BIOGRAPHY
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SUZANNE MCCLELLAND | |
1959 | Jacksonville, FL |
Lives and works in Brooklyn, NY | |
Education | |
1989 | M.F.A School of Visual Arts, New York, NY |
1981 | B.F.A University of Michigan, Ann Arbor, MI |
Solo Exhibitions | |
2017 | Third Party, Aldrich Museum of Contemporary Art, Ridgefield, CT |
Rank, Team (Bungalow), Venice, CA | |
Feedback, curated by Leo Fitzpatrick, Marlborough Contemporary, New York, NY | |
The Coverly Set, Sargent’s Daughters, New York, NY | |
2016 | Articulate Muscle, Dieu Donne, Lab Grant Exhibition, New York, NY |
2015 | Call with Information, Team Gallery, New York, NY |
Zero Plus Zero, Shane Campbell Gallery, Chicago, IL | |
2014 | Drawings, Shane Campbell Gallery, Chicago, IL |
2013 | Furtive Gesture_CEDEpart2, University Art Museum, University at Albany SUNY, Albany, New York, NY |
Every Inch of My Love, Team Gallery, New York, NY | |
STrAY, The Fralin Museum of Art, Charlottesville, VA | |
2011 | Left, Sue Scott Gallery, New York, NY |
2010 | Scratch, Shane Campbell Gallery, Chicago, IL |
TOY, Galerie Andrews Thalmann, Zurich, CH | |
2009 | Put Me in the Zoo, Sue Scott Gallery, New York, NY |
2007 | STrAY, David Krut Projects, New York, New York, NY |
2005 | SLIP, Larissa Goldston Gallery, New York, NY |
Team Play Her, Shane Campbell Gallery, Chicago, IL | |
2003 | Suzanne McClelland: Drawings and Prints, KS Art, New York, NY |
2001 | Enough Enough, Orlando Museum of Art, Orlando, FL |
2000 | Out of Character, Paul Kasmin Gallery, New York, NY |
Plot, Galerie Lutz and Thalmann, Zurich, CH | |
Intersections and Interruptions, Locks Gallery, Philadelphia, PA | |
1999 | Correspondence, Lemberg Gallery, Birmingham, MI |
Elsewhere, Baldwin Gallery, Aspen, CO | |
1998 | Mothertongues, Paul Kasmin Gallery, New York, NY |
1997 | NC, Weatherspoon Art Gallery, Greensboro |
Tealeaves, LA Louver, Venice, CA | |
Galerie Lawrence Rubin, Zurich, CH | |
Galerie Kyoko Chirathivat, Bangkok, Thailand | |
1996 | Babel, Paul Kasmin Gallery, New York, NY |
1995 | Lemberg Gallery, Birmingham, MI |
Texas Gallery, Houston, TX | |
Barbara Krakow Gallery, Boston, MA | |
1994 | Paul Kasmin Gallery, New York, NY |
LA Louver, Venice, CA | |
1993 | 303 Gallery, New York, NY |
Jason Rubell Gallery, Miami, FL | |
1992 | Suzanne McClelland-Painting, Whitney Museum of American Art at Philip Morris, New York, NY |
Jason Rubell Gallery, Palm Beach, FL | |
1991 | Stephanie Theodore Gallery, New York, NY |
Group Exhibitions | |
2017 | A Space for Though, Brand New Gallery, Milan, IT |
Lyric on a Battlefield, Gladstone Gallery, New York, NY | |
Blue Black, Pulitzer Arts Foundation, St. Louis, MO | |
It will be more like scratching than writing, Goldfinch Projects, Chicago, IL | |
Gray Matters: Art en grisaille, Wexner Center for the Arts, Columbus, OH | |
Picturing Math: Selections from the Department of Drawing and Prints, The Metropolitan Museum of Art, New York, NY | |
2016 - 2017 | The Conversation Continues: Highlights from the James Cottrell and Joseph Lovett Collection, Orlando Museum of Art, Orlando, FL |
No Man’s Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington D. C. | |
2016 | LANGUAGE as REPRESENTATION, Fisher Landau Center for Art, Long Island City, NY |
Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné, 2000 – Present, The Ruth and Elmer Wellin Museum at Hamilton College, Clinton, NY | |
Revealed Terrain: The Semantics of Landscape, The Center for Book Arts, New York, NY | |
The birds & the bees; Brock Enright & Suzanne McClelland, Meyohas, New York, NY | |
Champagne Life, Saatchi Gallery, London, UK | |
2015 | No Man’s Land, Rubell Family Collection, Miami, FL |
The Raw and the Cooked, Frosh & Portmann, New York, NY | |
The Now Forever, Basilica, Hudson, NY | |
The Center for Contemporary Art, Bedminster, NJ | |
2014 | As We Were Saying: Art and Identity in the Age of “Post”, EFA Project Space, New York, NY |
2014 Whitney Biennial, The Whitney Museum of American Art, New York, NY | |
