BIOGRAPHY
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BRIAN KENNON | |
1972 | Born in Los Angeles |
Lives and works in Los Angeles | |
Education | |
1995 | B.A. – California State University Fullerton |
2000 | M.A. Fine Art – Print Making, California State University Fullerton |
2005 | M.F.A. - Art Center College of Design |
Solo Exhibitions | |
2011 | ltd los angeles, Los Angeles, CA |
Documents Remain, BQ, Berlin, Germany | |
2010 | Group Shows, Steve Turner Contemporary, Los Angeles, CA |
2009 | Brian Kennon / 2nd Cannons Publications, White Columns, New York, NY |
II, Mesler&Hug, New York, NY | |
2007 | ‘Thoughtless…’ (I’m with you in Rockland), TRUDI, Los Angeles, CA |
Long Live Rock ‘N’ Roll / Richard Hawkins Decapitated Head, Daniel Hug Gallery, Los Angeles, CA | |
2006 | Untitled #1, 2006, TRUDI, Los Angeles, California |
2005 | Hello Victims, MFA exhibition, Art Center College, Pasadena, CA |
Group Exhibitions | |
2010 | The shortest distance between 2 points is often intolerable, curated by Andrew Berardini, Brand New Gallery, Milan, Italy |
Thoughts for a Book: Raymond Pettibon and Brian Kennon, organized by Lynda Bunting, USC Roski School of Fine Arts, Los Angeles, CA | |
General Public Library, Organized by Mylinh Trieu Nguyen, Art in General, New York, NY | |
No Soul For Sale, Tate Modern, London, UK | |
Current Trends in Modern Painting, curated by Sayre Gomez, Center for the Arts, Eagle Rock, Los Angeles, CA | |
2009 | Ooga Booga Reading Room, curated by Wendy Yao, Swiss Institute Contemporary Art, New York, NY |
Is a Show, Is a Shop, Is a Book, curated by Egija Inzule and Maja Wismer, Latvian Center for Contemporary Art, Riga, Latvia | |
Keep Floors and Passages Clear, Moot, Nottingham, England | |
Beyond Kiosk, curated by Christoph Keller, Museum of Modern Art, Luxembourg | |
Under a Vanishing Light: New Work from L.A., Fourteen30, Portland, OR | |
2008 | To Illustrate and Multiply: An Open Book, Museum of Contemporary Art, Los Angeles, CA |
Artist as Publisher, Center for Book Arts, New York, NY | |
Beyond Kiosk, curated by Christoph Keller, Chaumont, Chaumont, France | |
Desertshore, curated by Jan Tumlir, Luckman Gallery, Los Angeles, CA | |
Against the Grain, curated by Christopher Russell, Los Angeles Contemporary Exhibitions, Los Angeles, CA | |
Beyond Kiosk, curated by Christoph Keller, Bonner Kunstverein, Bonn, Germany | |
Machine for Living Color, organized by Jennifer Tobias, Museum of Modern Art, New York, NY | |
A Dead Serious Group Show, Sister, Los Angeles, CA | |
You, Who’s Beauty Was Famous In Rome, Mandarin Gallery, Los Angeles, CA | |
Gaping Hole Found In Universe, Daniel Hug Gallery, Los Angeles, CA | |
Beyond Kiosk, curated by Christoph Keller, Institute of Contemporary Art, Philadelphia, PA | |
2007 | The Wi-Tang/Googolplex Show (Congress), curated by Darren Bader, Gavin Brown’s Enterprise @ passerby, New York, NY |
Don't Torture the Rotten Ducklings, Institute of Visual Arts, Milwaukee, Wisconsin | |
Trudi: No Jerks, curated by Matthew Chambers and Catherine Taft, Rental Gallery, New York, New York | |
Corpus Humorous, curated by Katie Herzog, Shatford Library, Pasadena, California | |
2006 | Deitch Paper Store, Art Basel, Miami Beach, FL |
6+6+06, curated by Jan Tumlir, USC Graduate Fine Arts Studios, Los Angeles, California | |
2005 | Post-Postcard, Outpost for Contemporary Art, Los Angeles, California |
Supersonic, Los Angeles Design Center, Los Angeles, California | |
2003 | New Wight Biennial, UCLA Wight Gallery, Los Angeles, California |