Art at Maine College of Art, Portland, Maine | |
| Stephen Greene: Painter and Teacher, Addison Gallery, Andover, Maryland | |
| Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, California | |
| Terrible Beauty, Roebling Hall, New York, New York | |
| 2002 | The 177th Annual: An Invitational Exhibition, National Academy of Design, New York, New York |
| Fusion Cuisine, Deste Foundation, Athens, Greece | |
| Go Figure, LUXE, New York, New York | |
| Visual Jury 2002 Exhibition, Fine Arts Work Center, Provincetown, Massachusetts | |
| 2001 | Arte Contemporaneo Internacional, Museo de Arte Moderno, Mexico City, Mexico |
| Camera Works: The Photographic Impulse in Contemporary Arts, Marianne Boesky Gallery, New York, New York | |
| furor scribendi: Works on Paper, Angles Gallery, Los Angeles, California | |
| Lateral Thinking, Art of the 1990s, Museum of Contemporary Art, San Diego, La Jolla, California | |
| Naked Since 1950, C&M Arts, New York, New York | |
| Pictures, Patents, Monkeys, and More…On Collecting, Organized by Independent Curators International with guest curator Ingrid Schaffner itinerary: Western Art Gallery, Western Washington University Bellingham, Washington; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Akron Art Museum, Akron, Ohio; Fuller Museum of Art, Brockton, Massachusetts; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania | |
| Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, England | |
| 2000 | 00, Barbara Gladstone Gallery, New York, New York |
| The 46th Biennial Exhibition: Media/Metaphor, Corcoran Museum of Art, Washington, D.C. | |
| 2000 Whitney Biennial, The Whitney Museum of American Art, New York, New York | |
| Drawn From Life, Marianne Boesky Gallery, New York, New York | |
| The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, New York, New York | |
| Go Figure, Norfolk Public Library, Norfolk, Connecticut | |
| Greater New York, P.S.1 Contemporary Art Center, Long Island City, New York | |
| A Plurality of Truths, Schick Art Gallery, Skidmore College, Saratoga Springs, New York | |
| Salon, Delfina Project Space, London, England | |
| Twisted: Urban Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven, The Netherlands | |
| Works on Paper 2000, American Ambassador’s Residence, The Slovak Republic | |
| Marianne Boesky Gallery, New York, New York | |
| 1999 | Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, New York |
| Looking at Ourselves: Works by Women Artists From the Logan Collection, San Francisco Museum of Modern Art, San Francisco, California | |
| Negotiating Small Truths, Jack S. Blanton Museum of Art, University of Texas at Austin, Austin, Texas | |
| The Nude in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut | |
| The Passion and the Wave, 6th International Istanbul Biennial, Istanbul, Turkey | |
| Spellbound, Karyn Lovegrove Gallery, Los Angeles, California | |
| The Time of Our Lives, New Museum of Contemporary Art, New York, New York | |
| 1998 | From Here to Eternity, Max Protetch Gallery, New York, New York |
| Now and Later, Yale University Art Gallery, New Haven, Connecticut | |
| People, Places, and Things, Marianne Boesky Gallery, New York, New York | |
| Pop Surrealism, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut | |
| A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art, San Francisco, California | |
| Presumed Innocence, Anderson Gallery of Virginia Commonwealth University, Richmond, Virginia itinerary: Center for Contemporary Art, Cincinnati, Ohio | |
| Risk of Existence, Phyllis Kind Gallery, New York, New York | |
| Young Americans 2, Saatchi Gallery, London, England | |
| 1997 | My Little Pretty, Museum of Contemporary Art, Chicago, Illinois |
| The Name of the Place, Casey Kaplan, New York, New York | |
| Project Painting, Lehmann Maupin and Stephano Basilico Galleries, New York, New York | |
| SLAD, Apex Art, New York, New York | |
| Women’s Work in Contemporary Painting, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina | |
| 1996 | Adicere Animos, Cesena-Cesenatico, Bologna, Italy |
| Early Learning, L & R Entwistle Ltd., London, England | |
| Heart's Desire, Judy Ann Goldman, Boston, Massachusetts | |
| Intermission, Basilico Fine Arts, New York, New York | |
| Norfolk '96, Yale Summer School of Music and Art, Norfolk, Connecticut | |
| Rome Invitational, Tyler School of Art, Temple University, Philadelphia, Pennsylvania | |
| The Tailor's Dummy, Christopher Grimes Gallery, Santa Monica, California | |
| What I did on my summer vacation, White Columns, New York, New York | |
| 1995 | Diverse Group, Apex Art, New York, New York |
| Gang Warfare, The MacKinney Avenue Contemporary, Dallas, Texas | |
| Not Not (Who's There?), E.S. Vandam, New York, New York | |
| An Offering to San Simeon, Christopher Grimes Gallery, Santa Monica, California | |
| On Beauty, Regina Gallery, Moscow, Russia | |
| Pictura Immedia, Malerei in den 90er Jahren, Kunstlerhaus and Neue Galerie, Graz, Austria itinerary: Kunsthalle Budapest, Budapest, Hungary | |
| Youth Culture Killed My Dog (But I Don’t Really Mind), Contemporary Arts Council, Chicago, Illinois | |
| 1994 | Don't Postpone Joy or Collecting Can Be Fun, Austrian Cultural Center, New York, New York |
| I, Myself, and Me, The InterArt Center, New York, New York | |
| New Work, Johan Jonker Galleria, Amsterdam, The Netherlands | |
| NY/NL: XX, Gemeenteligh Helmont Museum, Helmond, The Netherlands | |
| Out West and Back East: New Work from New York and Los Angeles, The Santa Monica Museum of Art, Santa Monica, California | |
| Up the Establishment, Sonnabend Gallery, New York, New York | |
| 1993 | Figure as Fiction, The Contemporary Arts Center, Cincinnati, Ohio |
| Medium Messages, Wooster Gardens, New York, New York | |
| Mr. Serling's Neighborhood, Christopher Grimes Gallery, Santa Monica, California | |
| The Return of the Cadavre Exquis, The Drawing Center, New York, New York | |
| Yale Collects Yale, Yale Art Gallery, New Haven, Connecticut | |
| 1992 | The Anti-Masculine, Kim Light Gallery, Los Angeles, California |
| Group Exhibition, Elizabeth Koury, New York, New York | |
| Little Men/Little Women, White Columns, New York, New York | |
| A Paper Trail, Berland/Hall Gallery, New York, New York | |
| 1991 | FIAR International Exhibition itinerary: Rome, Italy; Milan, Italy; Paris, France; London, England; New York, New York; Los Angeles, California |
| Fine Arts Work Benefit Show, Twining Gallery, New York, New York | |
| 1989 | Juried Show '89, New Jersey Center for the Visual Arts, Summitt, New Jersey |
| 1988 | Emerging Artists, WWAC Gallery, Westport, Connecticut |
| Twenty Artists Choose Twenty Artists, Provincetown Art Museum, Provincetown, Massachusetts | |
| 1987 | New Work, New Talent, New Haven, Harcus Gallery, Boston, Massachusetts |
| 1986 | New Talent, Alpha Gallery, Boston, Massachusetts |
| Awards | |
| 2005 | Temple University Gallery of Success Award, Temple University, Philadelphia, Pennsylvania |
| 2000 | Founder’s Day Certificate of Honor, Tyler School of the Arts, Philadelphia, Pennsylvania |
| 1996 | Tiffany Foundation Grant |
| 1994 | MacDowell Colony Fellowship |
| 1986 | Zimtbaum Foundation Fellowship, Fine Arts Work Center, Provincetown, Massachusetts |