Above and Below the Surface, John Berggruen Gallery, San Francisco, CA | |
2013 | NYC 1993: Experimental Jet Set, Trash and No Star, The New Museum of Contemporary Art, New York, NY |
Interval Measures, 143 Reade Street, New York, NY | |
2012 | The Master Printer and the Collaborative Process: Collaborations from the Print Studio, ICPNY, New York, NY |
Kind of Blue, Larissa Goldston Gallery, New York, NY | |
Dirt Tongue, CCA Andraxt, Majorca, SP | |
Color Walks Away, Gallerie Andres Thalmann, Zurich, CH | |
Loughelton Revisited, Winkleman Gallery, New York, NY | |
Makeup on Empty Space, Larissa Goldston Gallery, New York, NY | |
Chris Bradley, Michelle Grabner, Suzanne McClelland, Amanda Ross-Ho, Lisa Williamson, Shane Campbell Gallery, Lincoln Park, IL | |
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY | |
Art from the Heart, Weatherspoon Art Museum, Greensboro, NC | |
2011 | A Painting Show, Harris Lieberman Gallery, New York, NY |
Affinities, D’Amelio Terras Gallery, New York, NY | |
Influentials, Visual Arts Gallery at SVA, New York, NY | |
Paper A-Z, Sue Scott Gallery, New York, NY | |
2010 | Drawing, Shane Campbell Gallery, New York, NY |
Pipe and Flow, Espacio Minimo, Madrid, ES | |
Pipe and Flow, CCA Andratx, Mallorca, ES | |
A Reluctant Apparition, Sue Scott Gallery, New York, NY | |
Painting and Sculpture: Foundation for Contemporary Arts Benefit Exhibition, Lehmann Maupin, New York, NY | |
Summer 2010, Larissa Goldston Gallery, New York, NY | |
2009 | New Prints, 2009/Spring, IPCNY, New York, NY |
Pink Panther, KUMUKUMU, New York, NY | |
Affinities: Painting in Abstraction, RISD Museum, Providence, RI | |
SPECIALS on the High Line, Highline, New York, NY | |
Landscape Revisited, Park Avenue Armory, New York, NY | |
Robert Rauschenberg and His Contemporaries: Recent Prints from ULAE, Huntington, NY | |
What’s Neu?: Recent Additions to the Neuberger Collection, Neuberger Museum of Art, Purchase College, Purchase, NY | |
Lover, On Stellar Rays, New York, NY | |
Talk Dirty To Me…, Larissa Goldston Gallery, New York, NY | |
2008 | Legerdemain, Sue Scott Gallery, New York, NY |
Stable Scrawl, Larissa Goldston Gallery, New York, NY | |
Grey, Dinter Fine Arts, New York, NY | |
Ithaca Collects, Johnson Museum of Art, Cornell University, Ithaca, NY | |
More Than Words, Von Lintel Gallery, New York, NY | |
and Affinities: Painting in Abstraction, Ramapo College of New Jersey, Mahwah, NJ | |
Under the Influence, Art and Cultural Center of Hollywood, Fort Lauderdale, FL | |
2007 | Drawing, Thinking,Von Lintel Gallery, New York, NY |
In the Viewing Room, Frederieke Taylor Gallery, New York, NY | |
Horizon, Elizabeth Foundation for the Arts, New York, NY | |
Horizon, CCS Bard College, Annandale-on Hudson, NY | |
Sex in the City, Dumbo Arts Center, Brooklyn, NY | |
Post Dec-Beyond Pattern and Decoration, Joseloff Gallery, University of Hartford, West Hartford, CT | |
What F Word?, Cynthia Broan Gallery, New York, NY | |
Katherine Bowling and Suzanne McClelland Unique Works on paper, One Eye Pug, New York, NY | |
Mixed Signals, Ronald Feldman Fine Arts, New York, NY | |
ULAE-Celebrating Fifty Years with New Editions, Larissa Goldston Gallery, New York, NY | |
Group Show, Nina Freudenheim Gallery, Buffalo, NY | |
In Words: The Art of Language, University Museums, University of Delaware, Newark, DE | |
2006 | Works on Paper Benefit, Kentler International Drawing Space, Brooklyn, NY |
Women in the Bedroom, Larissa Goldston Gallery, New York, NY | |
2005 | Counting the Ways: Words as Image, Fisher Landau Center for Art, Long Island City, NY |
I’m a Child of Divorce Give Me a Break, Cynthia Broan Gallery, New York, NY | |
Artists Pick, Larissa Goldston Gallery, New York, NY | |
2004 | Face Off, Ronald Feldman Fine Arts, New York, NY |
Co-Conspirators: Artist and Collector, Orlando Museum of Art, Orlando, FL and The Chelsea Museum of Art, New York, NY | |
2003 | Take Out, Dieu Donne Papermill, New York, NY |
New Prints 2003/Winter, International Print Center New York, New York, NY | |
ULAE Prints, Robin Rule Gallery, Denver, CO | |
Tamarind: 40 years, Tamarind Institute, Albuquerque, NM, traveled to Toledo Museum of Art, Toledo, OH; Muskegon Museum of Art, Muskegon, MI; Center for Visual Arts, Denver, Co; University of Richmond Museum, Richmond, VA; William D. Cannon Art Gallery, Carlsbad, CA; Kennesaw State University Art Gallery, Kennesaw, GA | |
Symbols & Codes, Signs, Elga Wimmer Gallery, New York, NY | |
Signs, Group Show, Diane Villani Editions, New York, NY | |
WORD/IMAGE, Westport Arts Center, Westport, CT | |
2002 | Group Show, Barbara Krakow Gallery, Boston, MA |
Toyland, Alysia Duckler Gallery, Portland, OR | |
2001 | A Way With Words, Whitney Museum of American Art at Philip Morris, New York, NY |
First There Was a Drawing, The College of Santa Fe Fine Arts Gallery, Santa Fe, NM | |
Digital Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY | |
2000 | Blurry Lines, John Michael Kohler Arts Center, Sheboygan, WI |
Collectors Choice, Orlando Museum of Art, Orlando, FL | |
Unlimited Space, Les Filles du Calvaire, Paris, FR | |
Unique Photographs, Paul Kasmin Gallery, New York, NY | |
Painting, Paul Kasmin Gallery, New York, NY | |
Drawings and Photographs, Matthew Marks Gallery, New York, NY | |
1999 | Painting Language, LA Louver, Venice, CA |
Gesture and Contemporary Painting, The University of Michigan School of Art Gallery, Ann Arbor, MI | |
Drawn from Artist Collections, The Drawing Center, New York, NY | |
Abstract Painting 1999, Paul Kasmin Gallery, New York, NY | |
Powder, Aspen Art Museum, Aspen, CO | |
Immediacies of the Hand: Recent Abstract Painting in New York, Hunter College, New York, NY | |
1998 | Artist’s on Line for ACOR, Gagosian Gallery, New York, NY |
Group Show, Paul Kasmin Gallery, New York, NY | |
Group Show, Galerie Lawrence Rubin, Milan, IT | |
After School, Visual Arts Museum at The School for Visual Arts, New York, NY | |
Spring for Art, Art for Spring, Weatherspoon Art Gallery, Greensboro, NC | |
Proof Positive: 40 Years of Contemporary American Printmaking at ULAW: 1957-1997, The Armand Hammer Museum of Art at UCLA, Los Angeles, CA and Sezon Museum of Art, Tokyo, JP | |
Masters of the Masters: MFA Faculty of the School of Visual Arts New York 1983-1998, Butler Institute of American Art, Youngstown, OH | |
Painting Language, LA Louver, Venice, CA | |
1997 | Moving Toward the Millennium, Schmidt Contemporary Art, St. Louis, MO |
Heart, Mind, Body, Soul: American Art in the 1990’s: Selections from the Permanent Collection, Whitney Museum of Art, New York, NY | |
Suzanne McClelland, Elizabeth McGrath and Daniel Wiener, Eugene Binder Gallery, Long Island City, NY | |
Artists Respond to 2001: A Space Odyssey, Williamsburg Art and Historical Society, Brooklyn, NY | |
After the Fall: Aspects of Abstract Painting Since the 1970’s, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY | |
Jacqueline Humphries, Suzanne McClelland, Beatriz Milhazes, Betsey Senior Gallery, New York, NY | |
Irredeemable Skeletons, Shillam and Smith Gallery, London, GB | |
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, The Corcoran Gallery of Art, Washington, DC and University of Colorado, Colorado Springs, CO | |
New Grounds: Prints and Multiples, The University of South Florida Contemporary Museum of Art, Tampa, Fl | |
Sculpture and Works on Paper Based on the Word ‘Cube’: Carol Szymanski and Suzanne McClelland, Schmidt Contemporary Art, St. Louis, MO | |
Color Detour, Apex Art, New York, NY | |
1996 | Unconditionally Abstract, Schmidt Contemporary Art, St. Louis, MO |
Group Exhibition, Elizabeth Fiore Fine Arts, New York, NY | |
What I Did on My Summer Vacation, White Columns, New York, NY | |
Women’s Work, Greene Naftali Gallery, New York, NY | |
The Baseball Show, Curt Marcus Gallery, New York, NY | |
1995 | Group Show, E.S. Vandam, New York, NY |
Summer 1995, Paul Kasmin Gallery, New York, NY | |
Kunstkabinet, Center of Contemporary Art, Seattle, WA | |
Human/Nature, The New Museum of Contemporary Art, New York, NY | |
Austin Ackles, Luca Buvoli, Mary Jones, Suzanne McClelland, Paul Kasmin Gallery, New York, NY | |
1994 | Les Temps D’un Dessin, L’ecole des Beaux-arts, L’Orient, FR |
Abstraction A Tradition of Collecting in Miami, Center Fine Arts, Miami, FL | |
Master Prints From the Collection, The Paul J. Sachs and Tatyana Grosman Galleries, MoMA, New York, NY | |
Points of Departure, John Berggruen Gallery, San Francisco, CA | |
Heterogeneity-Abstraction and Virtual Space, Out of the Blue, Edinburgh, GB | |
Painting Language, LA Louver, Venice, CA | |
Re: Visioning the Familiar, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University, Middletown, CT | |
1993 | Works on Paper, Jack Hanley Gallery, San Francisco, CA |
ULAE: Forthcoming Publications and Recent Editions, Brooke Alexander Gallery, New York, NY, | |
Universal Limited Art Editions, Bobbie Greenfield Gallery, Venice, CA | |
Paintings, Paula Cooper Gallery, New York, NY | |
Toolbox, Studio la Citta, Verona, IT | |
Suzanne McClelland and Gail Fitzgerald, Schmidt Contemporary Art, St. Louis, MO | |
Summer Reading, Texas Gallery, Houston, TX | |
Drawing the Line Against AIDS, Guggenheim Museum, Venice, IT | |
Foundation for Contemporary Performance Arts Benefit Exhibition, Leo Castelli Gallery, New York, NY | |
Extravagant, Russisches Kulturzentrum in conjunction with Sylvia Menzel Gallery, Berlin, DE | |
Irony and Ecstasy, Salama-Caro Gallery, London, GB | |
Single Frame: Ideal Moments of (Ir)rational Totality, John Good Gallery, New York, NY | |
Biennial Exhibition, The Whitney Museum of American Art, New York, NY | |
1992 | Developing Language, Hirschl and Adler Modern, New York, NY |
Group Show, Theuretzbacher Gallery, Vienna, AT | |
Painting, Jack Hanley Gallery, San Francisco, CA | |
Letter ‘S’ Road, Art Omi, Omi, New York, NY | |
Drawings, Jason Rubell Gallery, Los Angeles, CA | |
Contextures & Constructures, Rubinstein/Diacono Gallery, New York, NY | |
Encounters with Diversity, P.S.1 Contemporary Art Center, Long Island City, NY | |
How It Is, Tony Shafrazi Gallery, New York, NY | |
1990 | To Know a Hawk From a Handsaw, Wolf Gallery, NY |
Action for Auction, Act Up, New York, NY | |
1989 | Line, Visual Arts Gallery, New York, NY |
Homeland, Minor Injury, Brooklyn, NY | |
1985 | Homeless at Home, Storefront for Art and Architecture, New York, NY |
1984 | 1984 A Preview, Ronald Feldman Fine Arts, New York, NY |
Public Collection | |
Agnes Gund Foundation | |
Albertina Museum, Vienna, AT | |
Albright Knox Art Gallery, Buffalo, NY | |
Art Foundation Mallorca Collection, Mallorca, ES | |
Brooklyn Museum, Brooklyn, NY | |
Detroit Institute of Fine Art, Detroit, MI | |
Fisher Landau Center For Art, Long Island City, NY | |
Grunwald Center for Graphic Arts, UCLA Hammer Museum, Los Angeles, CA | |
Henry Art Gallery, University of Washington, Seattle, WA | |
Judith Rothschild Foundation | |
Mead Art Museum of Art, Amherst College, Amherst, MA | |
Metropolitan Museum of Art, New York, NY | |
Miami Art Museum, Miami, FL | |
Museum of Art, Washington State University, Pullman, WA | |
Museum of Contemporary Art San Diego, San Diego, CA | |
Museum of Modern Art, New York, NY | |
Neuberger Museum of Art, Purchase College, Purchase, NY | |
New York Public Library Print Collection, New York, NY | |
Norton Museum of Art, West Palm Beach, FL | |
Orlando Museum of Art, Orlando, FL | |
RISD Museum of Art, Providence, RI | |
Southwestern Bell Corporation, Houston, TX | |
St. Louis Art Museum, St. Louis, MO | |
University of Michigan Museum of Art, Ann Arbor, MI | |
University of Virginia Art Museum, Charlottesville, VA | |
Walker Art Center, Minneapolis, MN | |
Whitney Museum of American Art, New York, NY | |
Williams College Museum of Art, Williamstown, MA | |
Yale University Art Gallery, Yale University, New Haven, CT | |
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ |